Wright Barker

A Horse in a Field. Oil on Canvas by Wright Barker

circa 1900

Wright BARKER 1864 - 1941 Canvas Size: 27 x 40" (69 x 102cm) Outside Frame Size: 33 x 46" (84 x 117cm) Oil on Canvas Free Shipping Exhibited : 1885 - 1935 He was a figure and animal painter who was based originally in Bradford, where he lived until 1885, when he moved to Edwinstowe, near Mansfield, Nottingham. In 1901 he moved to Hampstead and then back north to Harrogate where he stayed until his death. In his later years he became a picture dealer, but in his will he referred to himself as ‘animal painter’. Barker became a member of the Royal Society of British Artists in 1896. Although he called himself an animal painter he is also known to have painted ‘Roman Maidens...

Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...

William MALBON (1805 - 1877) A classic mid-nineteenth century oil painting of a racehorse. Painted on canvas. This statement piece is wonderfully titled and clearly signed and dated....

Abraham COOPER Canvas Size: 28 x 36" (70 x 90cm) Outside Frame Size: 38 x 46" (95 x 115cm) A fantastic example of Cooper's work. A piece on a grand s...

Thomas Percy Earl British, (1874-1947) Bunty Oil on canvas, signed & dated 1915 & inscribed ‘Bunty’ Image size: 21.25 inches x 26.25 inches Size including frame: 27.75 inches x 32.7...

Horse in front of the barn. 19th Century English by Edward John Hoy signed, dated 1899. Beautiful custom (Richard Tobey) gilt wood frame, canvas 18x24 ...

You are viewing a gorgeous Victorian oil painting of a beautiful horse The painting reminds of the work of George Stubbs the famous Victorian painter of animals, particularly horses ...

Benjamin Herring Snr (British, 1830-1871) Saddled bay hunter 1863 Oil on canvas With old Christie's stencil verso Property of a gentleman From the collection of Peter Roe Dimension...