Cow Animal Paintings

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

Artist/ School: French School, early 19th century Title: Cattle being Driven through the town. Medium: oil painting on canvas, unframed Size: canvas: 21 x 25.5 inches Provenanc...

Signed and dated lower left: "E. BURRILL. /96." Edward Burrill is best-known today as one of the seven Lynn Beach Painters. However, his career as a painter began, not with the be...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 12 x 19.5 inc...

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. The "Spring" series captures the sensations that permeate us during the most enchanting time of the year. It reveals the emergence of feelings, the pleasure of tenderness and the belief in the future. The color palette of the paintings resembles the blossoming of trees, combining pastel tones with vibrant, saturated accents. They seem effortlessly crafted, as if breathing in cool, fresh air. The series is executed in a decorative style, with each canvas incorporating elements that convey a sense of textile. These elements refer to traditional...

Signed verso, 'France. Sundsten' for Francesca Sundsten (American, 1960-2019), titled, 'Monster Sheephead' and dated 2002. Accompanied by original receipt from Davidson Gallery. Fra...

Late 19th/early 20th century oil on canvas painting in the manner of Abraham Hulk the Younger (1851-1922), this painting was acquired by Saltire Gallerie with a larger painting signed by Hulk the Younger, (just SOLD). Presented in a period decorative gilt frame, the painting is of a cottage in a woodland with cattle by a pond, a little black dog and man and a woman standing by. In the distance is a glimpse of a river and grasses, framed by trees and an overcast sky. Hulk is renowned for his treatment of the changing season from summer to autumn, and the golden leaves and fading greens in this painting suggest this changing time of year. Hulk is the son of a well known Dutch maritime...

Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 i...

Cattle by Stream English artist, late 19th century inscribed on label verso oil on board, framed framed: 14 x 17 inches board: 9.5 x 13 inches provenance: private collection, England...

Ali Ghassan's "Black Cow" is an original, handmade oil painting that depicts a black and white cow with a yellow ear tag with a blue sky background. Abou...

Pondering Realist, Light/ Shadow Oil Painting 20"x16" Landscape Cattle . The eighth painting shows how the painting will be after a professional photo by 2/14.. The next is the f...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 21 x 33 Frame Size: 24.75 x 36.75 Medium: Oil "Hereford Time" Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos Markos...

Constant Troyon (French 1810-1865) Shepherdess After The Storm. A large and powerful plein air Barbizon painting by The master Constant Troyon representing a Shepherdess giving at yo...

Gorgeous late 19th Century landscape of cows near watering hole with birch trees and puffy clouds in background by Wesley John Straight (American, 1855 - 1922). Signed lower left corner and on verso. Title "Autumn in New England" on verso lower stretcher bar. Condition: Good; professionally cleaned and restored; minor abrasions repaired and in-painted (see images). Unframed. Image size: 40"H x 32"W. Born in Wisconsin on May 20, 1855. Straight appears to have migrated to northern California in the late 1870s. While a resident of San Jose and Grass Valley, he painted scenes of the northern coast and other scenic spots. After moving to southern California in 1912, he lived at the Southern Hotel in San Bernardino until his demise on April 5, 1922. Exhibitions: Delavan Wisconsin County Fair 1874 (painting of the Wisconsin State School for the deaf and countryside), Calif. State Fair, 1880-90, Placer California 1880...

The New Arrival Colin Impey (20th Century), British signed oil on canvas, unframed dated 2018 canvas: 16 x 20.5 the painting is in overall very good and ...

Artist/School: 19th Century English School Title: Milking on a riverbank with church beyond Medium: oil on canvas, framed Size: 19 x 23 ...

OLD ENGLISH LONGHORN Size: 30.5 x 30.5 cm (including frame) Oil on panel A small and engaging animal composition , painted in a naïve style in oil onto panel, by British artist Mat...

Oil on canvas Canvas size: 21 x 17 inches Signed lower right

This piece, "Sunny Cows", is an 8.5x14.5 summer field landscape oil painting on board by artist Mark Verna. Featured is a bright and sunny green field with black and white holstein cows grazing, and a red barn in the background. Light flowers bloom in the foreground of the field. About the artist: As a Rochester Institute of Technology Alumni (College of Imaging Arts & Sciences, Graphic Design / Painting Bachelor of Fine Arts 1972) Mark has always been an artist at heart. Mark's Adirondack art...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 22 x 28 Frame: 31 x 37 Medium: Oil "Flowers On Her Dinner Table" Texas Hill Country View details A nati...

Henry Brittan Willis British, (1810-1884) Midday Rest Oil on canvas, signed & dated (18)59 Image size: 18.5 inches x 31 inches Size including frame: 26.25 inches x 38.75 inches A b...

Henry George Keller (American, 1868-1949) Cattle Series Study, 1901 Oil on canvas Signed verso 22 x 26 inches 28.5 x 33 inches, framed Keller, a leading painter in Cleveland, was born at sea, off Nova Scotia on April 3, 1869. His earliest training was in Karlsruhe, Germany under Hermann Baisch (1846-1894), then at the Cleveland School of Art...

This is an original, unique oil painting by the artist William Watson Jnr., a Liverpool (Birkenhead) painter of animals and landscapes. He was the t...

This late 19th-century oil painting by British artist Alfred Walter Williams (1824-1905) depicts an expansive view across Barmouth Sands in North Wales. The relaxed golden sands str...

The oil paintings of the contemporary Dutch artist Paul Jansen invites the viewer to look beyond the standard picture within the frame. It feels as if the ...

Sarah Norris, 20th-century oil on board. Study of Three Dairy Cows. Signed and dated (1984) to the lower right. Presented in a painted wooden frame.

Henry Cheadle British, (1852-1931) Cattle Resting Oil on canvas, signed & dated (18)84 Image size: 19.25 inches x 29.25 inches Size including frame: 26.75 inches x 36.75 inches A well-executed landscape painting of cattle at a river by Henry Cheadle. A small herd of cattle are shown resting in a meadow by the side of a river. On the other side of the bank in the distance can be seen sloping hills reminiscent of the river Avon. At the time of this painting, the artist was living at Steelhouse Lane in Birmingham. Henry Cheadle was a landscape painter born in Birmingham on 16 May 1852 to Henry Cheadle and his wife Matilda (née Wood). His father was a hairdresser and they lived at 2a Steelhouse Lane in Birmingham. Although little can be found about his early education, he is known to have attended the Birmingham School of Art, where he won a number of prizes. He went on to study at the South Kensington Art School (later the Royal College of Art), where he also won awards including silver and bronze medals. Cheadle began exhibiting at the Royal Birmingham Society of Artists in 1871, where he went on to become a member. He also exhibited at the Royal Society of British Artists from 1875, the Royal Cambrian Academy, Walker Art Gallery, Liverpool, Bristol Fine Art Academy as well as at Frost & Reed. He played an active part in the local art societies, becoming curator and later president of the Midlands Art Club. He also became a member of the Birmingham Art Circle where he exhibited up until his death. By the late 1880’s, he had moved with his parents to 40 Spring Road in Edgbaston. He spent his time travelling around painting the landscapes of Gloucestershire, Worcestershire, the Midlands and North Wales. He also visited Newlyn in Cornwall where he painted a number of coastal views. He remained unmarried and lived with his parents until their deaths at the beginning of the 20th century. He continued living in Birmingham and exhibiting until his death aged 78 on 10 January, 1931. He was buried at Key Hill Cemetery in Birmingham. Some of his paintings were gifted to the Birmingham Museum shortly after his death and hung in the Victorian Room. Two of his works can still be found at the Museum today. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished. © Benton Fine Art

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 32 Medium: Oil on Canvas "West Texas" Ranching Pedro Lazcano (1909-1970) I was always curious about ...

Oil Painting by Charles Walter Oswald "Evening in the Glen" Born1850, flourished in 1900. A Liverpool painter of the Highland cattle and working ...

Marie Dieterle Artwork Size: 24 x 32" (61 x 81cm) Artwork Size with Frame: 32 x 40" (81 x 101cm) French 19/20th Century Dieterle established herself as...

Ali Ghassan's "Vaca" is an original, handmade oil painting that depicts a black and white cow with yellow and blue graffiti in the background. About the ...

"Cows at Rest in Front of the Barn" Michael Therkildsen (Danish, 1850 - 1925) Oil on canvas 9 x 14 3/4 (15 3/4 x 21 1/4 frame) inches Signed lower left The son of farmer Hans Micha...

Highland Pastures by Louis Bosworth Hurt British 1856-1929 Oil on canvas Canvas size: 24 x 36 inches Framed size: 36.25 x 48 inches Signed and dated lower right

Work on canvas Autumnal landscape painted on the back of the canvas

Gorgeous landscape with two cows drinking water in a pond with Mt. Hood in background by listed artist William M. Lemos (American, 1861-1942). Signed "W.M. Lemos" lower right. Presented in vintage gilt-toned frame that shows wear (included as-is). Condition: Good: previously owned and used, with little or no signs of wear and is in good condition. No structural issues. Image size: 29"H x 49"W. Born in New York, Professor Lemos moved to San Francisco in 1887 where he established a studio at 106 Geary Street. He later moved to Santa Cruz in 1896, where he settled, painting murals for many local businessmen and the Santa Cruz Beach Boardwalk. As a boy Lemos earned money by wandering the streets and painting on request. Arriving in San Francisco in 1887, he established a studio at 106 Geary. With his wife Mabel, he worked in Los Angeles for a few years in the 1890s. After settling in Santa Cruz in 1896, he painted murals for many local businessmen. When the original Beach Casino was built there at the Boardwalk in 1904, Lemos was the first concessionaire and worked there for nearly 40 years. On his platform in the Casino, Lemos did paintings of redwoods, still lifes, forest fires, beach scenes, and marines. Many of his oils were done on redwood slabs which were popular with the tourists; in the early days these paintings sold for one dollar and up depending on the size of the work. After his vision failed and he was unable to paint, his last years were mostly spent fishing off the Municipal Pier with a friend who baited his hook for him because he could no longer see. In the March 27, 1941 Santa Cruz Sentinel News Lemos reminisced, "Them were the days when the Boardwalk was only twelve feet long and when business got slow I picked up my shotgun and went across the street and shot ducks where the Casa del Rey Hotel now stands." Exhibited: Calif. State Fair, 1885; Mechanics' Inst. (SF), 1889. In: Santa Cruz City Museum; Wawona Hotel (Yosemite). Edan Hughes, "Artists in California, 1786-1940" His mother was Julia Lemos, a Chicago artist famous for her depiction of the Chicago fire, “Two of Julia’s children became successful artists. Her eldest son, William, was a naïve still life, landscape, and mural painter. As a young boy in New York, he would wander the streets, earning money for the family, by ‘painting on request.’ At age 26, William moved to San Francisco, California. He opened an art studio and kept it running until he moved to Santa Cruz with his wife, Mabel, in 1896. During this period, he worked as a fresco artist painting ‘murals for many local businessmen.’ Exhibited California State Fair, Sacramento, 32nd annual, per Sacramento Daily Union, September 9, 1885. and article goes on to say “William Lemos and wife, Sacramento – Art school exhibits in which are shown such a variety of designs in decorative art, flower painting, and ornamentation, that one must give time to the examination.” Exhibited Mechanics Institute, San Francisco, 1889. “Lemos and his wife were in Fresno California 1890...

William Watson Jnr British, (1847-1921) Up Glen Goil, West Highlands Oil on canvas, signed & dated 1892, further inscribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 36.25 inches x 48.25 inches This highly atmospheric and well executed painting by William Watson Jnr depicts Highland Cattle watering at Glen Goil. Glen Goil is a valley area of Argyll and Bute in the West Highlands. It is situated at the junction of Hell’s Glen and Gleann Mor and has the river Goil flowing through. Located around 2 miles from Lochgoilhead, it is well known as an area of outstanding natural beauty. Watson made several trips to the Highlands and produced a number of paintings of the locality, many of which included highland cattle such as this fine example. Another painting by him of Glen Goil is held by the Walker Art Gallery, Liverpool. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...

Texas Longhorn and Sheep Realism 20" x 16" oil Bovine Landscape Animals The Duo is an 20 X 16 oil on canvas painting of a sheep and a longhorn who look as if they are in searc...

John W. Morris (United Kingdom, 1865-1924) Cows to pasture Oil on canvas, 91 x 69 cm John William Morris is a British artist best known for his landscape paintings and animal scen...

Artist/ School: by Tom Seymour (British 1844-1904), signed lower front Title: 'Highlanders', a fine Victorian oil painting depicting these majestic Highla...

George William Horlor (British 1819-1899) George William Horlor was born in Bath around 1819. He married Mary Cook on 15 March 1845 and by 1851 was living in Cheltenha...

Bovine Beauties Realist, Light/ Shadow Oil Painting 20"x16" Landscape . The second image shows how the painting will look. I am waiting for professional photos by 2/14. Bovine B...

Watering from the Loch's Waters Scottish School, late 19th/ early 20th century signed, "Jamieson Lainge" oil painting on canvas painting: 20 x 24 inches provenance: private collecti...

"Nearly Camouflaged Cow IV" is a framed acrylic painting on canvas by Joshua Brown, depicting a closeup of a cow with a prominently pink nose. This playful work features careful brus...

Karl Hartman gives primacy to the sparsity of form in his Mid-Western prairie landscapes. Simple and earnest, saturated primary hues and decisive lines ad...

Charles Jones British, (1836-1892) Cattle & Sheep in the Scottish Highlands Oil on panel, signed with monogram & dated (18)75, further inscribed verso Image size: 19.75 inches x 15.75 inches Size including frame: 26.75 inches x 22.75 inches A dramatic Scottish landscape painting of Highland Cattle and Sheep by Charles ‘Sheep’ Jones...

Daniel Sherrin - Highland Cattle

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 16L x 12H. Artist Bio: Arthur James Beaumont was born in Yorkshire, England in 1877. He studied with Julius Olsson in London before moving to Paris at the turn of the century. In Paris, Beaumont studied at the Academie Julian* with William Adolphe Bougereau. The Academie awarded him a gold medal in 1905. After completing his studies, Beaumont settled in Cornwall where he became known for his marine and landscape scenes as a member of the St. Ives School*, an artist colony. While living in Cornwall, Beaumont traveled to the United States to exhibit his paintings. In 1906 he settled in New York, buying a house on Staten Island with his brother and sister in law, Ernest and Henrietta Beaumont, also artists, who arrived from England in 1907. Although Arthur Beaumont...

Rolla Taylor (1872-1970) San Antonio Artist Image Size: 24 x 30 Frame Size: 28.5 x 34.5 Medium: Oil "Cattle Landscape" Biography Rolla Taylor (1872-1970) Taylor, originally from Galv...

"Morning Graze" by Zu Sheng Yu is a 36x36 oil painting on canvas. This painting depicts a deep blue sky and pond, with green grass surrounding. A cow stands by the water, with its re...

"Nearly Camouflaged Cow II" is a framed acrylic painting on canvas by Joshua Brown, depicting an abstracted cow with a realistic, detailed nose. This playful work features careful br...

Eugène Joseph Verboeckhoven, a luminary of 19th-century Belgian art, wielded his brush with unparalleled mastery, capturing the timeless allure of pastoral landscapes and noble anim...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Jan van Gool (Dutch, 1685-1763/65) Pastoral Scene, 1719 Oil on panel, 15 x 21 3/4 inches FRAMED: 23 x 29 1/2 (Approx.) Signed and dated at lower left: "J V G...

Original painting by Patricia Traub

Ivan Summers: 1889-1964. Well listed and important American impressionist. He has had auction results as high as $6,670. He studied at the St. Louis Scho...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

"Freckles", is a 24x36 oil painting on board by artist Leslie Peck featuring a majestic white holstein cow with black spots, standing and mooing in the pasture. Fresh green grass sca...