Maureen Naughton

Marshlands, Maureen Naughton 2018 Encaustic and Silver Leaf on Board Painting

2018

It only took us a second to fall in love with Amy Sullivan's abstracted barns and structures. Oozing with texture and media, her large-scale and slightly off-kilter renditions of the...

It only took us a second to fall in love with Amy Sullivan's abstracted barns and structures. Oozing with texture and media, her large-scale and slightly off-kilter renditions of the...

It only took us a second to fall in love with Amy Sullivan's abstracted barns and structures. Oozing with texture and media, her large-scale and slightly off-kilter renditions of the...

It only took us a second to fall in love with Amy Sullivan's abstracted barns and structures. Oozing with texture and media, her large-scale and slightly off-kilter renditions of the...

It only took us a second to fall in love with Amy Sullivan's abstracted barns and structures. Oozing with texture and media, her large-scale and slightly off-kilter renditions of the familiar shapes take on a whole new meaning that are simultaneously, as Amy says, "ever elusive and always familiar." Her beautiful tonal and abstracted landscapes are full of complexity that the layers of medium bring. Sullivan says, "My process is an intuitive exploration of simplicity. I am fascinated with negative spaces contradicted by positive mark-making." She likes to begin her paintings with a small study in oil and wax (which are as lovely as the finished pieces, we promise you!) And then, with her keen eye, she searches for the potential of intrigue and paradox. "Carving into the wax and paint, penetrating masses of space with sharp edges, I respond to the tension of defining space and object in an almost sensual way," she tells us. We especially appreciate the way Amy describes that fleeting moment when she knows a painting is complete: "Ever intrigued with the irony of painting, I wait for the voice that says ‘hurry, hurry'. When I'm finished, and I know that the work is complete, there is a feeling inside that says you're home...

Amy Dixon’s loose, spontaneous canvases are full of life, energy and a glorious palette that warm the soul. Mostly her paintings convey this artist’s infectious joie de vivre and the...

This is the beautiful island Santa Rosa, one of the Channel Islands Sanctuary islands just off the California mainland. This vast stretch is adorned with a variety of fiery wildflowers stretching far and wide, like a musical composition of various themes and in different voices. Santa Rosa is home to an incredible array of birds and marine life. It is a narrow but spreading landscape ribboned with trails, each one seemingly in the manner of a flight or chase, repeating the same melody in a slight variation. The cliffs drop hundreds of feet to the crashing swells of ocean below, home to historic shipwrecks peacefully intact. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

GENTLE CURRENTS 24x24, framed size 25 1/4” x 25 1/4”. Encaustic on cradled board. Description: It’s a dreamlike place, the wind is gently playing with the reeds, a place to find comfort and peace. Here your soul is soothed by it’s tranquility and you are at ease. Sylvia Torres, was born in California one will find the ocean, sky and mountains reflected in her work. She also spent several years in Texas, where she attended the University of Houston, studied commercial art and became the Art Director at several advertising agencies. Eventually the lure of California drew her back to California. Ms. Torres has been an instructor of art workshops at Idyllwild Arts, Carnegie Art Museum, Studio Channel Islands Art Center,, Collage Artists Of America, the Ventura County Art Museum, University of California/Riverside, She has exhibited in solo and group shows including: Palm Springs Art Museum, Santa Paula Art Museum, Ventura Music Festival Invitational, Channel Islands Sanctuary, San Luis Obispo Art Museum, Santa Paula Art Museum, Marion Meyer Contemporary Art, Laguna Beach, CA, East/West One, Invitational, inThousand Oaks, CA, Ventura Government Center Invitational, Ventura, CA. Sylvia was interviewed live and her history video recorded by Donna Granata, founder of Focus On The Masters. Sylvia’s video history is permanently documented in their archives. Torres’ work has been acquired by private and corporate collectors: Focus On The Masters, Carnegie Art Museum permanent collection, Handel Evans past President of CSU Channel Islands, University, Infinity Bank, Ventura, CA, and others. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

An original encaustic & oil on panel by American contemporary artist Mark Lavatelli. Mark Lavatelli is a Western New York painter, educator, and freelance critic. He earned an A...

"Purplescent" in the "Lay of the Land" collection is inspired by the meeting place of land and sea where earth and water merge; the fleeting moment between time and space where one g...

"Unified Field" in the "Lay of the Land" collection is an original painting by San Diego Artist Shima Shanti in the ancient art form of Encaustic. Up to 50 layers of purified beeswa...

"Ashore the Sea of Peril" in the "Water in Motion" collection is inspired by the rhythm and flow of water derived from San Diego encaustic artist Shima Shanti's own observation and ...