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Shayne DarkStorm Surge Orange - bright, glossy, impasto, abstract, acrylic on panel2019
2019
About the Item
Thick whorls in metallic orange swirl within the confines of the picture plane in this Storm Surge painting by Shayne Dark. The baroque sculptural quality of the work is enhanced by its monochrome reflective sheen. From the Storm Surge series, this disruptive abstraction is a bold exploration of the line between painting and sculpture.
Poised between abstraction and representation, the artworks of Canadian artist Shayne Dark are often coated in eye-popping saturated pigments. His networks of steel branches or steel stones, indoor and outdoor iterations, are a contemplative intersection of the industrial and the organic.
In 2016, Dark exhibited at the Brooklyn Sculpture Center, where he was artist in residence. The same year, he was given a solo exhibition at the Albright Knox, NY. Dark has received six Ontario Arts Council grants and a Pollock-Krasner Foundation grant. His work may be found in numerous private, corporate and public collections including Queen’s University, the Canadian Embassy in Prague, the City of Ottawa, the Federal Communications Commission, New York.
- Creator:Shayne Dark (1952, Canadian)
- Creation Year:2019
- Dimensions:Height: 21 in (53.34 cm)Width: 16 in (40.64 cm)Depth: 4 in (10.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU2914478212
Shayne Dark
Poised between abstraction and representation, the artworks of Canadian artist Shayne Dark (b. 1952, Moose Jaw, SK) are often coated in eye-popping saturated pigments. His networks of steel branches or steel stones, indoor and outdoor iterations, are a contemplative intersection of the industrial and the organic. In 2016, Dark exhibited at the Brooklyn Sculpture Center, where he was artist in residence. The same year, he was given a solo exhibition at the Albright Knox, NY. Dark has received six Ontario Arts Council grants and a Pollock-Krasner Foundation grant. His work may be found in numerous private, corporate and public collections including Queen’s University, the Canadian Embassy in Prague, the City of Ottawa, the Federal Communications Commission, New York.
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