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Eric Mack“PRLS-1000” contemporary abstract collage, mixed media, purple, blue, multi2017
2017
About the Item
"PRLS-1000" is part of Eric Mack's urban grid series. Using a grid to create the framework of the painting, Mack creates movement across the piece with dynamic techniques of washy underpainting underneath matted pieces of paper, and thread. His paintings have been described as "intellect on top of emotion."
Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world.
His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015;
Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves, The Embassy of Sierra Leone, The Embassy of Madagascar, King and Spalding Law Firm, Baranco Acura, The Atlanta City Hall, + Kipp Primary School, Trinity Academy, Teach for America, Kipp Collegiate High School,
Currently, Mack is exhibiting at The Hartsfield- International Airport in Atlanta, Canvas in Malibu and The Four Seasons Atlanta. He will also be a part of group shows in Brooklyn, and the University of North Carolina later this year.
- Creator:Eric Mack (1976, American)
- Creation Year:2017
- Dimensions:Height: 24.5 in (62.23 cm)Width: 19.5 in (49.53 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Signal Mountain, TN
- Reference Number:1stDibs: LU98513328681
Form communicates emotion. Pattern transmits expression. Rhythm is the basis of our visual world, from the windows and tile arrangements found in our homes, to the composition ofplant life and oceanic creatures. Most every form of matter that we acknowledge throughout our daily lives posses the evidence of rhythmic life. Rhythm structures tone and sound. It gives shape to speech, melody, dance, poetry, and the human body. Without rhythm light, sound, and other forms could not be differentiated from one another as it is their frequency or rhythmic waveforms that define them. While exploring and exposing various subject matter, my goal is to recognize how shape, form, and pattern are primary in our daily outlook. The works created can be described as visual sheet music. Blocks and angles of color brushed and smudged across random perimeters of various medium. Broken and solid line work split and gel together the variety of hue and shape. Found within the core of the work are the cultural references, signs of technological
advances, schematical diagrams, component dials and switches are all included for their fundamental form. Most of them are basic circles, squares, and triangles.
When these ideas are put together it creates a piece of music that is seen instead of heard. The rhythm of life is inhaled and exhaled with each day that is given to us. By realizing the fundamentals of our daily visual experiences, individuals can relate and appreciate the role that rhythm plays in our lives.
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OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece.
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