Mathilde Lefort

Healing Gate - Ashes and Gold on canvas

There is in Prophecy the idea of an incantation, of magic words allowing to transgress the laws of reality. A golden melody emanating from the tormented depths of the ocean. A liquid knowledge subject to the interpretation of each and that each can seek in the sensations that awaken. Mixing Gold powder and Iron, the scriptures of PROPHECY are as if corroded by time, already on the way to their disappearance. Evoking an ancient knowledge that modernity would have tried to erase, it imposes itself as the vector of an unnameable divine source. They appear and disappear like a breath whose echo resounds with a universal spirituality established in sensations. In a world where the letters and the texts are present everywhere, these scriptures reveal themselves as a silent language established beyond the immediate meaning. Unreadable by the mind, the letter that has become a sign is now receptive to a new meaning given by the observer. Failing to be able to decipher them, it is a question of feeling them for their metaphysical and symbolic power. Just as Kandinsky aspires to produce a painting capable of provoking a «spiritual awakening», PROPHECY proposes the construction of a new universal language based on sensations. --- Mathilde Lefort is a french visual artist based in Bali, Indonesia Holder of a Master’s Degree at EHESS Paris (France), Mathilde is specialized in war representations and human rights. In parallel with her theoretical studies, she developed an artistic practice around these questions. Using art video, installation and visual publications, she exhibited her work both in Paris and across Europe. Going back to New Caledonia, she lived in total immersion in a tribe located in the north of the island from 2017 to 2019. There she co-direct EDEN TRIBAL, 52 min documentary produced by Box Fish Productions and sold to France Television. The movie tells the story of a Kanak woman fighting to be the chief of her tribe, within the context of the island’s referendum for independence. This period was spent in a deep loneliness. Rejected by the community while deeply in love, Mathilde wandered the darkness of her soul. She captured empty landscapes and wrote the ambulations of her mind to reflect on her loss of identity, the meaning of love, the woman’s place, racism and colonialism. Now in Bali, she follows an unpredictable journey intertwining art, death, and magic. Stabbed to death in 2020, she pursues today her shamanic journey while crafting abstract paintings and sculptures rooted in mystical knowledge. Her art presents itself as a meditation...

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