SL Baker

Mindfulness, Abstract Expressionist and Social Commentary by Female Artist

2010

"Landscapes of the Soul and of the Mind XV " is a 40 x 40 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is a gallery wrapped canvas, signed "Lachman" in the lower left. It is part of the artist's series "Landscapes of the Soul and of the Mind". The artist puts his thumb upon the pulse of life and records it. In that mystical beat lies the unknown, and he would but make it known. Being both, innovator and spectator, he exists as an intrinsic part of that rhythm. Each painting begins with a premise, and I rarely use the same one twice. It is based on what I see and what I am feeling at that moment. I do not think that painting is about technique. It is about a particular perception of the world around us. The premise creates the periphery of my intent. It is a limitation that gives birth to the creative forces within. - Al Lachman Born in 1936 in the Bronx, NY, Alan Lachman...

COMMUNITY is an acrylic on canvas social commentary and abstract painting by American, female artist SL Baker. The scratches on COMMUNITY are intentional and were made using a crumpl...

City Night is a 48 x 36 inches, acrylic on canvas cityscape and architectural abstract painting by American, female artist SL Baker. City Night, by SL Baker,...

City Day is a 48 x 36 inches, acrylic on canvas cityscape and architectural abstract painting by American, female artist SL Baker. City Day, by SL Baker, is ...

"Landscapes of the Soul and of the Mind XVII " is a 44 x 56 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is a gallery wrapped canvas, signed "Lachman" in the lower right. It is part of the artist's series "Landscapes of the Soul and of the Mind". The artist puts his thumb upon the pulse of life and records it. In that mystical beat lies the unknown, and he would but make it known. Being both, innovator and spectator, he exists as an intrinsic part of that rhythm. Each painting begins with a premise, and I rarely use the same one twice. It is based on what I see and what I am feeling at that moment. I do not think that painting is about technique. It is about a particular perception of the world around us. The premise creates the periphery of my intent. It is a limitation that gives birth to the creative forces within. - Al Lachman Born in 1936 in the Bronx, NY, Alan Lachman...

Moment to Moment is an acrylic on canvas social commentary and abstract painting by American, female artist SL Baker. Moment to Moment suggests...

The present work of art titled "Urban Abstraction (ripped off posters)" is part of a series of paintings that the artist composed in the 1980s and 1990s inspired by the observation of the urban reality of those years. The artist take the cue from his walks in Florence, both in the center and in the suburbs, and by the observation of billboards and posters scattered throughout the city. The mass of information, colors, messages and words were carried on the canvas with acrylic colors, ideally reconstructing the tears and overlaps of all the information and advertising contained on these huge sheets of paper that invade our cities. The geometric lines are overlaid with jagged lines, overlaps and color dripping and also the choice in the color palette, with different shades of white, gray, rose, orange red and blue helps in rendering the result of the tears and ripped paper. The result is a beautiful multicolored modern abstract canvas, both aesthetically and ethically, with many rich layers of color, texture and expression in which the artist leaves his own message. The painting is housed in a simple modern white lacquer wood frame. Andrea Spinelli...

Title - Day For Night. Acrylic Painting by Artist Troy Smith. The painting is signed by the artist on the back and comes with a small brass plaque with the artist's name. Comes wit...

Hidden words and symbols hide beneath the bold red exterior of the painting. Solid watercolours were used to sketch shapes below the surface. The red surface treatment reacted with t...

Blue Gaze, 1977, by Robert Natkin (1930-2010) Acrylic on canvas 66 x 66 inches framed 25.98 x 25.98 cm) Signed on bottom right Exhibitions: In 1957, Momentum, Chicago, IL In 1968, Pointdexter Gallery, New York, NY (solo) In 1969, San Francisco Museum of Art (retrospective 1952-1969), San Francisco, CA (solo) In 1974, Within the Decade: Selections from the Guggenheim Museum Permanent Collection, The Solomon R. Guggenheim Museum, New York, NY In 1980, Masters of American Watercolor, The Oklahoma Art Center, Oklahoma City, OK In 1992, Gimpel Fils Gallery, London, UK (solo) In 2007, LewAllen Contemporary, Santa Fe...

“Legendary 5” 36 x 36 inches is a one-of-a-kind original non-objective abstract painting by Juanita Bellavance. In this spontaneous Lu expressive abstract piece, Juanita created an ...

"Limitations 1" is a masterful painting that challenges the boundaries of artistic expression through a restricted palette of red, black, and neutral white. Despite its seemingly co...