Hunt Slonem

Hunt Slonem Colorful Bunnies Oil Painting '4+'

2022

'Chinensis The Mother' by Hunt Slonem, 2021. Oil on canvas, 48 x 48 in. This painting features Slonem's signature bunnies outlined in black over swirling colors of silver, pink, orange, and blue. This novel ‘bunnies’ painting is influenced by the hustle and bustle, 24 hour a day, irradiant lights of New...

'Blue Ascension August Moon' by Hunt Slonem, 2022. Oil on canvas, 30 x 40 in. This painting features Slonem's signature butterflies outlined in black over a blue, cross hatched background. Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent. Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973. Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art. His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San Juan, Guatemala City, Paris, Amsterdam, Madrid, Stockholm, Oslo, Cologne, Tokyo, and Hong Kong. His work has been shown in thirty-one different museums including the Hunter Museum of American Art in Chattanooga, Tennessee, in 1981; the Museo Diocesano d'arte sacra...

'White Diamond Dust' by Hunt Slonem, 2022. Oil and acrylic with diamond dust on canvas, 36 x 48 in. This painting features Slonem's signature bunnies outlined in black over a white, diamond dusted background. Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent. Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973. Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art. His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San...

'Finches' by Hunt Slonem, 2022. Oil on canvas, 48 x 48 in. This painting features Slonem's signature finches in white, red, blue, and green on a white background. Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent. Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973. Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art. His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San Juan, Guatemala City, Paris, Amsterdam, Madrid, Stockholm, Oslo, Cologne, Tokyo, and Hong Kong. His work has been shown in thirty-one different museums including the Hunter Museum of American Art in Chattanooga, Tennessee, in 1981; the Museo Diocesano d'arte sacra Sant'Apollonia in Venice, Italy, in 1986; the Albany Museum of Art in Albany, Georgia, in 2007; the Istanbul Museum of Modern Art in Istanbul, Turkey, in 2007; Museo de Arte de El Salvador in San Salvador...

Available at Madelyn Jordon Fine Art. 'Glisten Dawn' by Hunt Slonem, 2024. Oil and acrylic with diamond dust on canvas, 30 x 40 in. This painting features Slonem's signature bunnies...

Available at Madelyn Jordon Fine Art. 'Owls New Port' by Hunt Slonem, 2024. Oil on wood, 35 x 26 in. / Frame: 40 x 32 in. This painting features a charming portrait of two owls. The...

Energetic, joyous brushstrokes in this painterly abstraction with birds. Bright colors, dominant whites, blues, with touches of orange and red. Multi-layered oil paint and painted...

Flat is Ink and Oil and Varnish on Wood Panel inspired by the Hawaii Flatfish. It is 20x20 filled with red, orange, black and green. Carol Bennett spends all of her time surrounded...

I am always fascinated with human perception - you could say that it is why I became an artist. One of the most elusive qualities of perception, and therefore one of the greatest ch...

Painting a coral reef, especially one as phenomenally healthy as the one at Tiputa Pass, Rangiroa, has unique challenges. The spawning of triggerfish there attracts swarms of trigge...

Alongside my wife Nansi, I have been lucky to explore some of the most beautiful and pristine coral reefs in the world. People often think we take pictures of the corals and paint them, but that is far from our process, which involves (at least in this case) working from an abstract design and weaving in memories and imagination until I had this image resolved. This painting is scheduled to be a part of our (Nansi’s and mine) international museum exhibition highlighting the beauty and fragility of our coral reef ecosystems, kicking off at the new ICONIC Museum in Texas in 2024. David C. Gallup has devoted his life to the study, teaching, and creation of art. He graduated from Otis/Parsons in Los Angeles in 1990, and soon found himself supervising a staff of over thirty artists under pop art legend Hiro Yamagata on the Earthly Paradise collection and other projects. He began plein-air painting on mornings, weekends and after work, and eventually left his friend and patron Yamagata to pursue a career as a gallery artist. For over a decade, he was the Vice President of the historic California Art Club...

Zebras are one of the most interesting and amusing of African animals. They share the genus Equus with horses and donkeys. In a group it is believed their dizzying stripes confuse prey - or perhaps make them dizzy. An artist's delight, zebras' black and white stripes call out to be painted. Taking it a step further, Carole Garland attempts to confuse the viewer with a "Now you see it, now you don't" look at the zebras standing in a streambed in South Africa. Painted in oil on a 30"x40" wood panel, the wood sides serve as a frame around the painting. Carole Garland graduated from Knox College, Galesburg, Illinois and studied art at the Art Institute of Chicago and the University of the Americas in Mexico City. She has worked privately with Keith Finch and Rick Pekar, taken workshops with numerous plein air painters and was mentored by David Gallup...