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Robert Motherwell
Premonition Open, with Flesh over Grey

1974

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request

About the Item

Premonition Open, with Flesh over Grey, 1974, belongs to an extended series of works that came to be called the Opens and which came about by a happy accident. Leaning a finished canvas against a larger yellow-ochre picture, the proportion of smaller work to larger struck Motherwell as exquisitely graceful and uncluttered. This was in contrast to the series of Elegies for which Motherwell is justly famous. Those pictures are filled with large, abstract black forms. The Opens, on the other hand, reverse the relationship between figure and ground, the ground gaining in visibility, the figure reduced to a partial geometric shape. Tracing the bounding edge of the smaller picture onto the larger frame, Motherwell created an approximation of a “door—a very abstract one” (R. Motherwell, in “Motherwell: On His Works in the MoMA Collection,” March 18, 1969, unpublished, in J. Flam, “A Convergence of Chance and History,” in Motherwell 100 Years, Milan, 2015, p. 177, n. 2). Exhibited: Gertrude Kasle Gallery, Detroit, Robert Motherwell: Paintings, Collages, Drawings, 1975, no. 14. Städtische Kunsthalle Dusseldorf, Dusseldorf, Robert Motherwell, 1976, no. 50 (illustrated, pp. 79 and 111). This exhibition later travelled to Galleriet Kulturhuset, Stockholm and Museum des 20. Jahrhunderts, Vienna. Musée d'Art Moderne de la Ville de Paris, Paris, Robert Motherwell: Choix de Peintures et Collages, 1977. Royal Scottish Academy, Edinburgh, Robert Motherwell: Paintings and Collages, 1941-1977, 1977. Royal Academy of Arts, London, Robert Motherwell: Paintings and Collages from 1941 to Present, 1978. Josef-Haubrich-Kunsthalle Köln, Cologne, Wahre Wunder: Sammler und Sammlungen im Rheinland, 2000, no. 66 (illustrated, p. 200). Bernard Jacobson Gallery, London, Robert Motherwell: Open’, 17th June – 28th August 2009 Andrea Rosen Gallery, New York, Cellblock I, 1 December - 2 February 2013. Galerie Templon, Paris, Robert Motherwell Open Series, 17 May - 21 July 2018. Bernard Jacobson Gallery, London, Some of the artists I have worked for, 10th September - 5th October 2019.

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Robert Motherwell (1915-1991) Great Wall of China No. 4 1971 Acrylic and charcoal on canvas 152.4 x 101.6 cms (60 x 40 ins) RM10101 P617 This work is part of the artist's Great Wall of China series, of which there are only five paintings, all of which are in private hands. Painted on a traditionally primed canvas, it is an exploration of the tension between foreground and background. The U-shaped forms in this series of paintings are closely related to the paintings in Motherwell's Open series of which there are a greater number of paintings and drawings. Great Wall of China series refer to a Franz Kafka short story about the Chinese landmark, which certainly served as a dividing line in its time, and perhaps also to contemporaneous events involving China, such as Henry Kissinger...
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Robert Motherwell Elegy to the Spanish Republic No. 163 1979-82 Acrylic and Conte crayon on board 59.1 x 74.3 cms (23 1/4 x 29 1/4 ins) RM14159 P1061 Elegy to the Spanish Republic No. 163 is a fine example of Robert Motherwell’s most acclaimed body of work, the Elegies to the Spanish Republic. As important as Barnett Newman’s zips and Jackson Pollock’s drips for their revolutionary contribution to art history, the Elegies are Motherwell’s most extensive series; he executed over 140 paintings using this motif, beginning in 1948 until his death in 1991. Nearly every major museum collection, including the Metropolitan Museum of Art, New York, Museum of Modern Art, New York, Solomon R. Guggenheim Museum of Art, New York, and San Francisco Museum of Modern Art, have in their permanent collection an Elegy to the Spanish Republic. Intended to be read as a lamentation or funeral song after the Spanish Civil War (1936-39), Motherwell’s Elegies to the Spanish Republic are a lyrical and poetic memorial to the immense human loss and suffering endured during these harrowing years. Motherwell was a young student of twenty-one when the horrors of the Spanish Civil War commenced in 1936, and he would later reflect that it was the most “moving political event” of his youth. In 1939, the Spanish Civil War concluded with the fall of Spain’s democratically elected socialist government, which was deposed by a fascist coalition led by dictator Francisco Franco, whose dictatorship would persist until 1975. In 1948 nearly a decade after the end of the Spanish Civil War, Motherwell created his first Elegy with a small drawing to accompany a poem by Harold Rosenberg. Over the next four decades, Motherwell would pursue this same structural and thematic motif relentlessly; taken as a whole, the Elegies confirm the resounding impact that this war had on the young artist, and indeed stand as a powerful monument to the overwhelming loss during and in the aftermath of the Spanish Civil War. Motherwell stated: “I meant the word 'elegy' in the title. I was twenty-one in 1936, when the Spanish Civil War began…The Spanish Civil War was even more to my generation than Vietnam was to be thirty years later to its generation, and should not be forgotten, even though la guerre est finie.” (David Craven in Joan M...
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