Paint Animal Paintings

Portrait of a Young Girl, with her Pet Dog on the Steps of her Country Home English School, circa 1870's oil on board, framed in antique gilt swept frame. framed: 25.5 x 21 inches b...

24 x 36 inches Oil on gallery wrapped canvas unframed An elegant classic! A Manor scene featuring humans' allies in fox hunting: a horse and three hound dogs. The piece is masterfu...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 22 x 28 Frame: 31 x 37 Medium: Oil "Flowers On Her Dinner Table" Texas Hill Country View details A nati...

Markers & acrylic on paper Shipped well protected, unframed

Markers & acrylic on paper Shipped well protected, unframed

4 Drawings included Markers & acrylic on paper Shipped well protected, unframed

4 Drawings included Markers & acrylic on paper Shipped well protected, unframed

Charles CLAIR (1860-1930) Sheeps in the Sheep-Fold Oil on canvas signed low right and dated 1913 Old original Frame Dim canvas : 92 X 73 cm Dim Frame : 126 X...

Scottie Wilson, born Louis Freeman was a Scottish, Jewish, outsider artist known particularly for his highly detailed style. Starting his artistic career at the age of 44, his work w...

Magdalena Nałęcz (b. 1970) She graduated from the Academy of Fine Arts in Cracow in 1995. She received numerous scholarships and prizes: in 1997 the scholarship of the city of Cracow...

"Turning Dog" oil on wood 8 x 10 inches 2023

This lyrical 1935 oil painting by rare female American artist Eva L. Stephey captures a solitary white swan gliding through a twilight pond, encircled by blooming pink lotus flowers ...

Pekingese Family of Dogs is an original artwork realized in 1939 by Filiberto Vitaliano Rossi. Original oil on canvas. Hand-signed and dated on the lower right corner. Good conditions, except for some micro-holes on the canvas, very thin. Beautiful artwork representing several Pekingese dogs...

Pair of paintings each in original American Federal Period white pine gilded scoop frames with inner row of beads. Framed Dimensions: 24 x 29 1/2 inches. Provenance available upon request. Michele Felice Cornè, considered to be Salem, Massachusetts’ most versatile early nineteenth century artist, painted this remarkable pair of paintings about a decade after he arrived in America from Naples, Italy. Cornè worked and lived in Salem from 1800-06 when he moved to Boston. During his Boston tenure (1807-22) the artist was noted for painting portraits of Boston ships and naval battles of the War of 1812, as well as taking on major mural commissions. This charming pair of paintings, each of two children playing, were possibly intended as overdoor decorations for a Federal period house. Cornè’s most ambitious decorations were the wall murals which he painted for the Sullivan Dorr house in Providence in 1810. And this pair of paintings seems to date from about the same period. From 1822 to his death in 1845 he lived in Newport, Rhode Island. The pair of paintings of Children playing was long in the famous Americana collection of Benjamin Flayderman. Flayderman was said to have set the standard for collecting in American furniture and decorative arts in the 1920s. Much of his collection was sold at a legendary sale at the American Art Association-Anderson Galleries (predecessor of Parke-Burnet and Sotheby’s, New York) in April of 1931. These paintings, however, were retained by Flayderman and descended in his family. Cornè was instrumental in transferring current Neapolitan painting techniques as well as Italian landscape themes to America. On the subject of Cornè's non-marine work, Nina Fletcher Little, the Cornè expert, stated: “Although Cornè's claim to twentieth century recognition has rested chiefly on his marine subjects, it is becoming increasingly apparent that he was equally successful in the charming landscapes he placed upon overmantles, fireboards, and framed canvases. Many depict the rolling countryside of his native Italy, which he copied from romantic engravings. These compositions, featuring grazing cows and frolicking peasants, are extremely colorful and picturesque. Arched bridges, steepled churches, crenellated castles, and round stone towers form most decorative backgrounds.” The two paintings: Two Children at Play with a White Bird and Two Children Playing recall earlier European and Italian models. Cherub paintings were popular throughout western Europe in the last quarter of the 18th century. But these Cornè paintings also recall the Renaissance paintings of putti such as the little angels by Raphael, painted as part of his Sistine Madonna, and lately enjoying greatly renewed popularity and notice. Cornè often used Italian old master models as a basis for landscape or figure paintings. Cornè was born on the island of Elba in 1752. During the Napoleonic Wars, he sought refuge and sailed to America on the ship Mount Vernon commanded by Elias Hasket Derby, Jr., at whose father's house Cornè resided in Salem. The artist arrived in Salem, Massachusetts in July of 1800. Derby, impressed by the Neapolitan marine paintings that he had seen and collected during his Mediterranean voyages of the late eighteenth century, sought to make the same skills available in Salem by encouraging Cornè to live and work in that town. Cornè was quite successful in transferring the current Neapolitan decorative painting to America, and his popularity grew rapidly. Cornè attracted the patronage of many in Salem, and was introduced to Samuel McIntire with whom he worked on many of Salem's houses. Between 1807 and 1809 he was at 27 Hanover Street in Boston, but by 1810 the city directories list him at 61 Middle Street. By 1822, he was settled in Newport, Rhode Island and received enough patronage to support him the rest of his life. Cornè is well represented in public and private collections including the American Antiquarian Society, Worcester, Massachusetts, the Peabody-Essex Museum of Salem, Bowdoin College Museum of Art, Boston Museum of Fine Arts, New Haven Colony Historical Society, the New York Historical Society, Newport Historical Society, Redwood Library and Athenaeum, Rhode Island Historical Society, the Smithsonian Institution, the Society for the Preservation of New England Antiquities, the United States Department of State, the United States Naval Academy...

Large American Orientalist oil painting of a courtyard by F. A. Bridgman American, c. 1900 Canvas: Height 69cm, width 91cm Frame: Height 95cm, width 108cm, depth 8.5cm Wonderfully p...

Greyhound, This stunning large minimalist black and white painting of a Greyhound dog, is a contemporary portrait in acrylic on canvas. Ian Mason's portrai...

Jeremy Novy’s unique brand of street art is ripe with thoughtful social examinations. Novy has combated a homophobic lack of representation with a celebrat...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold leaf lined box, they conjure images of ancient religious icons tempting the viewer to witness them in a new light. A Pair of...

Hunt Slonem "Deep Cadmium" Orange Single Bunny A single rabbit gestured in black on a light orange background in a vintage frame Unframed: 8 x 6 inches Framed: 11.5 x 9.5 inches *Pa...

Jean-Charles Cazin Ploughing on the Hillside Signed lower left Oil on board 6 1/2 x 6 inches The son of a well-known doctor, FJ Cazin, he was born at Samer, Pas-de-Calais. After st...

Vertical Phythms - Animal Painting - Oil on Canvas By Marc Zimmerman Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His...

Maura Petersen (American, born 1956) "Horse and Woman" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. In "Horse and Woman", Maura Petersen ca...

European School, oil on canvas. Study of a cow in a pastoral landscape. Illegibly signed to the lower right. On canvas on stretchers.

Rural Mountain Scene with Sheep in Ireland by Post War Modern Irish Artist, David Overend. Art measures 16 x 12 inches Frame measures 25 x 21 inches ...

Diana Tremaine’s large-scale, dynamic, figurative oil paintings reflect a search for truth and meaning in the human experience. She develops brushstrokes and marks by adding and then...

Provenance: The Marchesi Strozzi, Palazzo Strozzi, Florence Sale, Christie’s, London, May 20, 1993, lot 315, as by Carl Borromaus Andreas Ruthart...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

This whimsical and sophisticated painting was realized by the esteemed contemporary painter, Hunt Slonem in 2014. It presents a stylized rabbit in profile, rendered with loose and ex...

Benjamin Herring Snr (British, 1830-1871) Saddled bay hunter 1863 Oil on canvas With old Christie's stencil verso Property of a gentleman From the collection of Peter Roe Dimension...

This is a diptych of a new series - Over The Moon with Little British Birds. This Diptych include Little Kingfisher, Over The Moon and Little Blue Tit 4, Over The Moon, We are so bl...

Renowned artist Hunt Slonem's "Mint" is a 30x24 metallic silver scored oil painting on wood board of contemporary abstract butterflies in white and green. *Painting is framed - Ple...

Oil on canvas Canvas size: 30 x 45 inches Framed size: 36.5 x 51.5 inches Signed and dated 1918 lower right

Terrier Ratting in Barn English School, 19th century Circle of Alfred Banner (act.c.1880-c.1915) signed with initials, dated 1875 oil on canvas, framed framed: 7.5 x 9.5 inches canv...

Terriers Ratting in Stable Circle of Alfred Banner (act.c.1880-c.1915) incised initials "A.B." and dated 1875 oil on canvas, framed framed: 7.5 x 9.5 inches canvas : 6 x 8 inches Pr...

Both pictures unsigned. Presented in period water-gilded Watts-style frames, these two works are highly decorative and full of character, and excellent examples of Edward Aistrop's ...

This superb vibrant Orientalist Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and Norther...

Signed hunting scene by Alfred Grenfell Haig (1870–1963). Haig's masterful oil on canvas brings to life the exhilarating spirit of a hunting scene, with a huntsman leading a pack of ...

Hermit Crab on the Sand in Acrylic on Paper Vibrant "portrait" of a hermit crab by Federico Leon de la Vega (Mexican, 20th Century). Signed "Leon de la Vega" in the lower right co...

Born in 1918 in Fordyce, Arkansas and raised in Louisiana, Fearing first studied art at Louisiana Tech University, and later earned a master’s degree at Columbia University in New Yo...

"Monument Fragile" is a dynamic and contemporary painting by Eric Robitaille depicting an Owl with an abstracted background including graphic text. The artist uses an earthy and mono...

'Fractured Mind' - Abstract Painting on Board by British Urban Graffiti Artist, Chris Pegg, using red, black & golden yellow. Chris Pegg is a self-taught Street Artist producing artw...

Antique American modernist animal portrait painting by Jerry Farnsworth. Oil on canvas, circa 1970. Signed. Image size 20L x 16H. Housed in a peri...

This gorgeous British Edwardian dog portrait oil painting is by noted animal artist Robert Morley. Painted circa 1910 the composition is of a black and white spaniel, sitting down, against a white wall and door way. The dog has a black face and black patches with lovely roan type speckles up its legs and body. Morley has beautifully captured the wispy softness of its fur and fluffiness on its chest. Of course the dog has those mesmerising dark brown spaniel eyes that would melt any heart. This is a simply wonderful spaniel portrait...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

This is a diptych of Oyster & Lemon and Artichoke & Lemon. Both paintings are same size. This contemporary still-life depicts a fresh and vibrant oyster with a slice of lemon on b...

Title: Nuzzles Medium: Oil on canvas Size: 15.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomizes the passion that comes from a deep love of art, poetry, and music. His paintings show how art is both the consolation for, and the voice of, a lifetime's experience.” —Julyan Davis

Portrait of an English Bagger in an extensive landscape. Very Pretty English Otter, in an extensive landscape, painted circa 1970. The painting is an amazing display of an artist, ...

Jeff Faust draws from the rich tradition of highly illusionistic canvases, where the eye perceives a sophisticated depth. Faust's ability to blend the ordinary with a touch of the ex...

Vintage American school modernist fish still life oil painting. Oil on canvas. No signature found. Framed. Image size, 30L x 24H.

This poignant painting by Rudolf Kosow presents us with a remarkable visual allegory rich with surrealistic influences. The canvas is occupied by a colossal, detailed black labrador ...

"Voiceless Point of Issue" is a framed oil on canvas piece by Craig Alan, featuring an elephant balancing on a single wagon wheel, suspended above a field of red poppies. A cascade o...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...

​​​H.S. Phillip, circa 1855 Waiting for mistress signed and dated 'H.S. Phillip June 1855' (lower left) oil on canvas 22 x 16 in. (56 x 40.6 cm.) frame 27 ¾ x 21 ⅝ in. (70.5 x 55 c...

Follower of Dirck van Berghen (Dutch School, 17th Century) Pastoral Landscape with a Shepherdess and Livestock Oil on canvas, framed in a French Empire period gilt frame canvas dimensions: 18 x 22 inches framed dimensions: 22.5 x 26 inches This charming pastoral scene, rendered in oil on canvas, is attributed to a follower of the 17th-century Dutch painter Dirck van Berghen, who was known for his bucolic landscapes featuring cattle and rural life. The composition reflects the influence of van Berghen’s mentor, Adriaen van de Velde...

Fauvist oil on board landscape circa 1905 by British painter Robert Polhill Bevan. The piece depicts a view of farm in Sussex. The red-roofed farmhouses are nestled between lush gree...