John Sutcliffe

Setter On Point

19th Century

Classic oil painting perfect for the holidays! Horses and hounds with riders in traditional red jackets with green fields, trees and a turquoise blue sky. The painting appears to be...

Fine landscape painting, oil on canvas of Snowdonia, Wales by 19th century British artist Thomas Huson, RI, RA. Rushing rapids from a lake, mountain landscape and clouded skies, and...

Fine landscape painting, this oil on canvas of Snowdonia, Wales is by 19th century British artist Thomas Huson, RI, (1844-1920). Signed by artist in lower left, Thomas Huson was a ...

Charming fine oil painting of pups and rabbit in a cabbage garden. Reminiscent of storybooks, the three animals are friendly, with one puppy looking at the rabbit and the other looki...

A bay hunter and a black and white short haired dog (possibly a bull terrier) in an extensive English landscape. a rustic barn in the near distance. Indistinctly signed 'Br...' and d...

Sunrise at Village by River in the English Countryside with Church Spire & Birds by 20th Century British Artist Art measures 16 x 12 inches Frame measures 21 x 17 inches This ori...

Portrait of the Long-Haired Black Labrador, 19th Century, English School This distinguished portrait of a long-haired black Labrador is attributed to the circle of John Ferneley (18...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...