Rafael Ruz

Ruz 980 original abstract acrylic canvas painting

1991

Swiss born artist Marco Schmidli creates minimalist paintings with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his paintings. This 62 inch high by 55 inch wide original artwork...

This large-scale (68 x 90 inches) original abstract painting by Marco Schmidli is a breathtaking example of contemporary art that blends atmospheric abstraction and a layered, luminous color palette. The surface is alive with subtle tonal variations, where deep navy and indigo blues dissolve into glowing aquas, silvers, and soft sky tones. Schmidli’s technique creates a sense of movement across the canvas, as if the work captures a horizon caught between water and sky, inviting collectors to experience the meditative calm of nature through a purely abstract lens. The layered pigments enhance depth and dimension, producing an almost ethereal glow that shifts with the light. This 68 inch high by 90 inch wide original artwork...

This abstract painting uses playful geometric lines to form a strong visual statement. Emphasis is placed on high contrasting elements of design and composition. The zig-zag pattern ...

This contemporary minimal abstract painting puts emphasis on simplified composition. Tone on tone grey builds up a subtle texture using loose brush strokes, adding contrast to the bl...

QUIET THOUGHTS -This contemporary minimal abstract painting puts emphasis on simplified composition. Tone-on-tone layers of gray build up a soft, textured surface through loose brush...

In the series Figurative II, the figures in acrylic paint on canvas are connected to the spirit world through animals, folklore, myth and dream. They are archetypal figures, aspects ...

* Frame included, gallery team will guide you to select the frame that suits your deco and colour scheme of the space. Also Free Shipping worldwide ! About: Summer 2024, the avenue of 130-year-old Lime trees surrounding Shizico’s new cottage Garden captivated and inspired Shizico Yi to...

Mahesh Sharma’s Nar-Nari series explores the dynamic relationship between male and female energies through an abstract, contemporary lens. Crafted with cut handmade paper pasted onto...

Doris K. Mooney Hanna (American, 1931-2022) Untitled, 1960 Acrylic on canvas 49 x 36 in. Signed lower right: Doris K. Mooney Doris Mooney Hanna grew up in Phi...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Phenomenon East of the River by Paul Jenkins (1923 - 2012) Acrylic on canvas 97.2 x 130.2 cm (38 ¹/₄ x 51 ¹/₄ inches) Signed lower right, Paul Jenkins Signed, titled and dated 1993 on the reverse Provenance Private collection, New York, acquired directly from the artist Artist's Biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...