Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Yari Ostovany
Conference of the birds no 28 (Abstract Painting)

1999

About the Item

Conference of the birds no 28 (Abstract Painting) Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting. Conference of the Birds series is a deeply personal response to the Sufi fable by the same name by Farideddin Attar, 12th century Persian mystic. Attar's verse focuses on a flock of birds who, In time of chaos and darkness, decide they are In need of a King - Thus begins their quest for the Phoenix (Simorgh) - an allegorical visit to seven valleys. After enduring Increasing hardships, doubt and exhaustion set It and more and more birds give up the quest. In a play on the Persian word Simorgh (Phoenix) they end up with Si-Morgh (thirty birds) realizing that the Phoenix Is nothing more than those birds themselves who persevered and endured the path through Self-sacrifice and steadfastness. Yari Ostovany is an Iranian-born American abstract artist. He creates richly textured, layered color field paintings that explore processes of metamorphosis. He has lived in Tehran, Cologne, Los Angeles, San Francisco and Reno. He is currently based in the New York City. Work by Ostovany are included in many private collections around the world, as well as the collections of the New Britain Museum of American Art in Connecticut, the Pasargad Bank Museum in Tehran, and the Collection of the Art Department of the University of Nevada, Reno. The paintings Ostovany creates unfold over time, evolving as layers of pigment are added, washed out, covered over, scraped away, dissolved and then more layers added. With each new phase in the process the composition becomes deeper and more luminous. A new painting often begins as a series of calligraphic gestural marks, what Ostovany calls a gestural outburst, inspired by a cognitive/emotional spark. Ostovany then rubs and dilutes the marks, allowing them to meld together with previous marks and layers, coaxing new dimensions of color and texture. The transient nature of the layers becomes embedded into the visual language of the work, evoking a sense of movement and transcendence. Natural and mystical processes inspire Ostovany. He is attracted to the alchemistical transformation of formal elements like light, color, texture and space into compositions that are more than the sum of their disparate parts. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting.
  • Creator:
    Yari Ostovany (1962, American)
  • Creation Year:
    1999
  • Dimensions:
    Height: 20.08 in (51 cm)Width: 20.08 in (51 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    First hand item, delivered directly from the artist's studio.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU65938861532

More From This Seller

View All
Conference of the birds no 28
By Yari Ostovany
Located in London, GB
Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting. Conference of the Birds...
Category

1990s Color-Field Abstract Paintings

Materials

Oil, Panel

Conference of the birds no 28 (Abstract Painting)
By Yari Ostovany
Located in London, GB
Conference of the birds no 28 (Abstract Painting) Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a conne...
Category

1990s Color-Field Abstract Paintings

Materials

Oil, Panel

Here is where we meet (for John Berger)
By Yari Ostovany
Located in London, GB
Oil on canvas. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting. This work is part of the Fragments of Poetry and Silence series. The inspiration and the point of departure for this series is a poem by John Berger...
Category

2010s Color-Field Abstract Paintings

Materials

Canvas, Oil

Fragments Of Poetry And Silence No. 39 (Abstract Painting)
By Yari Ostovany
Located in London, GB
Fragments Of Poetry And Silence No. 39 (Abstract Painting) Oil on canvas - Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate an...
Category

2010s Color-Field Abstract Paintings

Materials

Canvas, Oil

Here is where we meet (for John Berger) (Abstract Painting)
By Yari Ostovany
Located in London, GB
Here is where we meet (for John Berger) (Abstract Painting) Oil on canvas. Informed by a variety of different cultures, Ostovany feels a connection to mu...
Category

2010s Color-Field Abstract Paintings

Materials

Canvas, Oil

Fragments Of Poetry And Silence No. 39 (Abstract Painting)
By Yari Ostovany
Located in London, GB
Fragments Of Poetry And Silence No. 39 (Abstract Painting) Oil on canvas - Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate an...
Category

2010s Color-Field Abstract Paintings

Materials

Canvas, Oil

You May Also Like

Emily Berger_Glimmer_oil on wood_14 x 11 x 1 inches_2018_Color Field Painting
By Emily Berger
Located in Darien, CT
Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...
Category

2010s Color-Field Abstract Paintings

Materials

Oil, Wood Panel

Emily Berger_Dream of Spain_oil on wood_40 x 30 x 2in_2018._Color Field Painting
By Emily Berger
Located in Darien, CT
Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...
Category

2010s Color-Field Abstract Paintings

Materials

Oil, Wood Panel

Emily Berger_Begin Again_2018_oil on wood_ 40 x 30 inches_Minimalism
By Emily Berger
Located in Darien, CT
Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...
Category

2010s Color-Field Abstract Paintings

Materials

Oil, Wood Panel

Emily Berger_Red Ghost_2018_oil on wood_30x24 inches_Minimalism
By Emily Berger
Located in Darien, CT
Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...
Category

2010s Color-Field Abstract Paintings

Materials

Oil, Wood Panel

Emily Berger_Not a Day Goes By_oil on wood_48 x 36 inches_2018_Minimalism
By Emily Berger
Located in Darien, CT
Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...
Category

2010s Color-Field Abstract Paintings

Materials

Oil, Wood Panel

Emily Berger_Adagio_2019_oil on wood_ 40 x 30 inches_Minimalism
By Emily Berger
Located in Darien, CT
Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...
Category

2010s Color-Field Abstract Paintings

Materials

Oil, Wood Panel

Recently Viewed

View All