Figurative Paintings

Georgian artist Merab Gagiladze was born in Tbilisi. In 1987 he began his formal art education at the Tbilisi College of Art, School of Ceramics. In 19...

John CRASH Matos "Untitled (Popeye)" Spray Paint on Canvas 28.5 x 26 x 1.5 inches Born John Matos in 1961, CRASH was raised in the Bronx, New York. At the age of 13, he began following the older teens from his neighborhood to the train yards and began bombing. Taking the name “CRASH” after he accidentally crashed the computer in his school, his name began appearing on trains circulating all throughout New York City. By 1980, he began transitioning from train yards to galleries. He curated the groundbreaking "Graffiti Art Success for America" at Fashion MODA, launching the graffiti movement that has remained very active through today. CRASH’s career took off and he saw instant popularity throughout Europe and America, and eventually Asia. CRASH has been part of numerous museum and gallery shows around the world focusing on Graffiti and Street Art, and has works in many permanent museum collections. Visually iconic, he has partnered with many companies for projects including Absolut Vodka, Fender Guitars...

Glasgow artist James Klinge is renowned for some of the city’s finest street art. Specialising in stencils, spray-paint and acrylics he has easily made his name as one of the top st...

Acrylics and spray paint on deep edge canvas. Tagged on side, titled, signed and numbered on verso. Canvas is stretched. For the edition of 5, each is unique. Artwork is in excell...

Lynne Naylor is an Emmy Award winning, animator, artist, director, producer, and voice actress. Filmography: SpongeBob SquarePants, Wander Over Yonder, My Little Pony: Friendship is Magic, Fish Hooks, Breaking the Mold: The Re-Making of Mighty Mouse...

limited edition print on paper hand signed certificate of authenticity

Original paint and cement on canvas. Artwork size: 40 x 40 x 2 inches. Painting is stretched. Comes with original wooden crate. Artwork is in excellent condition. Certificate o...

Lisa Martin - Figure Consumed, Year: circa 2000, Medium: Oil on Canvas, Size: 27.5 x 20 in. (69.85 x 50.8 cm)

Lisa Martin - Mayfest 1989, Year: circa 2000, Medium: Offset Print and Collage on board, signed in pen lower right and on verso, Size: 28.5 x 13 in. (72.39 x 33.02 cm)

Santo (2021) by east coast street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed long board skateboard depicting a portrait with a classic Sean 9 L...

Carmelo Niño Carolina niña con Marina, 2021 Acrylic on canvas 350 x 200 cm 137.7 x 78.7 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

Carmelo Niño Amantes con escena, 2019 Acrylic on canvas 140 x 200 cm 55.1 x 78.7 in. The work is accompanied by a certificate of authenticity signed by ...

Carmelo Niño La Jaula, 2018 Acrylic on canvas 200 x 200 cm 78.7 x 78.7 in. The work is accompanied by a certificate of authenticity signed by the artist...

Carmelo Niño Amantes con escena, 2019 Acrylic on canvas 200 x 400 cm 78.7 x 157.4 in. The work is accompanied by a certificate of authenticity signed b...

Carmelo Niño Celebrando a Kiefer I, 2021 Acrylic on canvas 200 x 126 cm 78.7 x 49.6 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

Carmelo Niño Arlequín azul con ángel, 2015 Acrylic on canvas 177x 124 cm 69.6 x 48.8 in. The work is accompanied by a certificate of authenticity signe...

Carmelo Niño Lechera, 2014 Oil on canvas 207 x 149 cm 81.4 x 58.6 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...

"Sk8" (2022) by street artist el toro 10 x 10 x .75" Acrylic on wood panel. Artist's signature character, "el toro," appears with a yellow beanie, skating on ...

"Wawa Run" (2022) by street artist el toro 10 x 10 x .75" Acrylic on wood panel. Artist's signature character, "el toro," appears with a yellow beanie, a Wawa...

"Sovereign Shield" (2022) by Doug Nox (aka Harleqvin and the Harlequinade), psychedelic, enchanted, cosmic, giclée 43.25 × 20 × 1.75 in Surrealistic / Pastel Colors / Patterns / Graffiti and Street Art / Figurativve art / Digital Painting and Drawing / Cosmic art / Psychedelic art Giclée print on Hahnemule rag paper mounted on wood panel; Hand embellished digital drawing giclée print painted with gold medium and glitter; hand painted multiple. Pastels, earth tones, metallics. Gold, purple, blue, pink, orange, yellow, green, red. Rich in symbolism and layered imagery and ornate wisps of cosmic iconography -- spirit animals and protectors (hares, rabbits, bunnies, lion), symbolic objects (shield, heart, eyes, eye, feet, shackles, shackled ankles, faces, hand, feather, princess, crown, tiara, figure, heart, mushroom creatures). Hand signed by artist Certificate of Authenticity included Custom framing available Harleqvin and Harlequinade are both street art aliases of Philly-based street artist Doug Nox (aka #noxxy). He cites Austin Osman Spare...

"Sovereign Sword" (2022) by Doug Nox (aka Harleqvin and the Harlequinade), psychedelic, enchanted, cosmic, giclée 43.25 × 20 × 1.75 in Surrealistic / Pastel Colors / Patterns / Graffiti and Street Art / Digital Painting and Drawing / Cosmic art / Psychedelic art Giclée print on Hahnemule rag paper mounted on wood panel; Hand embellished digital drawing giclée print painted with gold medium and glitter; hand painted multiple. Pastels, earth tones, metallics. Gold, purple, blue, pink, orange, yellow, green, red. Rich in symbolism and layered imagery and wisps of cosmic iconography -- spirit animals and protectors (roosters), symbolic objects (sword, eyes, faces, hand, tree of life). Hand signed by artist Certificate of Authenticity included Custom framing available Harleqvin and Harlequinade are both street art aliases of Philly-based street artist Doug Nox (aka #noxxy). He cites Austin Osman...

Oil, acrylic, aerosol, charcoal on canvas

Artist: Gonzalo Endara Crow, Ecuador (1936 - 1996) Title: The Sailing Ship Date: 1982 Medium: Oil on Canvas, signed verso Size: 27 x 35 in. (68.58 x 88.9 cm)

In his "Effect" series, we see how Plusch gives location - places and spaces resembling the world around us - the same treatment once reserved for his abstract human forms. Effective...

In Plusch’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the assembly of an ordinary room. The treatment of the backgrou...

In his "Effect" series, we see how Plusch gives location - places and spaces resembling the world around us - the same treatment once reserved for his abstract human forms. Effective...

In his "Effect" series, we see how Plusch gives location - places and spaces resembling the world around us - the same treatment once reserved for his abstract human forms. Effective...

In this work, the horizontal flowing of paint alongside material possessions seems to insinuate some connection with notions of ownership. Household objects before morbid symbolism d...

In his "Immortality" series, Plusch explores how notions of beauty and deformity, eternal and momentary, and life and death intermingle and blur together. This work expresses how all...

In his "Immortality" series, Plusch explores how notions of beauty and deformity, eternal and momentary, and life and death intermingle and blur together. This work expresses how all...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

In this work, the horizontal flowing of paint seems to insinuate some connection with the illusion of our material world. Although the scene appears precise in its rendering, there r...

Presenting a just completed original oil painting by Azerbaijani artist Fidan Kim. Into the Light, depicts a man rediating his own light, while the women above floating over his umbrella would all like to bask in his light. Only one canb join him as his true love, and she bears the read heart. Directions, is an original oil on canvas, signed, 2021 with an image dimension of 48 x 24 inches, just completed by the artist, the painting is currently unframed. Please contact the gallery for additional information, pricing and availability. About Artist Fidan Kim: Fidan Kim was born in Baku, Azerbaijan on the 21th of August 1997. 2014-2018 – BA FINE ARTS AZERBAIJAN STATE ACADEMY OF FINE ARTS 2018-2020 – MA FINE ARTS AZERBAIJAN STATE ACADEMY OF FINE ARTS August 2009 – “Young Talents Exploring Visual Arts” summer art courses at the Edinborough Art College August 2010 – “Art al Sole” summer art courses in Italy August 2011 - “Art al Sole” summer art courses in Italy October 2013 – a solo exhibition “The last day of the childhood” November 2014 – a solo exhibition “”Paradoxes” March 2015 – participation at a master class given by a renowned artist, Professor Inge H. Schmidt from the Berlin University of the Arts, Germany organized by ADRA June 2015 – VI International Art Festival June 2016 – an art exhibition “Futurismo Ora” at the “Lamborghini” salon October 2016 – participation at the Shopping festival Carrousel du Louvre Art in Paris December 2016 – art courses at the Georgian State Academy of Art within the exchange program Art) February 2017 – Gave art classes at Yarat contemporary art space April 2017 – an art exhibition “Live Life” in Moscow May 2017 – an art exhibition at the Embassy of Turkey in Azerbaijan May 2017 – an art exhibition Live Life organized in Geogria by Idea community June 2017 – Master Class given by Fidan Kim at Yarat Contemporary Art Centre Member of the Union of Artists May 2018 – solo exhibition in Shanghai Cooperation Organization in Beijing, China November 2018 – Participation in Shanghai art...

Presenting a just arrived original oil painting by Azerbaijani artist Fidan Kim. Studio Fidan, is an original oil on canvas, signed, 2020 with an image dimension of 43 x 35 inches,...

Oil and 3 mirrors on 9 canvases

Heather Farrell Title : Royal Palms Materials : Acrylic on canvas Date : 2019 Dimensions : 4' x 5'. (48 x 60 in.) Signed, COA provided Heather Farrell wor...

Acrylic on canvas.

Acrylic on canvas.

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting...

A monumental oil painting by Benjamin Benno, American (1901 - 1980) measuring 80 x 67 inches, framed to 84 x 71 inches. Signed and dated 1938. By the early 1930s Benno had establis...

Born in 1946 Alfredo Sasso trained at the Carrara Academy of Fine Arts. From 1971 to 1973 he worked as an assistant to Jacques Lipchitz for the construction of three major monuments...

Artist: Martin Barooshian, American (1929 - ) Title: Creatures of Prometheus Year: 1957 Medium: Oil on Canvas, signed, titled and dated Size: 31 x 41 in. (78.74 x 104.14 cm) Frame Si...

Artist: Mark Kostabi, American (1960 - ) Title: Baltic Angst Year: 1989 Medium: Oil on Canvas, signed and dated l.r. and signed, titled and dated verso Size: 70 in. x 48 in. (177.8 ...

Artist: Mark Kostabi, American (1960 - ) Title: Time Bond Year: 1988 Medium: Acrylic on Canvas, signed verso Size: 84 x 48 in. (213.36 x 121.92 cm)

Artist: Mark Kostabi, American (1960 - ) Title: Balancing the Budget Year: 1988 Medium: Oil on Canvas, signed l.l. and verso Size: 60 x 84 in. (152.4 x 213.36 cm)

Artist: Mark Kostabi, American (1960 - ) Title: Ruins Year: 1989 Medium: Oil on canvas, signed verso Size: 62 x 68 inches (157.5 x 172.7 cm)

Artist: Alejandro Colunga, Mexican (1948 - ) Title: Many-Headed Man Year: circa 1980 Medium: Acrylic and Mixed Media on Paper Mounted to Masonite, signed l.r. Size: 56 x 42 inches Fr...

‘Security Checked’ is a large vertical contemporary surrealist figurative oil on canvas painting created by Vietnamese artist Dinh Y Nhi in 2008. Featuring a vivid palette made of red, orange, pink and black tones, the painting depicts a frontal view of an angular nude figure, bending her knees down. The pink tones of her skin stand out dramatically on the red painted background made of large strokes contrasted with black fields that seem to frame the subject. This piece exemplifies Y Nhi's style of paintings as her success with two-colors; red, blue or black and white, addresses modern themes and issues devoid of gender. Her figurative surrealism style of stick figures is warped and elongated, stretched out of proportion. Each figure tilts and twists at painful angles. They bring to mind the famous harrowing faces in Edward Munch's ‘The Scream’, or the difficult distorted ones from the portraits of Francis Bacon. But most of the faces Y Nhi paints are miniature ones devoid of details, deceptively random and simple brush strokes. There is a playfulness that reflects the outer images the painter projects of herself. Her style also allows her to convey complex textures, and emotions, in her images. Dinh Y Nhi is a graduate of Hanoi's School of Fine Arts. Her work has been exhibited in many shows in Vietnam. She is receiving much notice among the Vietnamese press and art patrons in the United States, Australia and Asian countries. With its strong presence and large proportions, this surrealist oil on canvas painting will be a definite conversation piece in any home, whether placed above a sofa, console table or enfilade. Exhibitions 2011: Group Exhibition Art Asia Miami, Florida, AiBo Fine Asia Art 2011: Portrait, Dinh Y Nhi & Le Thiet Cuong...

‘Security’ is a large framed contemporary surrealist figurative oil on canvas painting of vertical format, created by Vietnamese artist Dinh Y Nhi in 2010. Featuring a cold palette mostly made of grey and black tones, accented with blue and beige touches, the painting depicts a frontal view of a nude figure. This piece exemplifies Y Nhi's style of paintings as her success with two-colors; red, blue or black and white, addresses modern themes and issues devoid of gender. Her figurative surrealism style of stick figures is warped and elongated, stretched out of proportion. Each figure tilts and twists at painful angles. They bring to mind the famous harrowing faces in Edward Munch's ‘The Scream’, or the difficult distorted ones from the portraits of Francis Bacon. But most of the faces Y Nhi paints are miniature ones devoid of details, deceptively random and simple brush strokes. There is a playfulness that reflects the outer images the painter projects of herself. Her style also allows her to convey complex textures, and emotions, in her images. Dinh Y Nhi is a graduate of Hanoi's School of Fine Arts. Her work has been exhibited in many shows in Vietnam. She is receiving much notice among the Vietnamese press and art patrons in the United States, Australia and Asian countries. With its powerful presence and great proportions, this surrealist oil on canvas painting will be a definite conversation piece in any home, whether placed above a sofa, console table or enfilade. Set inside a frame, the painting is titled in the lower section. 1967: Born in Hanoi, Vietnam 1989: Graduated from Hanoi Fine Art University Exhibitions: 2011: Group Exhibition Art Asia Miami, Florida, AiBo Fine Asia Art 2011: Portrait, Dinh Y Nhi & Le Thiet Cuong...

Presenting an original oil on canvas by American artist Darren LeGallo. "Equanimity: Pusher Love Girl", is one of the lifetime masterpieces by American artist Darren LeGallo, and it has just been released for sale, This painting was conceived and executed in the studio while the song, "Pusher Love Girl", was being recorded for, the 20/20 Experience album by Justin Timberlake.. “Equanimity: Pusher Love Girl”, was exhibited at the premiere solo exhibition of American artist Darren LeGallo, “Darren LeGallo: Nothing You Don’t Know”, a retrospective of original oil paintings and drawings, February/March 2013. The exhibition was produced by Trigg Ison...

An exceptional early oil on canvas by American artist Karen Kiefer. Karen Kiefer continues to paint and teach fine art in Hawaii, the focus of her pain...

Presenting a monumental early oil painting by Cuban artist Yuri Martinez Ramos. "La Carpa", The Tent, is an original oil on canvas, signed, dated 1997, ...

Presenting an exceptional and rare mixed media watercolor by Belgian artist Edmond Vandercammen. Vandercammen was classically trained and well ...

Federico Castellón (1914-1971) was a Spanish-American painter, sculptor, printmaker and illustrator of children's books. Portrait of a Genie, is an original pencil signed etching,...