Outdoors Animal Paintings

Artist/ School: Scottish School, 20th century Title: Young deer roaming in a Scottish summers glen next to a pool of water. Very atmospheric work. M...

Charles Wittmann (French, 1876 – 1953) Cows grazing in Franche-Comte Oil on board Signed ‘CH. WITTMANN’ (lower right) 21.1/4 x 36.3/8 in. (54 x 92.5 c...

Debabrata Basu - Untitled - 48 x 60 inches (unframed size) Acrylic on Canvas Style : Debabrata derives his style and theme by introspecting within himself. The fears of uncertainty,...

Original Intaglio Print The print is framed without glass. variable edition

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

'Swans In Lakes' by Édouard Righetti (1924-2001) Signed lower front and back oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors. very good con...

Artist/ School: John Petersham (early 20th century) Title: Driving the Sheep Around the Coast Medium: signed oil painting on canvas , framed overall size: 23.5 x 35.5 inches Prov...

A lion strolls in front of a Range Rover in this photorealistic painting entitled "Dark Mane" by Rick Pas. Though small in scale this painting delivers gr...

"Pink flowers" is a painting, oil on canvas by the Ukrainian artist Maestro Ksenia Logvinenko. About the artwork: TECHNIQUE: oil painting STYLE: ...

Artist/ School: Sidney Yates Johnson, British circa 1900. Title: The Close of the Day, fine late Victorian Scottish Highlands landscape at sunset, with sheep along a river valley p...

Work on canvas Golden wooden frame 55 x 66 x 5 cm

Artist/ School: Frank Murray, Scottish late 19th century Title: A figure returning a crofters cottage besides a river or lake in the Highlands. Medium: watercolour painting, frame...

This is an original and unique oil on canvas painting by the Belgian 19th century artist Julien Jos, who was active from 1890 -1910. He specialised in rustic genre scenes featuri...

From the series "Sleeping Wolf" Born 1979 in Warsaw. Works in painting and photography. Between 2001and 2006 she studied at the Warsaw Academy of Fine Arts in the studio of Professo...

'Horses Feeding' by Édouard Righetti (1924-2001) Signed Lower Front oil painting on artist paper, beautifully painted very good condition Painting: 19.5 x 25 inches provenance: all...

Juxtaposing and altering unrelated natural objects with the machinations of man to create a scene of an impossible surreal world, the viewer enters the mind of artist Christopher Klein...

Pair the gentlest blue gray with soft shades of white and tan and you are on the journey to appreciating the morning surf in this contemporary realist marine landscape. A natural par...

"Without Title (Matterhorn)" is a large, unique oil on canvas painting of German artist Willi Bucher. It depicts with powerful strokes the facade of the ...

"Stable Walk", is a 22x30 oil painting on canvas by artist Dahl Taylor featuring a two brown horses being led back to the stable after morning workouts at Saratoga Race Course. Brigh...

"Forest Scene with Donkeys" by Spanish Master Painter Bartolome Sastre size: 45 x 57.5 inches framed size 55 x 62.5 inches A a mesmerizing scene of a mystical grove of twisted, old ...

Known for it's timeless charm, the quaint Cotswolds of England are what dreams are made of. The tranquil majesty overlooking the Winchcomb countryside depicted in this original impressionist landscape exemplifies the warm and inviting feeling of the famed Cotswold region of England. Resplendent with aging shrubs, mellowed stone, grazing sheep, private estates precisely marked by natural boundaries. Legendary artist John Phillip Osborne, applying many of the principles of the Barbizon school of art painters as well as that of the impressionists was the leading instructor of the highly regarded Ridgewood Art Institute of New Jersey for more than thirty four years. Osborne taught a generation of his students to go beyond the obvious in portraying their subject matter in a composition striving to capture the genuine overall feeling of the moment. After graduating with honors from Pratt Institute of NYC he then continued his studies at the Art Students League, also of NYC. Original Osborne oil paintings...

Wonderful oil on panel circa 1920 by French impressionist painter Andre Devambez. The work depicts a soldier leading his horse along a dirt track during...

A thoroughly engaging contemporary artwork in acrylic, showing a surreal landscape with magical creatures being ridden by futuristic human riders, swim through the water and fly over...

The Highland Loch by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed. framed: 13.25 x 15.25 inches canvas: 8 x 10 inches Provenance: private collection, ...

This piece, "No Breezing Today", is an 8x10 oil painting on canvas by artist James Jahrsdoerfer featuring a snowy winter view at the Saratoga Race...

monogram artwork Work on canvas Plaster moldings frame and gilded wood 49.5 x 67.2 x 5 cm

This piece, "Silent Run", is a 40x40 equine oil painting on canvas by artist Marie Channer. Featured is a group of horses running in the snowy hours of early morning. Snow drifts lif...

Work on canvas

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Windmill. Middle of 1940s, oil on cardboard, 54x65 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of applied arts (1942 – 43), in s...

This vibrant landscape piece, "Lush Pasture", is a 16x20 featuring three brown horses grazing in a green pasture surrounded by the warm afternoon sun light. Lush green trees fill the...

This vibrant landscape, "Spring", is a 9x12 equine oil painting on canvas featuring a grey horse and a brown horse walking in a lush green grassy pasture in the warm sunlight. Trees...

Lindsey Kustusch’s (US based) "The Ocean's Lions" is an original, handmade oil painting that depicts a group of striped Lionfish in an underwater setting. Artist Statement: I am a...

Air Battle in the German Way (imagined and designed during Sars-COV-2 lockdown in Spring 2020) Mixed media on canvas (oil, tempera, paint)- 50 cm x 70 cm "The canvas derives from...

Spring. Oil on cardboard, 40x50 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to...

Two Dolphins is an original contemporary artworks realized by Robert Lewis (1941) in 1990s Acrylic on Canvas. Hand signed on the lower left margin Includes a contemporary white wo...

Beautiful 22k Gold Leaf Frame

Charles Jones British, (1836-1892) Sheep Resting Oil on canvas, signed with monogram & dated 1877, further inscribed verso Image size: 35 inches x 59 inches Size including frame: 47 inches x 71 inches Exhibition Size Painting A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...

Evening sun. 1954, oil on cardboard, 33x61 cm

Artist/ School: Vivian Rolt (1874 - 1933), signed, dated and inscribed verso Title: Figures and cattle under a rainbow Medium: watercolour painting on board, framed image size: 9....

Oil on canvas

The old granary. Oil on cardboard, 24,5x45 cm

Karl Hartman gives primacy to the sparsity of form in his Mid-Western prairie landscapes. Simple and earnest, saturated primary hues and decisive lines ad...

Owen Baxter Morgan (British, fl. 1905 – 1932) Returning home at sunset Oil on canvas Signed in capitals ‘BAXTER MORGAN’ (lower right) 14 x 21 in. (3...

"Waterlilies" Artist: Bartolome Sastre Medium: Oil on canvas Size: 39.5" x 39.5" Frame

"Carps" Artist: Bartolome Sastre Medium: Oil on canvas Size: 35" x 45.75

Panther in the Grass is by artist Jeff Slemons .There is the use of the palette knife which builds up a texture of the oil paints used in this landscape...

Our Tracks Will be Concealed

Born 1979 in Warsaw. Works in painting and photography. Between 2001and 2006 she studied at the Warsaw Academy of Fine Arts in the studio of Professors Jaroslaw Modzelewski and Grzeg...

There were several thousand people at the circus on July 6, 1944 for the mid-day show. As excited spectators were watching the Flying Wallenda's start their high wire act, a fire started on the sidewall of the enormous big top and spread quickly ovet the canvas, which was waterproofed with gasoline and parafin. As the fire burned over the crowd, a panic driven stampede caused many people to become tangled in the bleachers and animal cages in the ring, trapping them inside the tent as it became completely engulfed and burned to the ground in less than 10 minutes. This piece is framed in a wooden frame measuring 36 x 50.5 inches. Eric Edward Esper The Ringling Brothers...

Autumn. 1967. Oil on cardboard, 68x57 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons a...

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...

Landscape with a river. 1947. Oil on cardboard, 50x72 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of appl...

Daniel Content painted in the grand tradition of the Golden Age of Illustration, in the style of Dean Cornwell, N.C. Wyeth, J.C Leyendecker ...

This painting, "Amazing Graze" is a 36x36 oil painting on canvas by artist Zu Sheng Yu. Depicted is a brown cow in the foreground gazing at the viewer. In the distance are two more...

Oil on canvas

Oil on canvas