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Paul FournierSong of Spring - contemporary, expressionist abstract, acrylic on canvas2012
2012
$55,000
£42,959.36
€48,699.57
CA$78,848.66
A$86,492.68
CHF 45,254.30
MX$1,029,435
NOK 571,589.49
SEK 536,161.16
DKK 363,715.60
About the Item
This expressive abstract painting is Paul Fournier’s vision of spring colors.
For more than six decades Canadian artist, Paul Fournier investigated the potential of color and expressive abstract form to create his own unique visual language. Fournier’s powerful presence in the Canadian art scene elevated him to the status of one of the greats. Always inspired by the beauty of the natural world, this joyful piece is rendered in brilliant colors reminiscent of the riot of color that first appears in spring. Purple, blue, pink, yellow, white, red and orange cascade down the canvas against a bright green background. Fournier’s signature use of extensive mark-making and drips adds both texture and movement to his work.
“As a painter, I’m doing the same thing with colour, shape and movement that a musician does.” Paul Fournier
“Fournier’s passionate dialogue with both nature and the stuff of painting links even his most diverse works. No matter how potent the allusion, Fournier, as a highly intuitive artist with a profound belief in the expressive power of his materials, always makes us aware of the sensuality of paint, the excitement of the act of painting.” Karen Wilkin, Art Critic
Paul Fournier was born during the Great Depression in Simcoe, Ontario. He first studied at the Ontario College of Art and Design in 1959 and went on to study printmaking at McMaster University in Hamilton in 1967. Fournier also received an Honorary Doctor of Laws from McMaster in 1996 where he’d also been the artist in residence. During a career that spans six decades, Fournier has had solo exhibitions in several Canadian cities and in the U.S. His work is held in private collections in North and South America, and Europe. Public collections include the Art Gallery of Ontario, the National Gallery of Canada, the Sculpture Garden in Washington and the Tate Museum in London.
- Creator:Paul Fournier (1939, Canadian)
- Creation Year:2012
- Dimensions:Height: 60 in (152.4 cm)Width: 144 in (365.76 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU29115886432
Paul Fournier
Paul Fournier (b. 1939, Simcoe, ON) first emerged within a movement of third-generation non-figurative painters who worked in Toronto during the 1960s. His peers included Milly Ristvedt, K.M. Graham, David Bolduc and others exploring techniques and forms of post-painterly abstraction. Fournier began studies in 1959 at the Ontario College of Art and Design. He soon became known for his use of bright fauvist colours for which he was dubbed an "exotic modernist" by New York art critic Donald Kuspit. Fauvism was a post-impressionist movement in France characterized by the "wild' use of colour. Fournier has had major solo exhibitions in Toronto, Guelph, Hamilton, Edmonton, Houston and Washington, D.C. His work was selected by critic Andrew Hudson for 14 Canadians: A Critic's Choice at the Hirshhorn Museum and Sculpture Garden and by Boston Museum of Fine Arts curator Kenworth Moffett for inclusion in The new Generation: A Curator's Choice at the Andre Emmerich Gallery in New York. In 1996, Fournier received an Honorary Doctor of Laws from Sir Wilfrid Laurier University. His paintings and graphics are included in most major public collections, including the National Gallery of Canada, the Art Gallery of Ontario, and the Tate Museum, as well as in private collections in the United States, South America and Europe. "...Paul Fournier’s canvases seemed typical of his generation of Toronto painters. Like his colleagues K. M. Graham, Daniel Solomon, Paul Hunter and David Bolduc, Fournier demonstrated an almost Fauvist sense of color and an ability to be both playful and lyrical in the same picture. Like them, too, he clearly admired Matisse and Jack Bush. Yet Fournier’s pictures were and have remained stubbornly personal, in a challenging territory of his own, a narrow zone between reference and invention." Karen Wilkin, Canadian Art, 1991.
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