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Mane KatzAbstract Landscape with Palm Tree Judaica Gouache Painting
$2,600
£1,996.69
€2,288.18
CA$3,660.16
A$4,100.19
CHF 2,132.61
MX$50,013.80
NOK 27,150.91
SEK 25,601.37
DKK 17,078.35
About the Item
Mane-Katz (1894-1962) Landscape with palm tree. Gouache on paper, signed lower right. Dimensions: (Frame) H 37.5" x W 31", (Sight) H 24.5" x W 18"
Emmanuel Mané-Katz (Hebrew:מאנה כץ), born Mane Leyzerovich Kats (1894–1962), was a Litvak painter born in Kremenchuk, Ukraine, best known for his depictions of the Jewish shtetl in Eastern Europe.
Mane-Katz moved to Paris at the age of 19 to study art, although his father wanted him to be a rabbi. During the First World War he returned to Russia, at first working and exhibiting in Petrograd; following the October revolution, he traveled back to Kremenchuk, where he taught art. In 1921, due to the ongoing fighting in his hometown during the civil war, he moved once again to Paris. There he became friends with Pablo Picasso and other important artists, and was affiliated with the art movement known as the School of Paris; together with other outstanding Jewish artists of that milieu, he is sometimes considered to be part of a group referred to specifically as the Jewish School of Paris. Includes painters Jankel Adler, Arbit Blatas, Marc Chagall, Jacques Chapiro, Michel Kikoine, Pinchus Kremegne, Sigmund Menkees, Jules Pascin, Issachar Ryback, Jacques Lipchitz,Chana Orloff, and Ossip Zadkine. Ecole de Paris
In 1931, Mane-Katz's painting The Wailing Wall was awarded a gold medal at the Paris World's Fair. Early on, his style was classical and somber, but his palette changed in later years to bright, primary colors, with an emphasis on Jewish themes. His oils feature Hassidic characters, rabbis, Jewish musicians, beggars, yeshiva students and scenes from the East European shtetl.
Mane-Katz made his first trip to Mandate Palestine in 1928, and thereafter visited the country annually. He said his actual home was Paris, but his spiritual home was Eretz Yisrael, the Land of Israel.
Mane-Katz left his paintings and extensive personal collection of Jewish ritual art to the city of Haifa, Israel. Four years before his death, the mayor of Haifa, Abba Hushi, provided him with a building on Mt. Carmel to house his work, which became the Mane-Katz Museum. The exhibit includes Mane-Katz's oils, showing a progressive change in style over the years, a signed portrait of the artist by Picasso dated 1932 and a large collection of Jewish ritual objects.
In 1953, Mane-Katz donated eight of his paintings to the Glicenstein Museum in Safed, whose artists quarter attracted leading Israeli artists in the 1950s and 1960s, and housed some of the country's most important galleries.
- Creator:Mane Katz (1894 - 1962, American)
- Dimensions:Height: 37.5 in (95.25 cm)Width: 31 in (78.74 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Measurements include frame.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212753082
Mane Katz
Emmanuel Mané-Katz was a prominent modernist in Paris at the beginning of the twentieth century. He studied at the Beaux Arts Academy in Kyiv, Ukraine. After his extensive travels through Europe (catalyzed by World War I), Mané-Katz eventually settled in Paris, where he befriended Pablo Picasso and other fellow modernists. Many of Mané-Katz’s paintings have deep religious significance and origins, often picturing rabbis, Jewish students, and other Hassidic personas. Such paintings of Jewish folklore are often compared to Marc Chagall’s religiously-influenced art practice. He continued his travels to places like Israel, Palestine, Brazil, and Japan throughout the rest of his life, maintaining adherence to religious themes and portraiture in his art. The Mané-Katz Museum is located on Mt. Carmel in Haifa, Israel, and his work is part of the permanent collections of the Tate, the MOMA, and the Museum of Art at Ein Harod in Israel. After his death, Mané-Katz donated much of his art to Haifa, Israel, where his home was. His participation in the School of Paris alongside modernists like Picasso, Chagall, and Soutine solidified him as an influential modernist painter in the early twentieth century.
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