Paper Abstract Paintings

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Mullvihill's work is comprised of Chinese characters written in four directions, creating a mandala effect. His Calligraffiti, employing 'Cut-Up' and 'Permutation' processes, results...

Jay Walker is best known for his large-scale, site-specific installations and collector's pieces created with laser-cut vinyl, colored acrylic sheets, artist-made stencils, tape, and...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in white with sizes 16 by 20 in. Mila Akopova is New York artist . She graduated from Moscow State University with a degree in History and Theory of Art. Her Artwork got 3rd place at the 2020 and 2021 American Art Awards, juried by 25 best galleries and museums in America, with artist from 63 countries, in category: minimalism. Also, several works took part in exhibitions of the All-Russian Decorative Art Museum and in the Cube Moscow exhibition space . It was published as the catalog: “The game of tic tac toe, or creating a collection in one year”. Several works by Mila Akopva were created specifically for the collaboration with Vintage Dream...

Interior design paintings. The work was done with alcohol ink in ultramarine blue color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a styrene face...

Evocative abstract expressionist figurative painting of earth-toned highly abstracted couple by Michael William Eggleston (American, 20th Century). ...

David Hare Erotic #1 (Cronus Sex), 1970 Acrylic and paper collage on linen 68 x 51 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, ...

Original Wall Art Painting, Abstract Paintings, Letter Art-On All Counts II A B O U T T H I S P I E C E : “On All Counts II” is a piece of letter art that is featured on unique hand...

"Seduced by the formal complexity of color, I revel in its emotive slipperiness and enjoy mining its controversial decorativeness. The inextricability of these aspects unique to col...

Green Over Orange Abstract Composition in Acrylic on Paper A bold abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). Bright orange and green ar...

Deborah T Colter is a contemporary abstract painter who lives on the Island of Martha’s Vineyard. Deborah graduated from the Rhode Island School of Design with a Bachelor Degree of ...

Acrylic on paper and Netting - Framed. Image's dimensions: 32 x 29 cm/12.5 x 11.4". The Moiré project is an exercise in optical and formal aesthetics. Each individual artwork is ...

A very whimsical and bold depiction of a woman standing gracefully in a white gown against a pink background. This piece captures the essence of fashion in Pairs. Done in a very mode...

Manifest 1 (Abstract Drawing) Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as...

Abstract Gouache on Paper by Minnesota/Chicago artist Richard Koppe (1916-1073). Simply titled “Woman,” the work is an excellent composition by the artist created 1941. The painting ...

Contemporary abstract painting with found object collage by Bay Area artist Michael Pauker (American, b.1957). Blue and red oil paint covers the w...

The Third Script 45 (Abstract painting) Oil on paper — Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary m...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Balancing Act 3 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 3 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Katherine Bello Title : Quietly Waiting Materials : mixed media on canvas Date : 2020 Dimensions : 24"x24"x1.5" Signed and Dated by Hand COA Provided Katherine Bello's aim as an art...

Nazanin Moghbeli is a Persian American artist with training in Persian calligraphy, miniature painting, and music. She borrows techniques from Iranian calligraphy to create abstract ...

Interior design paintings. The triptych is made with alcoholic ink in pale pink, turquoise color on Yupo paper. Each work is 11 by 14 inches in size, framed (gold or black) with a s...

STILL LIFE CORAL OCHRE Graphite and oil pastel on paper Size: 39 x 46.5 cm (including frame) An engaging and powerful abstract composition by British contemporary artist Lloyd Durli...

Paula Valenzuela Metamorfosis, 2025 Watercolor and ink on paper 14 x 10 inches This one-of-a-kind work on paper comes unframed and ships in a tube. External, visible frame and glass...

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

Dynamic mid century cyan abstract by Erle Loran (American, 1905-1999). Signed "Erle Loran" and dated "51" lower right. Presented in silver toned metal frame with mat sans glass. Image size: 21.75"H x 15"W. Framed size: 25"H x 18"W. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...

Interior design paintings. The work was done with india ink and alcoholic ink in black, grey and green color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene...

Sonnet 7 (Abstract painting) Oil on paper — Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical tra...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Labyrinth Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acr...

Mid Century Modern Boats and Bridge, Abstracted Maritime Landscape Painting Wonderful mid-century modern abstracted maritime seascape by listed San...

Zvi Mairovich (1911-1974) was one of the most important Israeli abstract painters. Born in Krosno Poland, he moved to Berlin in 1929, studying painting with Karl Hofer at the Academy...

Beauty & Wonder, by John Wood, 40 x 40 inches, mixed media on paper mounted on panel. Bare wood edges. John Wood’s beautiful abstract imagery is the culmination of a lifetime of wor...

This artwork is a captivating abstract composition that reflects the elusive nature of human relationships through figures of people, particularly feminine forms. Amorphous shapes an...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Mary Abbott Postcard Geometry Signed lower right Crayon on paper 4 x 5 1/2 inches Among the early exponents of Abstract Expressionism, Mary Abbott created powerful oil paintings in...

Michael Knigin Abstract 1 Orange and Yellow 1967 Ink brush and watercolor on paper 8.25"x11" unframed Signed and dated in ink lower right Came from artist's estate *Custom framing a...

This original framed abstract painting on paper by Kelly Rossetti features a cool blue palette. Expressive strokes and drips of varying blue tones are contrasted by smaller warm dabs...

Pat Adams Extended Alike, 1969 Gouache on Paper Mounted to Canvas (Zabriskie Gallery 25th Anniversary & Contemporary Arts Center, Ohio Exhibition Labels) Signed 'Pat Adams 12.69' upper left front In vintage period frame This unique, hand signed gouache on paper, mounted to canvas by renowned artist and longtime member of the Bennington College art department and National Academician Pat Adams, bears labels verso from the following exhibitions: 'Pat Adams Paintings', The Contemporary Arts Center, Cincinnati Ohio, Dec. 7-Jan. 20th. Adams at Zabriskie '(25th Anniversary Exhibition) Zabriskie Gallery, New York, NY, Dec. 5, 1978-Jan. 6, 1979, Cat. no. 41 and' Zabriskie Gallery, New York, Jan. 6-Jan 24, 1970 Measurements: Framed: 19 1/2" H x 13 1/4" W Artwork: 18" H x 11 1/2" W; Excellent condition, held in a vintage frame PAT ADAMS BIOGRAPHY: Pat Adams Biography: Pat Adams (American, b. 1928) was raised in Stockton, California, and began painting at the age of ten. She studied painting at UC Berkeley from 1945–49, where she first encountered the ideas of Hans Hofmann as she studied under his former students—Worth Ryder and Margaret Peterson O’Hagan, who had arranged for Hofmann’s migration to the States in 1932, among them. During her summers at Berkeley she pursued programs at the California College of Arts and Crafts (1945), the College of the Pacific (1946), and the Art Institute of Chicago (1948). In 1950, following her graduation from Berkeley the previous year, she attended a summer session at Brooklyn Museum Art School, remaining in the city after its completion. She received her first solo exhibition in 1954 at the Korman Gallery—later to be renamed the Zabriskie Gallery, which would continue to represent her through 2018. Her work was greatly motivated by her international travel during the 1950s: in Italy in 1951, after her first husband, painter and printmaker Vincent Longo was awarded a Fulbright scholarship, and in France in 1956, after she received her own Fulbright scholarship. In the fall of 1964 she was invited by professor Paul Feeley to teach at Bennington college, where she joined the social circle of the famous “Green Mountain Boys,” including Kenneth Noland and Jules Olitski. In 1972 she married fellow Bennington professor R. Arnold Ricks, and they set off with her two sons on a four month journey through Egypt, Iran, Turkey, and all of Europe, which impacted her work significantly. She continued teaching at Bennington through 1993. Her lengthy career has also included many teaching appointments at Yale, as both a visiting professor and artist, as well as the Rhode Island School of Design, among numerous other institutions across the country. She has received notable awards from the National Endowment for the Arts, the Academy of Arts and Letters, the National Academy of Design, and the College Art Association. In 1995 she was awarded the Vermont Governor’s Award for Excellence in the Arts. Her work has been the subject of over fifty solo exhibitions. She lives in Bennington, Vermont. -Courtesy of Alexandre Gallery

Rich Seated 3 is a contemporary nude painting by Judith Brenner. This is an original drawing from life on paper using acrylic, pan pastel , ink and watercolour pencil. The idea is to...

French mixed media abstract expressionist painting by Danièle Jaquillard. The painting is signed and dated bottom right. Presented in a custom, painted tray frame. A strong and impa...

"Black on White" is a painting created by Enrico Benetta in 2010. This piece can be hung by itself, or be considered as part of a diptych with "White on Black". The painting comes unframed, with a total dimension of 28" x 59" x 5". This piece was made with acrylic paint, gesso, and corten steel - the signature materials that Benetta has become known for. Thanks to his excellent skills, the artist uses unconventional media to create truly unique artworks, that take the viewer to an aerial, restless dimension - despite the opposite nature of those materials. Benetta's work takes the heritage of Italian industrial design and fuses it with contemporary art, giving life to unique abstract pieces that spark the attention of art lovers worldwide. He studied Fine Arts in Venice, and his work has been featured in more than 25 exhibitions in the recent years, in addition to his collaboration with brands like Hermes...

This is an interesting abstract work done with handmade Japanese Kozo or Washi type fiber paper mounted on board. Hand signed and dated in wonderful muted earth tones of fall foliage. Taro Yamamoto (1919 – 1994) belonged to the New York School Abstract Expressionist artists whose artistic innovation by the 1950s had been recognized across the Atlantic, including Paris. New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline and others became a leading art movement of the post World War II era. He was also associated with Action painting Yamamoto was born in Hollywood, California. He lived in Japan from age six to age nineteen. In 1936 he returned to the USA and began studies in cubism at Los Angeles City College. In 1941 he joined the U.S. Army and served during WWII. After being discharged from the service he returned to California where he studied at the Santa Monica City College. 1950-1952 at The Art Students League of New York, under Yasuo Kuniyoshi, Morris Kantor, Reginald Marsh, Byron Browne and Vaclav Vytlacil; 1951-1953 at the Hans Hofmann School of Fine Arts in New York City. In 1952 he won a John Sloan Fellowship from the Art Students League. The next year he traveled to Europe under a Edward G. MacDowell Traveling Fellowship where he studies in Stuttgart, Germany with Willi Baumeister. He also exhibited at Galerie Huit in Paris. In 1954 Yamamoto was invited to a residency at the MacDowell Colony in Peterborough, New Hampshire. There he worked alongside Stuart Davis, Milton Avery, Willem de Kooning, Jackson Pollock and Mark Rothko developing his unique abstract expressionist style. Later in his life he devoted himself to a more hard-edge geometric style of painting. He married Gwyneth Cotton, a naturalized English woman, in 1955, and they lived in Wellfleet, Massachusetts. They were active at the Universalist Church of Provincetown. (He descended from a long line of Shinto priests) Yamamoto died in Provincetown in 1994. Selected Solo Exhibitions 1953: Galerie Huit, Paris; 1955: The Art Students League of New York, NYC; 1960-1962: Krasner Gallery, NYC; 1963-1964: 371 Gallery, Provincetown, MA; Selected Group Exhibitions 1951: Pennsylvania Academy of Fine Arts; 1952: NY Contemporary Gallery, NYC; 1952, 1955, 1956, 1962: Provincetown Art...

Sarah Irvin During the First , 2018 ink on Yupo paper 62 x 52 in. (irv089ap) Sarah Irvin's work is concerned with explorations of autobiography, family history, genetic heritage, an...

An abstract, whimsical and bold depiction of a woman standing gracefully in a white gown against a pink background with delicate details. This piece captures the essence of fashion i...

An abstract, whimsical and bold depiction of a woman from the 1920's looking out into the distance. She seems to be a mysterious character, with a wonderous stare . Done in a very mo...

Gloria Dudfield Red at Top Abstract 1960s Oil Pastel and Gouache on Paper 36"x32" unframed Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her work ...

Red, Black, and Brown Figurative Abstract Expressionist in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). The left...

Lace Swirls - Abstract Expressionist Composition in Acrylic on Paper A dynamic abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece i...

Abstract expressionist seascape on paper. This piece is one of a series of works created under the guidance of great English artist Si...

Subaquatic Canyon - Abstract Expressionist on Paper Abstract in bold blue and red with textures created by salt in India ink and watercolor, by California-based artist Ricardo de Silva (Brazilian, 20th Century). Bonus sketch on verso of a person's face, perhaps a self-portrait of the artist. Unsigned, but was acquired with a collection of the artist's work. Paper size: 17.75"H x 12"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve Alastra...

Horizontal two-toned mixed media abstract painting/collage by Bay Area artist Michael Pauker (American, b.1957). Unsigned. From a collection of his work. Displayed in a metal window box...

Dramatic and compelling mixed media, collotype by Patricia A. Pearce (American, b. 1948). A mixed media artist test project painting using brown wash, gold leaf, silver leaf, and co...

Evocative and expressive contemporary self portrait titled "Unfinished Story" by Alexander Gore (Russian, b. 1958), 2010. Signed upper left edge. Unframed. Image, 15"H x 11"W. Ale...

Dynamic Abstract Painting – Acrylic, Oil, and Collage on Canvas This vibrant and expressive artwork is created using a dynamic technique that combines acrylic and oil paints with co...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. This is an intervention in a old paper recordered. Old frame. Western progress and development, of which we are so proud, have brought us to this point. A society where hyper-individualism, loss of solidarity, and an exaggerated egocentrism rule. Art circulates everywhere today, and the world is totally aestheticized. But it is an aestheticization that only involves the virtuality of the screens. This generates hypervisibility, an excess of images. The virtual world gives us the perfect illusion, but it is an empty illusion, not an artistic one. It pretends to be a double of reality, a mere reproduction that has nothing to do with the creativity of art. In this scenario, we ask ourselves if the aesthetic illusion and the enigmatic power of art can still exist. Ed Warner...