Udo Haderlein

Acrylic Paint and Ink, 2016 by Udo Haderlein, No Title

2016

I filled the canvas with a lot of emojis - the red hearts, during the Covid-19 lockdown. Most of the hearts are wearing a mask. The abstract of this painting is about my speculations...

Abstract: Lamella III, Abstract Impressionism, Figurative, Mixed-Media, Spring, Textured Lamella III has a pair sister piece - Lamella IV. The pair are abstractive impressions of th...

Abstract: Winter Solstice I, Abstract Impressionism, Pink, Plum Blossoms, Flowers, Florals Winter Solstice I has a pair sister piece - Winter Solstice II. The pair are abstractive i...

Abstract: Winter Solstice I, Abstract Impressionism, Pink, Plum Blossoms, Flowers, Florals Winter Solstice I has a pair sister piece - Winter Solstice II. The pair are abstractive i...

Hypermorphing III is an abstract painting. The calligraphy brushstrokes in mixed-media, such as: the black ink and the metallique acrylics merged to perform a metaphorical movements....

Hypermorphing I is an abstract painting. The calligraphy brushstrokes in mixed-media, such as: the black ink and the metallique acrylics merged to perform a metaphorical movements. ...

Hypermorphing II is an abstract painting. The calligraphy brushstrokes in mixed-media, such as: the black ink and the metallique acrylics merged to perform a metaphorical movements. ...

The canvas comes to life with a captivating yet understated painting, heavy on texture, using antique linen, crafted with a unique blend of dye, pigment, and acrylic. The artist's su...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...

Drawing inspiration from the ancient Roman term "Los Osculi," translating to "right to kiss," the artist delves into a compelling exploration of the past's intriguing customs. In ancient Rome, women were prohibited from drinking as it was believed to lead to adultery and even possess abortifacient properties. Consequently, the husband and male family members of an "honest" woman possessed the right to kiss her on the mouth to ensure her sobriety. The allure of fleeting kisses, whispers of scent, and the sensuality of suspicion captivated the artist's imagination. On an antique French canvas...