Peter Stephens

"Sugar Town" 2025 acrylic and collage on wood

2025

Peter Stephens Quadrivium 65, 2024 acrylic and collage on paper 30 x 22 in image size: 12 x 16½ in (ste025)

Peter Stephens Quadrivium 70, 2024 acrylic and collage on paper 30 x 22 in image size: 13 x 18 in (ste026)

Peter Stephens Quadrivium 77, 2024 acrylic and collage on paper 30 x 22 in image size: 16 x 16 in (ste027)

I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does. This ...

Layers of ladders climbing to the place you don't want to be but need to be. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the ar...

Abstract work that engages the viewer with multiple color and depth :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: R...

PWW-777 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery of electronics from the 90s, small bits of a map of various places in Germany, and vinyl records. Mack paints on top of a torn canvas, and on the edges you can see the frayed, painted canvas mounted to the white backing of the frame. The work is finished with glass that shows minimum reflection as well as a customized 2 inch, white frame. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...