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Maurice EstèveLe Boischaut - Maurice Esteve, modern, colorful, french, painting, abstract, art1960
1960
About the Item
Maurice Estève (1904-2001)
Le Boischaut
1960
oil on canvas
65 x 100 cm
signed and dated ‘Estève 60’ (lower left)
Price:
€276,000 EUR (inc. 20% UK VAT)
Provenance:
Galerie Villand-Galanis, Paris
Sonja Henie & Niels Onstad, Oslo (acquired from the above in 1961) Haakon Thomas Onstad, Switzerland (by descent)
Sale: Christie’s Paris, 8 June 2016, lot 33A
Private collection, Switzerland (acquired at the above sale)
Exhibited:
Paris, Galerie Villand-Galanis, Estève: peintures récentes, 1961, no. 30 (illustrated) Bâle, Kunsthalle Basel, no. 126; Düsseldorf, Düsseldorf Kunsthalle; Copenhagen, Statens Museum for Kunst, no. 151; Oslo, Kunstnernes Hus, Maurice Estève (oeuvres 1919-1960), 1961, pp. 27 & 29, no. 142 Lausanne, Musée des Art Décoratifs de la Ville de Lausanne, Peinture contemporaine dans les collections vaudoises, 1971, no. 52 Genève, Galerie Bonnier, Maurice Estève: Peintures 1943-1963, 1973-74, no. 26 (illustrated)
Literature:
M. Maillard & M. Prudhomme-Estève, Maurice Estève: Catalogue raisonné de l’oeuvre peint, Neuchâtel, 1995, p. 353, no. 527 (illustrated)
Notes:
Maurice Estéve was a French painter celebrated for his lyrical experiments with bright interwoven forms. His painting was automatic, once saying, "I never use a sketch, painting directly on the canvas, without a preparatory drawing... Each work is a series of transformations."
Born in 1904 in Culan, France, Estéve moved to Paris with his parents in 1913. He worked for a year as a designer in a textile factory in Barcelona in 1923, before attending the Académie Colarossi in Paris the following year. Prior to this he was largely self-taught, but visited the Louvre regularly and was impressed by painters Jean Fouquet and Paolo Uccello. However, of the modern artists it was Paul Cezanne who had the greatest influence on Estéve. During his studies he was exposed to the Cubists and became influenced by the work of Georges Braque and Fernand Léger.
Estéve's first one-man exhibition was held at the Galerie Yvangot, Paris in 1930 and in 1937 he worked as an assistant to Robert Delaunay on huge decorative panels for the Paris International Exhibition. From the 1940s his work became more abstract and his stylised figures, still-life and landscape compositions evolved into interlocking shapes in rich, bold colours. Estéve worked in a number of mediums including oil, watercolour, lithography, textile design and murals. In 1959 he took part in the II. documenta exhibition in Kassel: a presentation of contemporary art founded by Arnold Bode in an attempt to bring Germany up to speed with modern art. In 1970 he received the Grand Prix National des Arts and in 1987 the Estéve Museum was opened in Bourges, France to which Estéve donated a large collection of his work.
Estéve settled in his hometown of Culan in 1995 and died there aged 97 in 2001. Today his work is held in collections, such as the Centre Georges Pompidou, Paris, the Tate Gallery, London and the Art Institute of Chicago.
Categories:
Le Boischaut, Maurice Esteve, modern, colorful, french, painting, abstract, art, esteve, modern art, oil painting, canvas, oil paint, colors, colours, colorful, colourful, yellow, red, orange, blue, black, bright, authentic, original, decorative, design, self-taught, cubist, cubism, abstract art, solid, block
- Creator:Maurice Estève (1904 - 2001, French)
- Creation Year:1960
- Dimensions:Height: 25.6 in (65 cm)Width: 39.38 in (100 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU141427343742
Maurice Estève
Maurice Estève was born May 2, 1904 in Culan in the Cher where he spent his childhood with his grandparents. He joined them in 1913 in Paris, where he discovered the Louvre Museum (he is particularly impressed by the Battle of San Romano by Paolo Ucello). Returning to Culan for the summer, he stayed there during the war years, began painting as early as 1915. He lived in Paris again from 1918. Apprentice to a typographer then to a modern furniture design studio, he followed Drawing evening class, discovers in 1919 the painting of Cézanne. Back in Paris he attended Montparnasse the free workshop of the Academy Colarossi. Marked until then by the painting of the Primitives and the work of Cézanne, it passed temporarily in 1927 the influence of surrealism, including Giorgio de Chirico. He presents his first solo exhibition in 1930 before becoming interested in film and directing. On the advice of Braque who participates, he is asked in 1936 to exhibit in Stockholm with Matisse, Picasso, Juan Gris and Fernand Léger. He participated the following year in the realization of the wall decorations of Robert and Sonia Delaunay for the pavilions of the Aviation and Railways at the Universal Exhibition of Paris. Estève, who works regularly during the summer in Culan, makes lithographs, regularly practices watercolor but also charcoal, monotype, collage. In 1970, he received the Grand Prix National des Arts. From 1981 are organized several retrospectives of his work. The City of Bourges decided to present all the works (more than a hundred) which the painter donated to him in 1985 in the Hotel des Echevins, restored with the assistance of the Historic Monuments and the Direction of the Museums of France to become the "Estève Museum", inaugurated in 1987. Estève moved permanently to Culan in 1995. He died on June 27, 2001.
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