Cow Animal Paintings

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 16 x 20 Frame: 23 x 27 Medium: Oil "Jaywalker" A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek...

"Animaux au Pâturage" by Louis Robbe is a quintessential example of 19th-century Belgian animal painting, showcasing Robbe’s skill in depicting rural life with realism and sensitivit...

Marc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. ...

Stag In Snow by Ben George Powell, British contemporary artist signed acrylic on canvas, unframed canvas: 12 x 16 inches provenance: private collection of this artists work, UK The ...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

After Eugene Joseph Verboeckhoven (Belgian, 1798-1881), "Passing the Brook", Oil on Canvas, 1854, unsigned. Image: 29" H x 40" W; frame: 34" H x 46" W.

Mohammad Osman - Gangireddu (Sacred Bulls) Acrylic on Canvas, 48 x 48 inches, 2020 Born in 1972 Originally from a village in Mahabubnagar district ,I draw inspiration heavily from village life.. I have completed my bachelors of fine arts from JNAFAU Hyderabad.My first solo show happened with gallery g in 2010.later after that I had many solo and group exhibitions. Recently I have been painting various versions of a bull that is traditionally decorated during sankranthi. I am touched with Indian culture and tradition and since past many years I have been working on this bull series and its also symbolic image of "SANKRANTI" festival. My childhood my village are the reasons for this gangireddu. I lived in a village for twenty five years and am strongly connected to my village and my roots there.And I have chosen Gangireddu because I found it very interesting with beautiful traditional elements in it. I feel it's nothing less than a beautiful composition of art. EDUCATIONAL QUALIFICATIONS: B. F. A ., (Painting) J.N.T.U , College of Fine Arts ,HYDERABAD. SOLO SHOWS: 2010 - Gallery – G , Bangalore. ( Kole Basava - Kala Basava ) 2009 - “RENAISSANCE GALLERY”, Bangalore. 2019 - Gallery - G , Bangalore. GROUP SHOWS . 2019 - Gallerie. Nvya. New Delhi... 2019 - TIGER.. TAO art gallery mumbai…(travelled show) 2019 - TIGER.. the state art gallery, Hyderabad. 2019 - state art gallery Hyderabad, 2017- KARA art show, club botanica. 2017 - Studio 3 art gallery , Mumbai( singapur art fair} 2017- Studio 3 art gallery , Mumbai (Dubai art fair) 2017- A project for private collection, ( huge size painting), Hyderabad 2017- Beyond the contours, Mon art gallery, Kolkatta 2016- Samara art gallery, Ahmedabad 2016- Art for cause, hotel AVASA hyderabad 2016- Studio 3 art gallery , Mumbai 2016- Madhyam, Bangalore 2016- Mahua art gallery. Bangalore 2016- Catharsis art gallery ,Ahmedabad 2016- gallery G , Bangalore 2016- Mahua art gallery Bangalore.. 2016- Madhyam, Bangalore 2015- Gallery NVYA, (flight of expressions) 2015- Gallery NVYA, (oorjha) 2014- show of gallery collection, gallery space,Hyderabad 2014- Concern india foundation ( Hyderabad ) 2014- Concern india foundation ( Ludhiana ) 2014- Gallery space, Hyderabad( art for cause ) 2014- Gallery NVYA, (Zen movments) 2014- Hotel HYATT, Ahmedabad by kalakrithi art gallery 2013- Gallery NVYA, (The winter tale) 2013- Gallery NVYA, (Amalgam prathama collection) 2013- Gallery NVYA, ( 9 th anniversary show) 2013- Gallery NVYA, (Varsha-sharad) 2013- Gallery NVYA, (Basanthagreeshma collection, IGIA) 2013- NVYA Art Gallery , New Delhi ( Within Reach-IV.) 2013- Taj falaknuma palace, Hyderabad (an art saturday by kalakrithi art gallery) 2013- NVYA art gallery, New delhi, (Completely Contemporary) 2013 - NVYA Art Gallery , New Delhi .( The timeless journey of indian contemperory art) 2013 - NVYA Art Gallery , New Delhi . ( Hemanta-Shishir) 2013 - Kalakriti Art Gallery , Hyderabad.( Flavours of hyderabad) 2013 - Time And Space Gallery ,Bangalore 2013- Gallery NVYA, (The timeless journey of indian contemperory art) 2013- Galley NVYA (Comletecontemperory )new delhi 2012- Gallery NVYA, (Hemantha- shishira, IGIA) 2012 - Nvya Art Gallery, New Delhi . ( Within reach lll) 2011 - Forum Art Gallery ,Chennai .( Deccan musings ) 2011 - Time And Space Gallery ,Bangalore 2011- Kalakriti Art Gallery , Hyderabad. ( po10tial - 2 ) 2010 – Biddle & Webb , Birmingham ,U.K. 2010- Galley NVYA (Comletecontemperory )new delhi 2010- gallery G bangalore. 2010 - Time And Space Art Gallery ,Bangalore. 2009 - Goup show of artists from HYDERABAD at Windsor Manner, BANGALORE. 2008 - USA (San Francisco), a Group show with Indian Contemporaries. 2008- Artist from India...

Marc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. ...

Watering from the Loch's Waters Scottish School, late 19th/ early 20th century signed, "Jamieson Lainge" oil painting on canvas painting: 20 x 24 inches provenance: private collecti...

Marc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. ...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Highland cattle grazing on Coltishall Common on a cold misty morning Rachael’s paintings are large, colourful and expressive. Her free and lively use of paint through various techn...

"Freshly Shorn", is a 12x24 oil painting on board by artist Leslie Peck featuring a lively flock of freshly shorn sheep and lambs. The animals are framed under a canopy of bright gre...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

Koza, 2019

In "Escapee", a huge ceramic figure of a bambi runs away from its owner in the middle of a strange and threatening landscape. This painting depicts a completely absurd situation that...

Double Trouble ,an oil painting shows the simple interaction of the animals in their environment. Double Trouble by Cheri Christensen portrays the way the light dances across the fo...

"Cow " is an oil painting by the impressionist Maestro Stanislav Gedzevich. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, signed ...

Oil on canvas Canvas size: 21 x 17 inches Signed lower right

Born in Castellón, this multi-faceted artist studied graphic design, then worked as a ceramic designer whilst forming his interests in photography and painting. In 1997 Peris consoli...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Marcos Lucero was born in Oaxaca, Mexico and currently lives in Teotitlan Del Valle, a small community located 40 minutes from the city. His artistic education was at the Fine Arts S...

This piece, "Afternoon Parade", is a 13x15 acrylic painting on board by artist Del Bourree Bach featuring a peak into quiet pasture with bright blue s...

William Sidney Cooper British, (1854-1927) Cattle Watering near Canterbury Cathedral Oil on canvas, signed & dated 1923 Image size: 15.5 inches x ...

Pieter Pander (born 1962, Drachten) is a Dutch artist known for his expressive portraits of people and animals. After studying at the Minerva Art Academy in Groningen, where he was taught by artists such as Matthijs Röling, he settled in Franeker. Pander works in a figurative style with a sketch-like, dynamic touch and a distinctive color palette of browns, blues, greys, and whites. His paintings contrast rough and detailed areas, creating visual tension. He often paints wet-on-wet and prepares his coarse linen canvases with acrylics, sometimes using a burner to alter the texture. His subjects vary widely, from the Frisian landscape to images from television. Animals play a central role; he portrays them with the same respect as people, capturing their character and emotion. Inspired by Jan Mankes...

This is a stunning artwork entitled a ‘Landscape with Highland Cattle’. It is circa 20th Century and is an original oil on canvas painting by the English Artist William Perring Holly...

Allison McIntyre (b. 1999 West Virginia) pulls from animal imagery and digital aesthetics to respond to contemporary human-animal relations, wrestling with issues such as the climate...

Beautiful oil on board by noted Ugandan painter Jak Moses Katarikawe, (b. 1940) Untitled. Subject: Hut and Animals with Moon. In excellent condition, framed. The painting measures: 2...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

Signed on bottom right Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives...

A native son of New England, Peter Poskas III—like many American artists before him—derives inspiration from the charming towns and tranquil landscapes of coastal Maine and Connectic...

Robert McCauley was born and raised in Mt. Vernon, Washington. He graduated from Western Washington University in 1969, and received his Master of Fine Arts Degree from Washington St...

With the seemingly pleasant surroundings, do not allow yourself to be “fed” with the pretense of human-like personalities. Be there where there is more sincerity and less compromises...

Caroline de Piedoue is a French artist born in 1954 who lives & works in Berchères-sur-Vesgre, Eure-et-Loire, France. Her theme of her paintings is largely urban but also beach scene...

Jan van Gool (Dutch, 1685-1763/65) Pastoral Scene, 1719 Oil on panel, 15 x 21 3/4 inches FRAMED: 23 x 29 1/2 (Approx.) Signed and dated at lower left: "J V G...

Circle of Andries Both, Southern Landscape with Cows. Both moved to Italy ( Rome and Venice) where is work was influenced by the warm Italian light. Decorative Painting

A native son of New England, Peter Poskas III—like many American artists before him—derives inspiration from the charming towns and tranquil landscapes of coastal Maine and Connectic...

Albert Dunnington - The Road to Lochranza, Arran

A native of New England, Peter Poskas III paints the charming countryside of coastal Maine and Connecticut, featuring rolling his and tranquil vistas and often local animals. Poskas imbues his paintings with a contemporary approach to color and form while remaining rooted in realist stylistic traditions. Poskas earned a BA from Oberlin College...

Polish, b. 1949 Pawlowski was born in 1949 in Poland. He studied at the Academy of Fine Arts in Warsaw. In 1979 he was awarded his "authorization and certification" by the Ministr...

This item is located in our New York City warehouse and can be viewed by appointment. A self-taught artist, Dermot Seymour was born in Belfast in 1956. Like many of his contempora...

Original oil painting on linen by artist Krystii Melaine. Framed.

This photorealistic painting by Gaylon Dingler is part of his western series and depicts a longhorn with a butterfly. The background is painted black, c...

Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to the art...

CORTES Antonio (1827-1908) Cows to pasture Oil on canvas signed lower left Old frame gilded with leaves Dim canvas : 54 X 65 cm Dim frame: 70 x 86 cm...

Wooded Landscape with Cattle By James Desvarreux-Larpenteur (American, 1847-1937) Unframed: 22" x 18" Framed: 27.5" x 31.5" Signed Lower Right Born i...

This "Cow" painting vibrantly pops with hyper-realistic color. It depicts a highly detailed cow standing in against a blue background. Could it be an empty room? Could it be the sky? There is a very playful atmosphere as the cow is holding a dandelion gone to seed and the wonder is whether it will make a wish and blow. Its awash in a cartoonish blue with clouds and cloudy farm animals. This pairs with the lamb painting but is sold separately. Renata Palubinskas was born in 1968 in Kaunas, Lithuania, at the time still in the Soviet Union as the Lithuanian Soviet Socialist Republic. She received her diploma in Fine Art and Restoration from St. Zukas Technium of Applied Arts in 1989. After working at the M.K. Ciurlionis State Museum of Art, she emigrated to the United States in the 1990s, basing herself in Detroit. Renata's work rethinks historic iconography while intentionally addressing the modern world through a new perspective. The characters in her paintings are often caught between the struggle of good and evil. That struggle represents the choice of trying to obtain immediate gratification or realization of the self, and the haunting life experiences with latent possibilities for death. Renata uses schematic compositions with purposefully positioned figures and other visual elements. To attract attention to the most significant figures, she often ornate their garments with intricate patterns. They are typically placed in either a serene landscape or an interior setting with a threatening presence around them. Her work has been exhibited in Collected Detroit...

William Henry Howe (1846-1929) "Made in the Shade" 1887 Oil on Canvas Signed and Dated Site Size: approx. 14.5 x 21.5 inches Frames Size: approx. 17.5 x 24.5 inches Provenance: Private Collection, St. Louis, Missouri thence by descent William Henry Howe was born in Ravenna, Ohio in 1846. Of him it was written: "In the late nineteenth century no American artist was more thoroughly identified with the painting of cows than William Henry Howe." (Richter 128). In a style that combined Tonalism and Realism, he was a painter of light-filled pastoral landscapes that sometimes had sheep as well as cattle tended by their shepherds and herders. He began a career as a businessman in St. Louis, and in his mid-thirties, changed course and went to Dusseldorf Germany to study art at the Royal Academy. In 1881, he went to Paris and studied with animal painters Felix Vuillefroy and Otto de Thoren. He also exhibited his work at the Paris Salons and the Paris Universal Exposition of 1889. Travels in Holland in the 1880s with other artists inspired his interest in pastoral subjects, and during that time he began his cattle paintings...