Darius Yektai

Yellow Spotted Hydrangeas

2020

Framed dimensions are 28 x 24 x 4 inches. Oil, acrylic, and resin on linen. Artist Bio Darius Yektai was born in Southampton NY, in 1973. He lives and works out of his home and st...

"White Willow Lilies", is a horizontally oriented oil painting on canvas, with a layer of resin poured and hardened, to create a clear, reflective layer, reminiscent to the surface o...

"Nasturtium, Diptych" is an abstract diptych painting of two potted plants. On the lefthand canvas the background is painted a thin hookers green and resin was poured over the top. The potted flower is painted over the resin, sitting on a white stippled table with a thick yellow edge. Yellow stipples are painted around the plant. The righthand painting has intentionally exposed canvas soft smudges of green paint through the middle of the canvas and navy up in the upper lefthand corner, at the middle of the composition. A heavy impasto flower...

A representational abstract depiction of "Silver Pond" on Long Island. Darius Yektai dives back into his popular "Silver Pond" palette in this dreamy waterscape. He paints his canvas...

Darius Yektai's "White Tulips" is a large-scale, layered, oil on resin, on canvas painting. White Tulips is archetypal in all but scale. Yektai’s stateme...

Waterlilies is a painting on linen, created with layers of oil paint, acrylic paint, and resin. The natural color of the raw linen makes up the base of the painting. Swaths of oil an...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world. His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. Hunt Slonem tends to embrace the ephemeral beauty of nature, a characteristic that brings a nurturing, spiritual effect to his creations. Throughout his extensive career as a New York artist, Slonem has favored the subject of exotic birds, rabbits, and butterflies. Lately, his compositions have consisted of flat spaces with simple forms pushed to the front of the picture plane. The artist creates exotic forms with expressive and highly textural brushstrokes that are full of intense color, loosely inspired by artists of the German Expressionism movement such as Ernst Ludwig and Emil Nolde. Henry Geldzahler, a scholar of Hunt Slonem, notes that of contemporary artists, “he particularly admires the work of Malcolm Morely...

Mixed-Media / Oil Painting / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Representations of Everyday Objects / Illustration / Interiors / Figurative Art / Outsider Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Chess with a Comic Collector" is an incredible figurative, pop surrealist piece made with oil and acrylic and a PLA plastic filament drawing affixed to wood panel. The 3D piece features a "a bearded and bespectacled young man, beer bottle close at hand, cut-outs of the Incredible Hulk...

Mixed-Media / Stickers / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Resin / Drawing / Representations of Everyday Objects / Figurative Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Sticker Painting" is an incredible and unique resin coated pop surrealist painting featuring well over 70 gel pen drawings on sticker paper affixed to a wood panel painted in oil and acrylic paint. Among the illustration images are a panoply of pop culture references from the Eastern, Western, Northern and Southern hemispheres -- birds and other animals, landscapes, UFOs, food items, nineties-era pornography, vehicles, yin yang symbols, skulls, daggers, a Teenage Mutant Ninja Turtle...

"Putto Grotto 2" is a miniature painting by Denver-based artist Melissa Furness. Inspired partly by the small figures that adorn the Roman Emperor Nero's pleasure palace, this strang...

At 5 by 10 feet, this brilliantly executed landscape on panel has a luminosity and a depth rarely seen. The painting has many layers, and is finished in resin. The central figure of ...

A lone, iconic tree stands against a vast, glowing sky. The dynamic surface of this painting is protected by a reflective resin. This is a muscular, large format and haunting landsca...