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Mario BigettiOblique Seams on Yellow - Acrylic Painting by Mario Bigetti - 20202020
2020
$711.67
£530.58
€600
CA$977.37
A$1,093.87
CHF 571.17
MX$13,345.29
NOK 7,250.27
SEK 6,880.06
DKK 4,570.13
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About the Item
Oblique Seams on Yellow is an original artwork realized by the Italian contemporary artist Mario Bigetti in 2020.
Mixed media: acrylic painting on yellow colored canvas, twine, and seams.
Hand-signed and dated on the back.
A minimal wood frame is included 64.5 x 3 x 84 cm
Good conditions.
This original painting is realized with a a vivid yellow colored acrylic paint on canvas and presents four cuts on its surface. The painting consists in only one homogeneous vivid color. The cuts are mended with twine, like stitches do for healing wounds. The artist was certainly inspired by the great Italian artist Lucio Fontana, whom created the concept of Spatialism and came up with the idea of space inside a flat surface like the one for painting.
Mario Bigetti, a Roman contemporary artist, an art merchant and a coinnesseur. He is also an expert of the Old master painting of the Roman scene between the XVII and the XVIII Century. The old painting is present in his work; the idea of the seams, indeed, wants to re-create the original sense of the painting. He starts from the idea of the end of the painting (as Lucio Fontana did with his well-known cuts on the surface of his artworks), but with its seams and the twine, he operates a re-union and a return of the painting in its origin.
- Creator:Mario Bigetti (Italian)
- Creation Year:2020
- Dimensions:Height: 19.69 in (50 cm)Width: 19.69 in (50 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1085971stDibs: LU65036760002
Mario Bigetti
Mario Bigetti is a Roman contemporary artist, an art merchant and a connoisseur. He is also an expert on the Old master painting of the Roman scene between the 17th and the 18th century. The old painting is present in his work, the idea of the seams, indeed, is to recreate the original sense of the painting. He starts from the idea of the end of the painting (as Lucio Fontana did with his well-known cuts on the surface of his artworks), but with its seams and the twine, he operates a re-union and a return of the painting in its origin.
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