Fabienne Monestier

Pompadour tondo Pink roses oil impasto, Painting, Oil on Canvas

2020

Spring landscape. Studio painting done after the plain air on the location. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by th...

original winter landscape oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sig...

original oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist ::...

Landscape with fields, mountains and two horse riders. Alla prima painting with few details added when dry. :: Painting :: Impressionist :: This piece comes with an official certific...

Dog at the sea. Alla prima oil painting with few final tuches when dry. Beach Paintings always inspire thoughts of holidays, long walks, warm breezes and relaxation. beach and ocean ...

Started as plein air panting in France 2017 and finished in my Studio. This was the Driveway leading to the Hotel. What a greeting, so colorful and inviting. I have rarely shown...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

"Afternoon in Abbazia" Oil on canvas on cardboard 34.5 x 60 cm Kolhammer & Mahringer Archive Leontine von Littrow WVLL No. 338 Literature: Barta, Dubrovic, Kolhammer & Mahringer Li...