Items Similar to Red-8
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Yoshishige FurukawaRed-81997
1997
$18,000
£13,380.95
€15,664.75
CA$25,174.31
A$28,107.78
CHF 14,661.78
MX$345,627
NOK 185,049.98
SEK 174,218.04
DKK 116,859.11
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed, titled, and dated on verso.
36.25 x 42 in.
37.25 x 43.25 in. (framed)
Custom framed in maple.
Provenance
Marcia Wood Gallery, Atlanta
Yoshishige Furukawa was born in 1921 in Fukuoka, Japan, earning his BFA in painting at the Tokyo School of Fine Arts (now Tokyo University of the Arts) in 1943. He moved to the United States in 1963, spending the next several decades living between his native Japan and New York.
Furukawa’s work was the subject of two major retrospectives at the Fukuoka Prefectural Museum of Art (1992 and 2015). His work is included in numerous important Japanese institutions, including the Tokyo National Museum of Modern Art, the Osaka National Museum of Art, the Kyoto National Museum of Modern Art, the Fukuoka Art Museum, the Kitakyushu Museum of Art, the Saitama Museum of Modern Art, and the Saga Prefectural Art Museum.
Furukawa frequently exhibited in both the U. S. and Japan throughout his life, including a noteworthy show at the Albright-Knox Museum in Buffalo, NY in 1991. He is the recipient of several important grants, including two from the Pollock-Krasner Foundation (1990 and 1997).
Furukawa died in Kanagawa, Japan in 2008.
Source: Maus Contemporary
- Creator:Yoshishige Furukawa (1921 - 2008, Japanese)
- Creation Year:1997
- Dimensions:Height: 36.25 in (92.08 cm)Width: 42 in (106.68 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall excellent and stable condition. Inquire for additional details.
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU2287211544622
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2020
1stDibs seller since 2023
6 sales on 1stDibs
- ShippingRetrieving quote...Shipping from: Austin, TX
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllNew Synthesis #34
By Jack Roth
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Acrylic on canvas. Signed, dated, titled, and estate stamped on verso.
50.25 x 31 in.
51.25 x 32 in. (framed)
Custom framed in maple.
Provenance
Estate of Jack Roth
Born in Brockway, Pennsylvania, Jack Roth was at various times a painter, poet, photographer, and mathematician. He enrolled at Pennsylvania State University in 1943 to study chemistry, but like many of his fellow Abstract Expressionists, his matriculation was interrupted World War II, where he served in both the Army and Air Force.
Discharged from the service in 1948, Roth moved to Big Sur, California and married his first wife, Colleen Bleier, with whom he had two daughters. A year later, the young family settled in San Francisco, where Jack enrolled at the California School of Fine Arts. It was here that he studied painting under Mark Rothko, Clyfford Still, Richard Diebenkorn, David Park, and Elmer Bischoff.
The Roth family left the Bay Area to return to Pennsylvania, where Jack completed his Bachelor of Science degree in Chemistry in 1951. In pursuit of his seemingly discordant academic interests, Roth moved yet again, this time to Iowa where he received a Master of Fine Arts at Iowa State University in 1953. Seeking gainful employment, Roth moved to New York, settling in the lower East Side where he began looking for a teaching job and working as a reviewer for Arts Digest magazine.
Now divorced, in 1954 Roth married the artist Rachel Chester whom he had met in Iowa. He continued to paint and work odd jobs, some of which were as a hotel night clerk and an orderly at Beekman Downtown Hospital. That year, he unsuccessfully applied for the Guggenheim Memorial Foundation Fellowship in the field of photography.
However, Roth’s professional prospects greatly improved when his work was selected by James Johnson Sweeney, Director of the Guggenheim Museum of Art for the traveling exhibition Younger American Painters, alongside giants such as William Baziotes, Richard Diebenkorn, Adolph Gottlieb, Philip Guston, Franz Kline, Willem de Kooning, Robert Motherwell, Jackson Pollock, Morris Louis, and others. One of the first major debuts of the Abstract Expressionist movement to be shown at an American museum, the exhibit traveled to the prominent museums across the country. In 1956 he began graduate work in mathematics at New York University.
Opting to dive back into academia, Roth began graduate coursework in mathematics at New York University in 1956. He enrolled at Duke University in 1958, receiving his PhD in mathematics in 1962.
Roth continued to create art throughout the pendency of his graduate studies and in 1963, legendary Museum of Modern Art (MoMA) curators Dorothy Miller and William Lieberman recommended Roth as the new talent graphic artist for Art in America. Concurrently, MoMA purchased several works from Roth for the museum’s permanent collection.
During this period of artistic achievement, Roth continued to teach - first, at the University of South Florida in Tampa, before moving back north to Montclair, New Jersey, where he was hired as the chairman of the Mathematics department at Upsala College. In 1971 he accepted a dual appointment at Ramapo College, teaching both mathematics and advanced painting. After he received tenure and his finances were secure, his artistic production thrived as he received the first Thomases Award for contributions at the school, which came with the use of a large studio space. This allowed him to work with larger canvases and become what he saw as an Abstract Expressionist Color Field painter.
In 1978, the acclaimed gallery Knoedler & Co. in New York began representation of Roth’s work. Other artists represented by the gallery at this time included Alexander Calder, Adolf Gottlieb...
Category
1980s Abstract Geometric Abstract Paintings
Materials
Canvas, Acrylic
Untitled
By John Opper
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed lower right, signed and dated verso.
62.25 x 56.25 in.
64 x 58 in. (framed)
Custom framed in a natural cherry wood floater.
Provenance
Washburn Gallery, New York
Behnke Doherty Gallery, Washington Depot, CT
Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art.
After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States.
In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums.
By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum.
In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York.
During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front.
During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
$25,000
Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas.
77.25 x 59 in.
79.75 x 62 in. (framed)
Custom framed in a solid hardwood floater, with a matte white finish.
Provenance
Estate of the artist
Hollis Taggart...
Category
1960s Abstract Geometric Abstract Paintings
Materials
Canvas, Oil
July Fourth
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and titled verso.
40.25 x 56.25 in.
40.75 x 56.75 in. (framed)
Custom framed in a wh...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Komposition rot/schwarz
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower left, inscribed label verso.
59.25 x 55.25 in.
61 x 57 in. (framed)
Custom framed in a wooden double tray frame, hand-painted white.
Provenance
Galerie Lovers of Fine Art, Gstaad, Switzerland
This work has been recorded under no. 1531 in the digital Catalogue Raisonné of the artist, prepared by Michel Reymondin, Montreux, Switzerland.
Carl Walter Liner was born in the Swiss canton of Appenzell, near the border with Liechtenstein, in 1914. The son of famed artist Carl August Liner, the younger Liner enjoyed more critical and commercial renown for his landscapes.
In 1938 at the age of 24, he undertook what would become the first of several residencies in Paris. This particular sojourn helped to establish the trajectory of his career, as Paris would provide the setting in which he became acquainted with early twentieth century masters Maurice de Vlaminck, Georges Braque, Ossip Zadkine, Gérard Schneider, and Erich Heckel. The stylistic and technical influence of his contemporaries is clearly evident in Liner’s work from this point forward.
Unfortunately, the dawn of the 1940s would bring about a number of challenges for Liner. With the outbreak of war, Liner was mobilized for the Swiss Border Guard, and returned home to Switzerland in 1939. He remained on active duty until 1945, only to lose his father the following year. The death of the elder Liner left a profound impact on his son, who eventually made his way back to Paris in 1947 and embarked upon what would become a very successful series of nudes.
By his own admission, 1948 was a pivotal year in Liner’s career, as a particularly spiritual trip to Algeria would foment the emotions led to the beginning of his practice with abstraction. Henceforth, Liner would vacillate between the figurative and abstract, creating parallel oeuvres. His abstraction from the 1950s and 60s mirrored...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Arapahoe XII
By Ludwig Sander
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed, titled, dated verso.
40 x 44 in.
41.5 x 45.5 in. (framed)
Custom framed in a natura...
Category
1970s Color-Field Abstract Paintings
Materials
Canvas, Oil
You May Also Like
Abstract with Red Forms, Large Painting by Dan Teis
By Dan Teis
Located in Long Island City, NY
Artist: Dan Teis
Title: Abstract with Red Forms
Year: 1980
Medium: Acrylic on Canvas, Signed l.r.
Size: 54 x 60 in. (137.16 x 152.4 cm)
Frame Size: 55.5 x 61.75 inches
Category
1980s Abstract Abstract Paintings
Materials
Canvas, Acrylic
Red Room
By Alberto Montaño Mason
Located in Cuernavaca, Morelos
Etching with lead and lined collage on cotton paper
Category
2010s Abstract Geometric Abstract Prints
Materials
Engraving
Artwork Geometry Red Terracota Oil Colors Spanish Artist Mariona Espinet
Located in Barcelona, Barcelona
At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...
Category
2010s Abstract Abstract Paintings
Materials
Cotton Canvas, Acrylic, Oil
$1,625 Sale Price
24% Off
Red Diamond
By Peter Lodato
Located in Santa Monica, CA
Peter Lodato offers new oils on canvas, whose layers of paint and scumbled surfaces resonate like tuning forks to the soul.
Category
2010s Abstract Geometric Abstract Paintings
Materials
Canvas, Oil
'Abstract in Scarlet & Gray', Post-Painterly Abstraction, Large American Oil
By Renn Zaphiropoulos
Located in Santa Cruz, CA
A substantial abstract oil comprising curvilinear and geometric rectangular shapes in shades of red, coral, and ebony overlaid on a scumbled ground of ivory, ochre, and steel-gray.
...
Category
1960s Abstract Abstract Paintings
Materials
Canvas, Oil
He was beautiful without ever having spoken a word - red, geometric - Abstract
By Michael Giles
Located in Signal Mountain, TN
"He was beautiful without ever having spoken a word" stems from finding pattern and rhythm in the world around him. His paintings begin from finding places and ...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Enamel