Rebecca Kamen

Warming 5

2020

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts...

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts...

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts at the libraries of the American Philosophical Society, the Science History Museum, and the Cajal Institute in Madrid. She has also worked on collaborative projects at the Center for Astrophysics at Harvard University, the Kavli Institute at Massachusetts Institute of Technology, and Rochester Institute of Technology. While artist in residence in the neuroscience program at National Institutes of Health, Kamen interpreted and transformed neuroscience research into sculptural form. Her work has recently been exhibited in the Creative Resilience: Art by Women in Science an international exhibition sponsored by UNESCO at their headquarters in Paris. It includes women in science from 31 countries, exploring art as a transformational aspect of the pandemic. Kamen’s artwork is in the permanent collections of National Academy of Sciences, Porter Neuroscience Research Center, National Institutes of Health, Cincinnati Children’s Research Hospital, the Levine’s Children’s Hospital, and the Don Myers Technology & Innovation Building at American University. As professor emerita of art at Northern Virginia Community College, Professor Kamen continues to investigate how the arts and creativity can enhance innovation and our understanding of science. Currently, Kamen is investigating the neuro-dynamics of curiosity and the creative process in her work as artist in residence in the Computational Neuroscience Initiative and Department of Physics and Astronomy at the University of Pennsylvania. ARTWORK INFORMATION Through the process of automatic painting, The Reverie Series creates a direct link between the inner and outer eye, capturing the temporary experience of double vision and the insights it revealed during recovery from brain surgery...

ARTIST BIO Rebecca Kamen, artist, and lecturer on the intersections of art and science, seeks ‘the truth’ through observation. Her artwork is informed by wide-ranging research into cosmology, history, philosophy, and by connecting common threads that flow across various scientific fields to capture and re-imagine what the scientists see. Kamen has exhibited and lectured both nationally and internationally. As catalysts for her artwork, she has investigated scientific rare books and manuscripts at the libraries of the American Philosophical Society, the Science History Museum, and the Cajal Institute in Madrid. She has also worked on collaborative projects at the Center for Astrophysics at Harvard University, the Kavli Institute at Massachusetts Institute of Technology, and Rochester Institute of Technology. While artist in residence in the neuroscience program at National Institutes of Health, Kamen interpreted and transformed neuroscience research into sculptural form. Her work has recently been exhibited in the Creative Resilience: Art by Women...

A warm and entrancing abstract composition in oils, cold wax, and powdered pigment. It has a gorgeous pallet of reds, oranges, golds, and purples. The artist engraved the surface...

b. 1968 Charlottesville, VA The paintings, drawings and prints of Michael Rich reflect an approach to nature and landscape as a wellspring for spiritual investigation and meditation...

Leslie B. Weissman Untitled abstraction, 2016 Acrylic and mixed media painting on paper 15 × 18 inches Pencil signed and dated by the artist on the lower left front Unframed Biography: Leslie B. Weissman (b. 1966, NYC) Education: Hobart and William Smith Colleges BA 1988 Art and Economics New York University / Tisch MPS 1991 Recent and Upcoming Exhibitions: PFLAG Pride In Bloom Exhibit and benefit Auction October 2020 Blue Door Gallery - Yonkers, NY Group Show, Global Expressions September 12, to October 24, 2020 Blue Door Gallery - Yonkers, NY Group Show, Summer Blues July 24, to August 29, 2020 Blue Door Gallery - Yonkers,, NY Group Show, Kinda Blue October-November 2018 Riverfront Art Gallery - Yonkers,, NY Group Show, Womantide March-April 2019 Blue Door Gallery - Yonkers,, NY Group Show, Kinda Blue October-November 2018 Morgan Stanley Corporate Headquarters - Purchase, NY September-October 2018 The Art Closet Gallery March 2018 Selected Works Artist in Residence Chappaqua Performing Arts Center 2018 New Castle Board Inauguration conducted by President Bill Clinton Katonah Museum AA at NWHC September 2017-March 2018 Left Fields Gallery SAN LUIS OBISPO, CA - 12/18-1/17/16 FORM IS NOT DIFFERENT FROM EMPTINESS - Curated by Ryan Schneider...

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...