Unknown

Breckland Chapel, Oil on Board Painting by Philip Jones, 1988

1988

Bajazet Encag'd, Oil on Canvas Painting by Jack Knox 1936-2015, circa 1965 Additional information: Medium: Oil on canvas 122 x 153 cm 48 1/8 x 60 1/4 in Signed; with title and Artist's address verso Provenance Acquired from the below by a private collector Exhibitions Royal Scottish Academy, 1965, cat. no.219 Jack Knox was a Scottish painter and teacher. Born in Kirkintilloch, East Dunbartonshire in 1936, Knox studied at Glasgow School of Art 1953-57, with teachers such William Armour and David Donaldson, before spending a year at the Paris atelier of the French painter André L'hote. Combining what he took from this experience with the impact of seeing the first show of American Abstract Expressionists in Europe in 1959, he began a diverse career which saw constantly changing styles, from gestural abstraction to still lifes and portraits. In 1965 he was appointed lecturer at Duncan of Jordanstone College of Art where he worked alongside fellow artists such as Alberto Morrocco...

M. le Clerc's Farm (Rouen), Oil on Paper Painting by Dick Lee 1923-2001, 1988 Additional information: Medium: Oil on paper 23.5 x 33.7 cm 9 1/4 x 13 1/4 in Provenance Acquired from...

Untitled Abstract, Oil on Board Painting by John Plumb, 1956/57 Additional information: Medium: Oil on board 81.3 x 121.9 cm 32 x 48 in

Painting, November, Oil on Board Painting by Robert Sadler, 1957 Additional information: Medium: Oil on board 48 x 61 in 121.9 x 154.9 cm Signed; titled on support bars (William) Robert Sadler produced abstract works in varying sizes with a spare poise and strong use of colour. The son of a noted racehorse trainer, Sadler was born at Falmouth House (now demolished) at the northern edge of Newmarket, Suffolk. By the age of fourteen he was drawing and painting aeroplanes, horses, houses and landscapes. After studying at Eastbourne College and Sidney Sussex College, Cambridge, where he read Mechanical Engineering, in 1930 he joined the Royal Air Force as a pilot. In 1942, whilst posted to the Air Ministry as Director of Plans, he attended art school in London and spent the following year in Turkey on special duties where he lectured at the Turkish Air Staff College and painted and rode race horses. At the end of the war he returned to the UK and took up the post of Station Commander at RAF Binbrook in Lincolnshire. In 1947 he moved to Denmark as Air Attache to the British Embassy in Copenhagen where he attended art school and two years later, whilst Vice-President of the RAF Officers' Selection Board, set-up a studio in Stockbridge whilst attending art school in Winchester. In 1953 he moved to the USA to take up the post as representative on the NATO Joint Chiefs of Staff Intelligence Committee during which period he attended the Corcoran School of Art in Washington DC where he first encountered the work of the American Abstract Expressionists. Returning to the UK in 1955 he moved back to Newmarket, having retired from the RAF 'to devote the rest of my life to painting.' He attended Heatherley's School of Fine Art in London, Cambridge Technical College and became a member of the Winchester Art Society and the Cambridge Society of Painters & Sculptors. His first one-man show was at Swaffham Prior, Cambridge and from then until 1963 he lived and painted in a largely abstract expressionist style influenced by the Ecole de Paris Tachisme of Poliakoff and de Stael and by the contemporary British work of Peter Lanyon, William Scott, Bryan Wynter...

A striking abstract landscape painting by ex RAF pilot / artist Robert Sadler The details of the painting are as follows: Robert Sadler (British, 1909 – 2001) ...

Artist: Sheila Meeks, Canadian (1955 - ) Title: Still Life and Cornfield Year: 1991 Medium: Oil on Canvas Size: 48 x 24 in. (121.92 x 60.96 cm) Frame Size: 50.5 x 26.5 inches

Pär Ivar Jogstad (1906-1980), Sweden. Oil on canvas. Abstract composition. Dated 1969. The canvas measures: 79 x 79 cm. The frame measures: 5.5 cm. In excellent condition. Signed...

Running horse in a forceful, bold, abstract expressionistic style in pale hues of pink, blue, and brown and cream on Belgin linen. Goodman's oil paintings are a dichotomy of understated minimalism with reductive use of color that conveys a subtle, but evident smoldering energy. The artist uses heavy paint that he sculpts and draws into, as he forms a rich tactile field of painterly surfaces. Clearly, Bay Area influences are present in his work, particularly that of Nathan Oliveira, who Goodman was privileged to have had as his mentor. John Goodman's sophisticated and understated paintings, drawings and sculptures are exhibited coast to coast, have premiered at International Art Fairs, and are collected worldwide. A strong and exciting, magnetic work of art. Contemporary, 21st century, yet inspired and influenced by mid century, modern American painters...