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Steven Sorman
In Real Time, unique Signed Abstract Expressionist painting w/provenance, Framed

2003

About the Item

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label (verso) from Pegram Harrison Fine Art in Bloomington, Indiana Frame included: original vintage frame (Measures: 50" x 36" x 1") This original mixed media collage painting features intricately layered collage elements in acrylic, gouache, gel medium, oil and beeswax. Framed with Pegram Harrison Fine Art label verso. Since his debut in the early '70s, Steven Sorman has built a reputation with openly decorative mixed-medium works. Sorman's ornamental predilections have often provoked comparisons with the sensibilities of Henri Matisse and Robert Motherwell, though his work displays an equally strong kinship with Rauschenberg's cooler, "flat bed" organization of pictorial space. Like his accomplished precursors, Sorman has made collage a central part of his artistic practice. In fact, until recently, Sorman's pieces were typically organized around a persistent motif of broken and overlapping technical forays, so that sections of contrasting color were played against translucent scrims, gestural marks and framed areas that often held figural silhouettes or splashed paint placed to calculated affect. In recent years, the tapestried poise of the earliest work has yielded to something more energetic, with Sorman employing wild arabesques to draw together the disparate elements of his compositions. Collaged from handmade paper, sheer drapery, gold leaf and other exotic materials, his works often exude an Oriental sumptuousness. Steven Sorman is known for his visually complex painting and printmaking. He experiments with different types of media, blending colors, abstract forms and aesthetic genres. Sorman's work includes layering materials and images to create fluid shapes and sinuous lines along with seductively beautiful color that flows in measured movement over expansive surfaces. The overlapping forms, layering glazes, and transparent veils of color in Sorman's prints depict atmospheric depth and serenity. In an elegant museum quality frame with plexiglass. (see photos) Ready to hang. Signed and dated 2003; The frame also bears the original label (verso) from Pegram Harrison Fine Art in Bloomington, Indiana Hand-signed by artist, Signed and dated 2003; The frame also bears the original label (verso) from Pegram Harrison Fine Art in Bloomington, Indiana More about Steven Sorman: Steven Sorman (b. 1948) was born in Minneapolis and received his BFA from the University of Minnesota. Known as both a painter and printmaker, Sorman is a master at orchestrating theme, line, layer, media, and color into challenging images that demand a rhythm of eye movement throughout his artwork. Sorman’s work is included in the collections of the Stedkijk Museum in Amsterdam, the Museum of Modern Art in New York, the Whitney Museum of American Art, the Art Institute of Chicago, the Walker Art Center, and others. -Courtesy of Tandem Press

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Mid century Modern 1960s Abstract Expressionist painting, renowned artist Signed
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Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Frame included: held in original vintage frame with original gallery label Unique Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso) Excellent abstract expressionist mixed media work. Measurements: Image: 17" x 24" Framed: 24" x 28" x 1" From Wiki: Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3] Career and Museum Representation Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72" Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10] With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13] Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...
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