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Nicholas Evans
“So Plant, So Animal” (Graphic, Bold, Abstract, Neutral, Framed, Linen Painting)

2022

About the Item

Bold yet delicately portrayed, "So Plant, So Animal I" is an abstract piece framed to perfection, offering a timeless neutral color palette. The central theme captures the essence of returning to one's natural state, embracing both the dangers and serenity that accompany such a journey. For a harmonious ensemble (diptych or triptych), consider pairing it with "So Plant, So Animal II" or "So Plant, So Animal III" (available separately). Hand-stretched on natural Belgian linen, the canvas boasts an Indian-ink underpainting enriched with overlays of white, adding captivating depth and texture. The canvas measures 60cm x 50cm x 2cm, embraced by a wood frame painted warm gray, with overall dimensions of 65.5cm x 54cm x 3.5cm. Evans Deventer signature stamp on back of linen features name, year (2022) and place of completion (Paris, France). "So Plant, So Animal I" invites you to embrace the beauty of nature and find solace in the acceptance of its untamed elements.
  • Creator:
    Nicholas Evans (1982, American)
  • Creation Year:
    2022
  • Dimensions:
    Height: 25.79 in (65.5 cm)Width: 21.26 in (54 cm)Depth: 1.38 in (3.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Paris, FR
  • Reference Number:
    1stDibs: LU163029970702

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“So Plant, So Animal III” (Black & White, Graphic, Bold, Abstract, Neutral)
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Bold yet delicately portrayed, "So Plant, So Animal III" is an abstract piece framed to perfection, offering a timeless neutral color palette. The central theme captures the essence ...
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“So Plant, So Animal II” (Graphic, Bold, Abstract, Neutral, Framed Painting)
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Bold yet delicately portrayed, "So Plant, So Animal II" is an abstract piece framed to perfection, offering a timeless neutral color palette. The central theme captures the essence o...
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"Le Crâne" (Abstract Skull Painting on Pale Pink Background, Canvas, 50 x 50cm)
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LE CRÂNE 2020 Paris, France A faint gesture of a skull, ‘le crane,’ lives on a pale pink background, and interacts with other abstract detailing, creating movement and tension. Evan...
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"The Way" (Black & White, Texture, Depth, Antique Linen, Neutral Beige, Nude)
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Located in Paris, IDF
The canvas comes to life with a captivating yet understated painting, heavy on texture, using antique linen, crafted with a unique blend of dye, pigment, and acrylic. The artist's su...
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"Lus Osculi" (Abstract Black & White, Graphic Painting, Roman-inspired, Neutral)
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Located in Paris, IDF
Drawing inspiration from the ancient Roman term "Los Osculi," translating to "right to kiss," the artist delves into a compelling exploration of the past's intriguing customs. In ancient Rome, women were prohibited from drinking as it was believed to lead to adultery and even possess abortifacient properties. Consequently, the husband and male family members of an "honest" woman possessed the right to kiss her on the mouth to ensure her sobriety. The allure of fleeting kisses, whispers of scent, and the sensuality of suspicion captivated the artist's imagination. On an antique French canvas...
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"Set Us In Stone II" (abstract, pink, women, Parisian, graphic, bust, natural)
By Nicholas Evans
Located in Paris, IDF
SET US IN STONE II 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of pink, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the pink ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone I" (as pictured). Price and size are per painting. Evans Deventer...
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