"Hal" (Black Bunny on Royal Yellow Background) Oil Painting on Wood Panel
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Hunt Slonem"Hal" (Black Bunny on Royal Yellow Background) Oil Painting on Wood Panel2020
2020
About the Item
- Creator:Hunt Slonem (1951, American)
- Creation Year:2020
- Dimensions:Height: 9 in (22.86 cm)Width: 7 in (17.78 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The painting is in excellent condition and it comes displayed in an original antique frame that the artist sources and selects, the frame may show some ordinary wear and scuffs from age, chips or minor imperfections in line with manufacturing period.
- Gallery Location:New York, NY
- Reference Number:Seller: 0035001stDibs: LU9827555142
Hunt Slonem
“I believe in repetition like a holy mantra or rosary,” neo-Expressionist painter Hunt Slonem told Introspective, referring to his artistic method. “I am slightly influenced by Pop art, like the repetition of soup cans, postage stamps and celebrities. It’s something I have been doing my whole life.”
Slonem, who often depicts birds, rendered in thick, gestural brushstrokes and arranged in a loose grid, developed his fascination with tropical avian life during a childhood spent in Hawaii and Nicaragua. Today, his 30,000-square-foot studio in Brooklyn contains an aviary, along with a personal garden, a collection of antiques and walls and walls of artworks.
Besides birds, Slonem also paints bunnies — so many that they’ve become a signature. Limned in expressive, urgent strokes on flat, vibrantly colored backgrounds, these creatures fascinate through their subtle variations. “I have painted hundreds of rabbits, but each one is different,” the artist has explained. “Each has its own personality, and it just comes through me.”
The multitalented Slonem also sculpts, makes prints, creates installations and restores historic spaces. His work has achieved cult status among collectors and is represented in the permanent collections of such esteemed institutions as the Metropolitan Museum of Art. Slonem has even made an appearance on Real Housewives of New York.
Browse Hunt Slonem paintings, prints and other works on 1stDibs.
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- "Tiger Swallowtail & Morning Cloak" Butterflies & Tulips on Yellow BackgroundBy Hunt SlonemLocated in New York, NYA wonderful composition of one of Slonem's most iconic subjects, Florals and Butterflies. This piece depicts swallowtail Butterflies in ascension placed in a wonderful deep yellow la...Category
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- "Untitled" Black Outlined Bunny on Candy Apple Red Background with FrameBy Hunt SlonemLocated in New York, NYA wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Candy Apple Red background with thick use of pain...Category
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- Hunt Slonem, "Double Score" Pink Purple Gold Rabbits Bunny Oil Painting on BoardBy Hunt SlonemLocated in Saratoga Springs, NYRenowned artist Hunt Slonem's "Double Score" is a 8x12 oil painting on wood featuring two black bunny outlines over a scored multi-colored pink and purple background, finished with t...Category
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- Hunt Slonem, "Moon Walk 3" 10x8 Blue Contemporary Bunny Oil on Diamond DustBy Hunt SlonemLocated in Saratoga Springs, NYRenowned artist Hunt Slonem's "Moon Walk 3" is a 10x8 deep blue oil painting with diamond dust on wood board of a contemporary abstract rabbit in his choice of antique framing. *Pai...Category
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- American Neo Expressionist Woman with Monkeys Abstract Modernist Oil PaintingBy Robert BeauchampLocated in Surfside, FLRobert Beauchamp, American (1923-1995) Untitled Hand signed lower right, titled verso. MIxed media oil painting on heavy art paper sight: 22 3/4 x 29 1/2 inches frame dimensions: 23 1/4 x 30 1/4 x 1 1/4 inches, metal frame with glazing Provenance: Private Collection. Frame inscribed 'Property of AT&T' Bears label from their corporate art collection. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman...Category
20th Century Neo-Expressionist Abstract Paintings
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