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Michael Kessler“Studio 1” Contemporary Gestural Purple, Blue, and Cream Abstract Painting1995
1995
$3,500
£2,672.97
€3,061.74
CA$4,992.96
A$5,441.88
CHF 2,833.89
MX$65,660.34
NOK 35,623.11
SEK 33,441.81
DKK 22,867.33
About the Item
Contemporary gestural purple, blue, and cream abstract painting by American artist Michael Kessler. The work consists of many very thin layers of paint that are built up to reveal the passage of time and document the process of the painting's own creation. Signed, titled, and dated on the reverse. Includes original gallery label. Currently unframed.
Artist Biography: Michael Kessler is a mixed media artist who lives on the Colorado Plateau in both Santa Fe, NM and Utah. Born in Hanover, Pennsylvania, Kessler received a B.F.A. from Kutztown University in Pennsylvania in 1978. Through the prolonged process of observation, it was the inner-dynamics of the natural world that grasped the artist’s attention. The questions of how and why nature looked the way it did began to drive his work.
"Nature provides the basis upon which my work exists,” shares Michael Kessler. “Gradually my painting process took on the characteristics of these natural processes [like sedimentation and erosion]. I invented the process and that process created the images that became my paintings. The main thing I want my work to convey is a sense of awe and wonder at the vast universe we can never comprehend. That is how I feel about the world we inhabit and those are the feelings I want my work to express."
Michael Kessler’s work explores the continuum between gesture and geometry. Compositions draw attention to elements that change and remain the same within a matrix of repetition. Large-scale panels are often divided compositionally with bands which allow him to place elements into and under the layers of the paint to draw attention to time-sequences and continuums leading the eye/mind through the process. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic and paper. The process involves the application of many layers of marks and skins. A sandwich of information is built up to reveal the passage of time and its own creation. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. Like the yin and yang, the organic and geometric elements in his paintings speak not of dichotomy, but of integration.
The paintings function much the way music does, but with color and textures Kessler is able to stimulate associations as well as create visual experiences that awaken memories of nature. Nature is his model and transformation is his subject – his process an organic evolution. His work is influenced by collage artists such as Robert Raushenburg, Kurt Schwitters, Anselm Kiefer, and Mark Bradford.
Kessler's work has been widely exhibited in the US and abroad, and has been featured in over 70 solo exhibitions since 1983. His paintings are widely collected and appear in over 25 museum collections in the US, including the Brooklyn Museum in New York, the Museum of Fine Arts in Boston, the Philadelphia Museum of Art, and the San Francisco Museum of Modern Art. Awards of the work of Michael Kessler include the Rome Prize for Painting from the American Academy in Rome in 1990, and a Pollock/Krasner Award in Painting in 1992.
- Creator:Michael Kessler (1954, American)
- Creation Year:1995
- Dimensions:Height: 47.88 in (121.62 cm)Width: 45.75 in (116.21 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Houston, TX
- Reference Number:Seller: A2025.0819.67461stDibs: LU551317125862
Michael Kessler
Michael Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While still an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. During this period (1977–78) he met many important artists working in New York City including Richard Tuttle and Dorothea Rockburne. Influenced by the paintings of Brice Marden and Elizabeth Murray as well as the music of Phillip Glass and Steve Reich he began experimenting with his own work. His paintings soon became fully non-objective. Kessler's works are characterized by large fields of diaphanous color that are activated by organic linear structures that have been visually and physically woven into a grid structure, which consists of thick slabs of paint. These organic linear structures are overlapped and punctuated by dendritic growth patterns that suggest the bending of time and space. These visual elements as well as the color combinations have been carefully extracted from nature over time through prolonged observation and then reconstructed and orchestrated to transmit the dynamics of the Natural World. In this way Kessler synthesizes disparate elements into a new kind of harmony. In 1991 after returning from a year in Italy (via. the Rome Prize) Kessler became very involved with large-scale, site-specific installations. Gallery owner Chris Schmidt (Schmidt/Dean Gallery, Philadelphia) worked with Kessler to initiate this project by obtaining a commission from Arlen Specter for Kessler's first sitespecific work which was installed in Senator Specter's office at the Hart Senate Office Building in Washington, D.C. In Chicago Kessler continued this pursuit with Gallery owner Paul Klein who also got involved with the placement of sitespecific works in his gallery Klein Art Works. In 1993-95 Kessler taught art at Carnegie Mellon University in Pittsburgh. During the 90s Kessler worked with Brenda Kroos in Cleveland, Ohio. He had several exhibitions there and many of his paintings were placed in corporate and private collections in the Cleveland area.

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