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Nicholas Evans"Cutting Room" (Abstract, Dyed, Magenta, Pink, Green, Blue, Text, Type, French)2018
2018
$2,240
$2,80020% Off
£1,698.48
£2,123.1020% Off
€1,961.29
€2,451.6120% Off
CA$3,142.86
CA$3,928.5720% Off
A$3,501.61
A$4,377.0120% Off
CHF 1,846.76
CHF 2,308.4520% Off
MX$42,451.36
MX$53,064.1920% Off
NOK 23,493.46
NOK 29,366.8220% Off
SEK 21,885.64
SEK 27,357.0520% Off
DKK 14,649
DKK 18,311.2420% Off
About the Item
CUTTING ROOM
2018
This piece touches on abstracted themes of mass hysteria, confusion, and the curation of information. Subtly conveyed through fragmented, hand painted verbiage in both English and French.
"... ce qui est dans l'air maintenant... nuance on the cutting room floor... don't speak of this don't speak of that..."
Color palette of dyed magenta/pink over a natural canvas with accents of green and blue. Canvas is loosely stretched piece of wood board. Can be shipped off board if preferred for economic shipping (or shipped on the board for hanging).
Painting is on an un-framed canvas wrapped board. Option to add a handmade, solid oak 1/2” gallery style frame (with 1/4” floating between the frame and painting), to finish the piece. Please inquire for details.
- Creator:Nicholas Evans (1982, American)
- Creation Year:2018
- Dimensions:Height: 50.5 in (128.27 cm)Width: 40 in (101.6 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU163029409252
Nicholas Evans
Nicholas Evans is an American, Paris-based artist, designer and creative director. Painting is a cornerstone of Evans’s artistic expression, which is largely inspired by personal events, religious symbolism, and historical allegories.
In addition to traditional oil and acrylics, Evans uses materials such as plasters, wax, salt and found objects in his works, presenting a way to seek new meaning in elements that have collapsed or eroded over time. Threads of poetry convey the fragmented logic of suffering, lost love and redemption that push him to create.
After early success in New York’s fashion and creative industry — followed by nearly losing his life to addiction — a liver transplant gave way to a new perspective and allowed Evans to reinvent himself. Inspired to revisit the rudiments of expression through his first love of painting, Nicholas began working under the moniker of Evans Deventer to present his art.
Through Evans Deventer, he is continuously intrigued by the “decayed decadence” of long-held traditions and the looming past, and how to represent them visually. Evans Deventer is also represented as a brick and mortar space, which he designed in 2015, featuring furniture, jewelry and objects, in addition to artwork.
Find original Nicholas Evans art on 1stDibs.
(Biography provided by Evans Deventer)
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Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present.
This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of pink, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the pink ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern.
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"Doves for the Dorians II" (pink, green, white, Greek warrior. sword, painting)
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"I'm Sorry Too" (contemporary, abstract, dark, floral, green, roses, linen)
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Paris, France
This abstract painting portrays two roses seemingly merging in harmonious synchronization, evoking a sense of beauty intertwined with a poignant und...
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This piece is a visual interpretation of a poem the artist wrote around frenzied, short-sighted behaviors:
“That part usually stays hidden. Those colors are not known for blending. Us? We come from a rib. And we tangle ourselves in the traps we set for our prey.” - Nicholas Evans
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Category
21st Century and Contemporary Abstract Abstract Paintings
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