Tilman

HOC 44.09 (Abstract Painting)

2009

Lacquer on MDF. This series of works, titled ‘Stacks’, started in 2005. They stand in the continuum of Tilman’s exploration of the ‘painted object’ or painting. These works vary in ...

Lacquer on MDF and Aluminum. This work as well as 14.16 (In the Cities) and Anywhere Now 19.15 can be understood as reflections on urban and architectural structures which form our...

Lacquer on MDF - Unframed This work is one of 12 similar wall objects consisting of colour lacquered MDF. Form and colour of the object are unique. The shape of the object is a fr...

Lacquer on Aluminum. This work reveals the artist's interest in architectural form. The melodical interplay between planes and colors offers a reading of an intended play on infini...

Beautiful abstract painting by American artist, Harris Strong (1920-2006). Acrylic and pins on folded handmade paper, 1970's. Measures 30 x 40 inches framed. Weighs 22 lbs. Color ...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

Ink on gessoed canvas 15 1/8 x 15 1/4 canvas (38.4 x 38.7 cm)

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of cool blues and greys. Acrylic on 3 panels, Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...