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Mario BigettiPolka Dots on Red - Acrylic Painting by Mario Bigetti - 20202020
2020
$718.87
$958.4925% Off
£527.32
£703.1025% Off
€600
€80025% Off
CA$981.30
CA$1,308.4125% Off
A$1,103.75
A$1,471.6725% Off
CHF 572.49
CHF 763.3225% Off
MX$13,389.30
MX$17,852.3925% Off
NOK 7,258.85
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SEK 6,830.98
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DKK 4,565.69
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About the Item
Polka Dots on Red is an artwork realized by the Italian contemporary artist Mario Bigetti in 2020.
Mixed media: acrylic painting on red colored canvas, colored velcro pads
Hand-signed and dated on the back.
A minimal wood frame is included 54 x 3 x 54 cm
Good conditions.
This original painting is realized with a a vivid red colored acrylic paint on canvas and presents
three rows of polka dots on its surface. The painting consists in only one homogeneous vivid color.
Mario Bigetti, a Roman contemporary artist, an art merchant and a coinnesseur. He is also an expert of the Old master painting of the Roman scene between the XVII and the XVIII Century. The old painting is present in his work; the idea of the seams, indeed, wants to re-create the original sense of the painting. He starts from the idea of the end of the painting (as Lucio Fontana did with his well-known cuts on the surface of his artworks), but with its seams and the twine, he operates a re-union and a return of the painting in its origin.
- Creator:Mario Bigetti (Italian)
- Creation Year:2020
- Dimensions:Height: 19.69 in (50 cm)Width: 19.69 in (50 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1085951stDibs: LU65036759942
Mario Bigetti
Mario Bigetti is a Roman contemporary artist, an art merchant and a connoisseur. He is also an expert on the Old master painting of the Roman scene between the 17th and the 18th century. The old painting is present in his work, the idea of the seams, indeed, is to recreate the original sense of the painting. He starts from the idea of the end of the painting (as Lucio Fontana did with his well-known cuts on the surface of his artworks), but with its seams and the twine, he operates a re-union and a return of the painting in its origin.
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