Valerios Caloutsis

Shifting Strata Paris 1963 - Greek art Abstract Expressionist painting Fontana

1963

An original large abstract oil on canvas by British Canadian artist William John Bertram Newcombe. This stunning abstract expressionist oil painting is a bold, adventurous and conf...

An original large abstract oil on canvas by British Canadian artist William John Bertram Newcombe. This stunning abstract expressionist oil is a bold, adventurous and confident abstr...

This stunning abstract expressionist oil on canvas is by artist Helen M Hale. Painted in the 1960's this abstract landscape has strong brushwork and blocks of colour. Labelled verso...

An original oil on canvas by noted Scottish artist William Gear which dates to 1981. Entitled early Spring it is a vibrant and fresh art work with lovely colouring. Signed, dated and titled verso. Provenance. William Gear estate. Royal Birmingham Society of Artists 1981. Condition. Oil on canvas, 48 inches by 32 inches. Excellent condition. William Gear (1915-1997). Few British painters have played an active role in the modern abstract movement of post-war Europe. William Gear was the most passionate and committed exception. He continued the tradition of the Edinburgh-Paris axis established by J.D. Fergusson, Samuel Peploe and others, spending vital years between 1947 and 1950 living and working in Paris. Significantly, in recent years, he received the greatest acclaim in France, Germany and the Netherlands. He was born in 1915 in Methil, Fife, into a mining family; the particular landscape of "pitheads, the sea, rocks, castles, trees, storms and poverty" marked his earliest identity with a place and probably remained the most influential to his art. Years later he recalled as a schoolboy visiting the local art gallery in Kirkcaldy and seeing 12 colourful still-lifes by Peploe. Art-history lessons during student years at Edinburgh College of Art, in particular Byzantine classes under David Talbot Rice, also influenced his concern for structure. This had as much to do with the formal language of painting as sheer delight in the medium itself. Gear never missed an opportunity to show people the merits of a well-constructed painting. On a travelling scholarship in 1937, he chose to study with Fernand Leger, described by Gear as "a keystone for me, seldom abstract, rather a degree of abstraction". The Second World War interrupted these formative years and, by 1940, Gear had joined the Royal Corps of Signals. Dispatched to the Middle East, he still had the discipline to paint - mostly works on paper of damaged landscapes - with exhibitions in Jerusalem, Tel Aviv, Cairo as well as Siena and Florence. His naturally robust and tenacious temperament was profoundly affected by visiting Bergen-Belsen, and this certainly influenced the later experiments with the black armature. As the British officer in Celle, working for the Monuments, Fine Arts and Archives Section of the Control Commission, he focused on securing the safety of the Berlin Art Collection in Schloss Celle, and organised an important series of modern art exhibitions, including the rejected work of Karl Otto Gotz...

An original oil and spray paint on paper by Denis Bowen who played an important role in the Post War British art movement. This simple yet stunning work dates to 1962. Signed and dated verso. Provenance. Northern collection. Condition. Oil and spray paint on paper. Image size 26 inches by 18 inches and in fine gallery condition. Housed in a simple black gallery frame in excellent condition, 28 inches by 20 inches. Denis Bowen (1921-2006) was a South African artist, gallery director and promoter of abstract and avant-garde art in Britain. He was founder of the New Vision Group and the New Vision Centre Gallery, both of which played an important role in the post-World War II British art scene. Denis Bowen was born on 5 April 1921 in Kimberley, South Africa. His father was Welsh and his mother English. After being orphaned at a young age, Bowen moved to England where he was raised by his aunt in Huddersfield. He enrolled at the Huddersfield School of Art in 1936. After serving in the Navy in World War II, Bowen resumed his art studies at the Royal College of Art in London in 1946. Between 1940 and 1986 Bowen taught art at numerous institutions including: the Kingston Institute of Art, Hammersmith School of Art, Birmingham School of Art, the Central School of Art and Design, the Royal College of Art and the University of British Columbia in Vancouver. In 1951 Bowen founded the New Vision Group, which initially emerged from meetings and displays that he organised with his students in 1951. In 1955, Bowen worked alongside Frank Avray Wilson and Halima Nalecz...

Painted by John Plumb this British Abstract Expressionist oil pastel on paper is a fine example of his late work and very vibrant. As an abstract landscape it depicts Reflections at ...

Original piece, ,mixed media circa 2003. signed dry mounted 50cmx50cm. painting 32cm x 32cm. Plein air study from the portfolio of his travels in Sardinia. Chosen by the artist to e...

Fine piece painted at Glastonbury Festival .Mixed media signed. An amalgamation of experience in time and place. Dry mount 50cmx 50cm painting 32cm x 32cm

Abstract landscape painting by British contemporary artist Alanna Eakin. Alanna Eakin (b.1988) is a British painter. She lives in London and works from her studio in Wimbledon. Gra...

Carrowteige II Mixed Media on Board 54.5 x 76 cm 21 1/2 x 29 7/8 in "I want to celebrate the subtlety and nuance, the sense of timelessness, strength and fragility, and to convey th...

Carrowteige I Mixed Media on Board 54.6 x 75.9 cm 21 1/2 x 29 7/8 in "I want to celebrate the subtlety and nuance, the sense of timelessness, strength and fragility, and to convey t...

Springtime Plains Mixed Media on Canvas 31 1/2 x 23 5/8 in 80 x 60 cm "I want to celebrate the subtlety and nuance, the sense of timelessness, strength and fragility, and to convey ...