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Tracey Adams
Guna II (Abstract Painting)

2016

$3,724.12
£2,750
€3,222.91
CA$5,135.72
A$5,769.75
CHF 3,014.70
MX$70,422.45
NOK 38,277.90
SEK 36,030.58
DKK 24,050.58

About the Item

Guna II (Abstract Painting) Encaustic on Okawara paper - Unframed The title, Guna (2016), is a Sanskrit word meaning ‘string, thread or strand’ and was inspired by Adams yoga practice. “It’s a key concept in various schools of Hindu philosophy which states there are 3 gunas: goodness, passion and darkness, all present in everyone and everything, but in different proportions. The interplay of the 3 gunas define the character of someone or something, of nature and determines the progress of life”. (Wikipedia) The pieces in this series are printed with pigmented encaustic on Japanese paper; they are mounted on panel and coated with medium or stand alone like this work on Okawara paper. These artworks were a reaction to the more serialized and geometric work Adams was doing, a need to break from that and work in a freeing and more physical way. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art Museum, and the Santa Barbara Museum of Art. Her work is also part of multiple corporate collections, including those of Adobe Systems, AT&T Corporate Headquarters, Hallmark Corporate Headquarters, Sony Corporation, and Intel.
  • Creator:
    Tracey Adams (American)
  • Creation Year:
    2016
  • Dimensions:
    Height: 36.01 in (91.44 cm)Width: 25.99 in (66 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    New. First hand item, delivered directly from the artist's studio.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU65939033822

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Guna II
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