W. R. Stevenson

Realist Georgia O’Keefe Style Surrealist Ram Skull Desert Painting with Flowers

1970s

Born 1955 in Broken Bow, Nebraska. Lives and works in New York. AWARDS
 National Endowment for the Arts, Major Grant Robert Terry was best noted in his depictions of romantic moons...

"Cellar with Horseshoe" WPA American Scene Modernism 20th Century NYC Industrial Joseph Solman (1909-2008) "Cellar with Horseshoe," 16 x 20 inches, oil on canvas circa 1938, initial...

A vibrant and yet romantic sailing scene which was a favorite series by Della-Volpe. His compelling colorist approach has made his works desirable as he was one of the few artists post-war to be representative in style like Milton Avery and Wolf Kahn. Head to Sea has the hallmark intense and lovely coloration for which Della-Volpe is known. He came out of Abstract Expressionism in the New York school but then pivoted, like Milton Avery to representational, colorist work. The frame is a silvered gold leaf float frame of quality and has a rubbed, antiqued surface...

ABOUT THIS PIECE #1100 “Rental Boat by Bridge”, Oxford, England 1992 28 x 20”, Oil on Canvas Custom framed. This is a series of English landscapes, painted by the late American arti...

This mid-20th-century abstract landscape oil painting by American modernist Henriette "Yetti" Stolz beautifully captures a stylized forest scene, featuring trees rendered in rich, earthy tones of gold, brown, orange, and blue. The painting reflects Stolz's modernist approach, blending organic forms with abstract color fields. Signed on the back, this piece is presented in a vintage frame, with outer dimensions measuring 30 ¾ x 36 ¼ inches, and the image size is 30 ¼ x 35 ¾ inches. Provenance: Estate of the Artist, Henriette "Yetti" Stolz. About the Artist: Henriette "Yetti" Stolz was born in Serbia in 1935 and moved to Denver, Colorado, in the early 1950s after WWII. She studied art at Colorado College in Colorado Springs, where she was exposed to the modernist movements shaping the local art scene. Stolz was influenced by contemporary artists such as Mary Chenoweth...

This dramatic mid-century oil and spackle painting by Henriette “Yetti” Stolz (American, 20th century) presents a bold abstract interpretation of a cityscape, featuring a dynamic bri...

Weehawken Sequence, c. 1910-16 Oil on canvas board, 9 x 12 inches (22.9 x 30.5 cm) Framed dimensions: 13 3/8 x 16 1/4 inches John Marin’s long and prolific career is best marked by ...

A beautiful wooded landscape scene with houses and trees. Painted on a masonite board. hand signed lower right. with framers label verso. Framed to 40 X 55 inches. 33 X 48 without the frame and mat. It is not dated. Lena Gurr (1897–1992), was an American woman artist who made paintings, prints, and drawings During the course of her career Gurr's compositions retained emotional content as they evolved from a naturalistic to a semi-abstract cubist style. Born into a Russian-Jewish Yiddish speaking immigrant family, she was the wife of Joseph Biel, also Russian-Jewish and an artist of similar genre and sensibility. Gurr used Lena Gurr as her professional name. After marrying Joseph Biel she was sometimes referred to as Lena Gurr Biel. Biel had been born in Grodno, Poland (later absorbed into Russia) and had lived in England, France, and Australia before coming to New York. An artist, he specialized in landscape paintings and silkscreen printing as well as photography. He studied art at the Russian Academy in Paris. After immigrating to the United States, he studied under George Grosz at the Arts Students League. Gurr was born in Brooklyn and, apart from brief stays in Manhattan and in Paris, lived there her whole life. This painting bears the influence of Lyonel Feininger an influential German American artist. Gurr began studying art at a young age. In 1919 she studied painting and printmaking at the Educational Alliance Art School and between 1920 and 1922 she won a scholarship to attend the Art Students League where she took classes with John Sloan and Maurice Sterne. In 1926 and 1928 Gurr participated in group shows at the Whitney Studio Club in Greenwich Village and in 1928 she also participated in the 12th annual exhibition of the Society of Independent Artists at the Waldorf Roof in New York. (Reviewing this show, Helen Appleton Read, the critic for the Brooklyn Daily Eagle, said "I made three discoveries on my first visit, Thomas Nagel, Eugenie McEvoy and Lena Gurr with two figure compositions which have something of Marie Laurencin or Helene Perdriat quality of naive sophistication.") The Waldorf Roof was a set of rooms on the top floor of the Waldorf Astoria Hotel, one of which had glass sides and a glass roof. The rooms were used for concerts, dances, benefits, and exhibitions.From 1929 to 1931 Gurr took a leave of absence from her teaching position to travel in France with Joseph Biel, an artist whom she had met while studying at the Art Students League. They spent time in Nice and Mentone but mainly in Paris. During the early months of 1931, while she was still abroad, her work appeared in group exhibitions held at the R. H. Macy department store and the Opportunity Gallery (opened by Gifford Beal). In 1932 she participated in three shows: a solo exhibition at the Brooklyn Museum, an annual exhibition of the New York Society of Women Artists, ( Its first president was Marguerite Zorach. Founding members included Agnes Weinrich, Anne Goldthwaite...

"Shelter Island Evening" is a blue and green oil painting of a Northeastern American harbor. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurati...

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre...