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Tom HollandTruck in Hills, signed tempera painting, original Charles Cowles Gallery label1965
1965
$5,500
£4,133.06
€4,793.41
CA$7,721.18
A$8,567.80
CHF 4,519.30
MX$104,594.52
NOK 57,178.03
SEK 53,551.85
DKK 35,772.30
About the Item
Tom Holland
Untitled (Truck in Hills), 1965 (Mid Century Modern Art)
Tempera, Wood with PVC finish.
Hand signed, dated and titled on the back
Framed with Charles Cowles Gallery label on the back
This is a rare and poignant early painting by world renowned California artist Tom Holland. It is entitled "Truck in Hills", with rich deep blue color and texturing. The painting is signed, dated and titled by the artist on the back and bears the Charles Cowles Gallery label on the back. Comes in the artist's original vintage frame. Ready to hang! This is a rare find, and a must have for fans of the works of Tom Holland. It is uncommon to find works of his from this era on the market.
Measurements:
Frame:
18.8 x 12.8 x 0.75 inches
Artwork:
18 x 12 inches
TOM HOLLAND BIOGRAPHY
Tom Holland, born in Seattle, Washington in 1936, studied at the University of California, Berkeley, where he began his formal art education, strongly influenced by significant artist and art faculty member David Park. Following his time at Berkeley, he travelled to Santiago, Chile, as a Fulbright Grant recipient.
Although his early work was traditional oil on canvas, it was when Holland began to work with aluminum during his early years teaching at UCLA in Los Angeles that he really achieved critical acclaim. In the 70's Holland began using materials that were light and strong but did not require a frame. Using fiberglass and aluminum, making pieces of color which hang on the wall like stiff tapestry, the thin edges allow Holland's paintings to become a part of the space occupied. Employing simple materials and a unique approach combining both paint and sculpture, he cuts thin sheets of aluminum or fiberglass to build either a painting or free standing form. He rivets the cut pieces to a single sheet, applies a white base coat, and finishes the piece with epoxy paint to achieve the effects of depth, light, reflection and shadow. Holland considers landscape and his bond to the natural world as the core and constant inspiration for his long career of over 50 years as a California painter.
Beyond his larger sculptural pieces, Holland occasionally cuts and bends paper, fiberglass or aluminum to make small figures such as heads or animals which are playful exercises with color, form and materials. He also makes lithographs, works on marble, copper, paper, and clay, and uses watercolor, acrylic urethane and ceramic glazes.
Holland’s work has been described as taking inspiration from Cubism, Futurism, and Constructivism; his work labeled as exhilarating and visually challenging, playing games and distorting the three dimensional space. He has been identified as one of California's most important contemporary artists and was featured in Art in the San Francisco Bay Area, 1945–1980: An Illustrated History.
- Creator:Tom Holland (1936, American)
- Creation Year:1965
- Dimensions:Height: 18.8 in (47.76 cm)Width: 12.8 in (32.52 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745215058292
Tom Holland
Tom Holland was born on June 15, 1936, in Seattle. Holland's work is represented in many public collections such as the Art Institute of Chicago, The Solomon R. Guggenheim Museum, the Hirshhorn Museum and Sculpture Garden, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art and the Whitney Museum of American Art. He currently resides in the bay area, where he continues to create art.
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Image:
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Framed:
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From Wiki:
Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3]
Career and Museum Representation
Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72"
Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10]
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