Figurative Paintings

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

Title: «La Bruja» Collection: Muses Description: Acrylic on canvas, figurative, Vibrant, modern "Who is the witch of the big city today? How does she stand out from everyone else? She wants to break the rules and obeys her inner voice, she is not afraid to be herself, she chooses her own path, she lets magic enter her life every day, because living her life and loving herself is true magic." The artwork in question may celebrate the power and freedom of self-expression. The focus is on a woman who defies convention and chooses to live life on her own terms. She is described as a "witch," which suggests that she is seen as someone who is in touch with the mystical and the spiritual. The artwork may depict this woman as a bold and confident figure, with an unapologetic attitude and a strong sense of personal style. The imagery may be colorful and fantastical, with elements of nature and magic woven into the composition. The artwork may also convey a sense of joy and empowerment, with the message that being true to oneself is the ultimate form of magic. Overall, the artwork celebrates individuality, creativity, and the courage to pursue one's own path in life. Victoria Tsemka...

Abstracted painting of a man and a woman, the paint has been applied to textured plastic. An abstracted painting of a couple applying paint to the textured plastic surface. Genre Expressionist Fauvist Subject People Medium Acrylic Plastic Surface Board Country United States Dimensions 24" x 11 1/2" She exhibited her painting at the famous Jewish art show held at the Dallas Museum Contemporary Fine Arts Exhibition of the American Jewish Tercentenary in 1955 alogside artists Aarons, George, Benn, Ben, Berkman, Aaron, Bloom, Hyman Bohrod, Aaron Gottlieb, Adolph, Gropper, William, Gross, Chaim Gurr, Lena amongst others. Born in 1899, Belle Golinko is a listed Jewish mid...

Aba Linus's "The More I See" presents a visually striking portrayal of a young boy in a contemplative state. The artist skillfully captures the nuances of hu...

"Abike" takes its name from the Yoruba language, where it symbolizes a woman who is born to be cared for. This profound concept emphasizes the intrinsic value of women and underscores the responsibility that society has to protect and nurture them. However, despite this cultural ideal, the artwork brings attention to the alarming prevalence of domestic violence against women. Through "Abike," Olamilekan Bello...

In the realm of vibrant expressions, Italian artist Giuseppe Beddru masterfully brings to life abstracted flora in a spectacular fusion of color and form. The canvas dances with an o...

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

In the realm of vibrant expressions, Italian artist Giuseppe Beddru masterfully brings to life abstracted flora in a spectacular fusion of color and form. The canvas dances with an o...

Frederick Serger Genre: Post Impressionist Subject: Flowers, Poppies Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Czech, Vienna, Austria and Munich, Germany. During World War I, Serger joined the Austrian Army and served in the Balkans. Once his service ended, he traveled to Paris where he resumed his art training and eagerly joined the Ecole de Paris (School of Paris) artists’ movement. During this period, he was greatly influenced by the Impressionist, Post-Impressionist, and Expressionist movements. While living in Paris, he met and married Helen Spitzer. Serger and his young wife moved from Paris to Scoczow, a city on the Polish-Czech border. They remained in Scoczow for 12 years and he continued to work as an artist, exhibiting in museums in Cracow and Warsaw, Poland. He also showed at the Paris Salon de Tuilleries and the Salon d’Automne. He was part of the generation of expat artists, mostly jewish known as the School of Paris. They created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists Marc Chagall, Chaim Soutine, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. Many École de Paris artists lived in the iconic La Ruche, a complex of studio apartments and other facilities in Montparnasse on the Left Bank, at 2 Passage Dantzig, built by a successful sculptor, Alfred Boucher, who wanted to develop a creative hub where struggling artists could live, work and interact. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, included Emmanuel Mane-Katz, Abraham Mintchine...

"Blue Towel" is an artistic composition that demands our attention. The woman wrapped in the titular blue towel stands as a metaphor for the delicate nature of the human condition. The choice of a towel, an item commonly associated with comfort, adds a layer of paradox, suggesting that beneath the surface, vulnerability and uncertainty may reside. The color blue further amplifies the artwork's emotive power. Blue, often associated with tranquility, introspection, and depth, offers a subtle insight into the subject's state of mind. It prompts us to consider the significance of self-reflection and the search for personal meaning that lies beneath the facade we present to the world. Bello's "Blue Towel" invites viewers to delve into the multifaceted nature of vulnerability and identity. The woman's posture and gaze suggest introspection as if she is immersed in deep thought, grappling with the layers that make up her sense of self. The vulnerability expressed in her body language encourages us to reflect on our own journeys of self-discovery and the masks we wear to shield our vulnerabilities from the world. The blue towel enveloping the lady can also be interpreted as a symbolic cocoon, representing a transformative stage in her life. It alludes to the moments of introspection and self-exploration that are essential for personal growth and understanding. Just as a caterpillar retreats into a cocoon before emerging as a butterfly, the woman in the artwork may be undergoing her own metamorphosis. Olamilekan Bello...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

"Tribal Identity" captures the essence of both tradition and individuality, showcasing a woman with intricate tribal marks artistically etched on her face. The markings symbolize her connection to a specific tribe or community, serving as a visual representation of her heritage and cultural background. Bakare masterfully captures the woman's expression, reflecting her strength, resilience, and pride. In an era of globalization and homogenization, the importance of preserving cultural heritage cannot be overstated. "Tribal Identity" serves as a powerful reminder of the richness and diversity present in various cultures worldwide. The artwork encapsulates the struggles faced by communities striving to maintain their unique traditions, amidst the pressures of assimilation and modernization. It urges viewers to appreciate and celebrate the wealth of knowledge, customs, and beliefs that make up our global tapestry. Through "Tribal Identity," Tunde Bakare...

Jean-Louis Mendrisse is a self-taught painter born in 1955 in Clermont-Ferrand. Art, family affairs Jean-Louis Mendrisse studied the deal with his famous sculptor father, Jean Mos...

The title of the painting, "African Radiant," captures the essence of the woman's beauty and spirit. She exudes a sense of joy and inner radiance that is infectious, and her confident gaze and proud stance suggest a deep sense of pride in her heritage and culture. Overall, "African Radiant: Celebration of Beauty and Joy" is a powerful celebration of the beauty and resilience of black African women. It invites viewers to revel in the richness and diversity of African culture and appreciate the strength and joy inherent in the African spirit. Shipping Procedure: Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"Adventure Story" is a homage to the rich cultural traditions passed down through generations. The artwork's protagonist, a male hunter, stands as a representation of the deep-rooted connection between man and nature, as well as the preservation of traditional practices. The wooden local gun he carries symbolizes both the tools of his trade and the ancestral knowledge that has been handed down through time. Bello's artwork prompts us to appreciate the importance of preserving and honoring our cultural heritage. It serves as a reminder that our traditions, rituals, and stories hold invaluable wisdom and provide a link to our past, helping us understand who we are as individuals and as a collective. The central theme of "Adventure Story" revolves around the spirit of adventure, encapsulated by the hunter in the artwork. The headlamp tied around his head signifies his readiness to explore the unknown and face the challenges that lie ahead. It speaks of the courage to navigate unfamiliar territories and the determination to embrace new experiences. The headlamp, traditionally used to illuminate darkness, can also be interpreted metaphorically as a beacon of knowledge and enlightenment. It symbolizes the hunter's quest for wisdom and understanding, highlighting the importance of seeking knowledge as we venture into the uncharted territories of life. Olamilekan Bello...

woman,red, Italian painter Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive results do...

Galina Vasilevna Pshenitsina was born in 1940 in the town of Gorky (now Nizhny Novgorod). She began her studies at the Art School named after Johanson in St. Petersburg. In 1959, she...

The painting is a stunning portrait of a black African woman with an intricate afro hairstyle that dominates the canvas. The use of vibrant oil colors on Ankara fabric gives the painting a rich texture and a sense of depth as if the woman is emerging from the fabric itself. The woman's gaze is direct and unwavering, conveying a sense of strength and resilience in the face of adversity. The Ankara fabric, a traditional African textile, adds a cultural dimension to the painting, highlighting the importance of heritage and identity. The combination of traditional fabric and contemporary art techniques makes the painting a unique and powerful piece that celebrates the beauty and strength of black African women. The painting invites the audience to appreciate the rich cultural heritage and diversity of Africa and to recognize the beauty and power of African women. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

Betsy - 'A Touch Of Intimacy' - 2023 A Touch of Intimacy" is an evocative painting that captures a moment of tenderness and connection between two lovers. The nude woman's confiden...

Genre: Other Subject: Figures Medium: Other, Gouache Surface: Paper Country: United States sight size 17 X 13 inches Emigrating to Boston in 1913 from Poland with his Russian-Jewis...

Alkyd-oil on board, 81cm diam., (100cm diam framed). Although most famous for his portrait of HM Queen Elizabeth in the National Portrait Gallery, London, from the late 1970s up un...

The painting titled "Young, Gifted, and Black" portrays a beautiful black girl with a confident gaze, looking directly at the audience. The girl is depicted with a slight smile on he...

In "Wuraola," Odetomi skillfully captures the attention of onlookers with the magnificent presence of a woman donning a striking gele. Gele, a traditional African headwrap, symbolizes grace, elegance, and the celebration of femininity. The artist's meticulous strokes and vibrant colors draw the viewer's gaze to the intricate folds and contours of the gele, which cascades dramatically around the woman's head, commanding awe and admiration. Enhancing the allure of the artwork are the woman's stunning earrings, depicted in exquisite detail. These bold and oversized accessories serve as a testament to African culture, where jewelry holds great significance. The intricate design and meticulous craftsmanship of the earrings capture the essence of African artistry, exemplifying a sense of heritage and grandeur. Abayomi Odetomi...

A rare and visceral artist, Gail Foster’s works are passionately expressive rendering of complex ideas. Her latest endeavors include elemental photography of “trash-to- treasure” ass...

Shawarma, a delicious culinary delight enjoyed by many, takes center stage in this artwork. The artist playfully emphasizes the word "Shawarma" on the tote bag, highlighting its significance as a symbol of enjoyment and pleasure. This whimsical representation serves as a reminder to relish the simple, gastronomic experiences that can bring moments of happiness and contentment to our lives. "You can't buy happiness, but buy shawarma." These words resonate deeply, encapsulating the idea that true happiness cannot be purchased, but it can be found in the small, fleeting moments of joy. The artwork encourages us to seek happiness in the every day and appreciate the simple pleasures that add flavor to our lives. By celebrating the act of indulging in a beloved food like shawarma, the artist reminds us to embrace the little things that bring us happiness. "Sometimes a sad day is a good day to enjoy life." This thought-provoking statement challenges our perspective on difficult times, suggesting that even in moments of sadness, we can find solace in the small joys that surround us. The artwork portrays a young woman, perhaps caught in a moment of contemplation, choosing to uplift her spirits through the simple act of enjoying shawarma. It serves as a reminder that even during challenging times, we can find solace and pleasure in life's little pleasures. "Life is too short to not Shawarma" serves as a gentle reminder to live fully in the present. It urges us to savor the flavors, experiences, and connections that make life beautiful. In a world that often rushes by, this artwork encourages us to slow down and appreciate the present moment, relishing the delicious tastes and sensations that bring us joy. Food has an incredible ability to bring people together, transcending cultural boundaries and creating moments of shared happiness. The artwork's focus on shawarma as a source of enjoyment underscores the significance of culinary delights in our lives. It invites us to celebrate the diverse flavors and experiences that the world of food offers, fostering connections and creating memories. "Life is too short to not Shawarma" is not just a whimsical artwork...

THE ENSEMBLE Size: 29 x 37 cm (including frame) Oil on Canvas A small yet very striking mid century figurative composition, executed in oil onto canvas. The artist has used the exp...

A rare and visceral artist, Gail Foster’s works are passionately expressive rendering of complex ideas. Her latest endeavors include elemental photography of “trash-to- treasure” ass...

A rare and visceral artist, Gail Foster’s works are passionately expressive rendering of complex ideas. Her latest endeavors include elemental photography of “trash-to- treasure” ass...

Oil on board, 62cm x 42cm, (70cm x 50cm framed). The picture is in good condition. Plummer trained at the Royal Academy Schools in the early 1950s, championed by Stanley Spencer and Sir Herbert Read, he was the recipient of the coveted Leverhulme Scholarship. In a mixed career which included illustration work for The National Trust, anatomical illustration for Guys Hospital and teaching, painting ran parallel to his commercial work. Plummer specialised in the medium of egg tempera, as well as oil painting, a technique little used since the frescos of the Renaissance, he often worked on a large scale, but in tremendous detail, combining Classical iconography and formal composition with visual exploration evocative of William Blake and...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

'Stay with me' highlights the importance of company and friendships in our lives for days when we are not strong alone. While considering the positive role companionship takes in loneliness, mental health, and wellness. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist: Born in Lagos (Nigeria) in 1994 and based in Abeokuta, Nigeria. Eniafe Gbenga...

SALE ONE WEEK ONLY UNTITLED by Fanny Rabel a Mexican artist who was born in Poland in 1922 is a soul wrenching work depicting among other things, the children killed by Nazi bombing in Spain during the Second World War. The lavender and purple surrounding the seated female figure and the kneeling child suggest both grief for the innocents' deaths and the prayers being offered for an end to the carnage. The bright gold and red can be read as either explosions or the hopeful light of redemption after death. Like Picasso's Guernica from 1937, this painting from 1965 can stand as a powerful anti-war statement. Numerous key galleries and museums such as Morton Auctions, Cerro de Mayka have featured Fanny Rabel's work in the past. Her anti-Nazi and anti-Fascism politics resulted in her participation in a mural called Retrato de la Burguesía in 1940 for the Sindicato Mexicano de Electricistas building on Alfonso Caso Street in Mexico City. Rabel met a group of exiled Spaniards in Mexico along with Antonio Pujol, who invited her to take part in a mural project headed by him, David Alfaro Siqueiros, Joseph Renau, Luis Arenal, Antonio Rodríguez Luna and Miguel Prieto. The artist died in 2008. Fanny Rabel born August 27, 1922, in Poland born Fanny Rabinovich, was a Polish-born Mexican artist who is considered to be the first modern female muralist and one of the youngest associated with the Mexican muralism of the early to the mid-20th century. She and her family arrived in Mexico in 1938 from Europe and she studied art at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where she met and became friends with Frida Kahlo. She became the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. She also worked as an assistant and apprentice to Diego Rivera and David Alfaro Siqueiros, painting several murals of her own during her career. The most significant of these is "Ronda en el tiempo" at the Museo Nacional de Antropología in Mexico City. She also created canvases and other works, with children often featured in her work, and was one of the first of her generation to work with ecological themes in a series of works begun in 1979. She is considered to be the first female muralist in Mexico. She was an assistant to Diego Rivera while he worked on the frescos for the National Palace and an apprentice to David Alfaro Siqueiros. Her most important mural is Ronda en el tiempo located in the Museo Nacional de Antropología, which was created from 1964 to 1965. She also created murals at the Unidad de Lavaderos Público de Tepalcatitlán (1945), Sobrevivencia, Alfabetización in Coyoacán in 1952 Sobrevivencia de un pueblo at the Centro Deportivo Israelita (1957) Hacia la salud for the Hospital Infantil de México (1982), La familia mexicana at the Registro Público de la Propiedad (1984) (which Rabel preferred to title Abolición de la propiedad privada) and at the Imprenta Artgraf. In collaboration with other artists, she participated in the creation of the murals at the La Rosita pulque bar (disappeared) and at the Casa de la Madre Soltera. She entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" shortly after it was established in 1942, taking classes with José Chávez Morado, Feliciano Peña and Frida Kahlo, with whom she became close friends. She changed her last name from Rabinovich to Rabel during her career. Rabel married urologist Jaime Woolrich and had two children Abel and Paloma Woolrich, both of whom became actors. The first exhibition of her work was in 1945 with twenty-four oils, thirteen drawings, and eight engravings at the Liga Popular Israelita with Frida Kahlo writing the presentation. In 1955, she had an individual exhibition at the Salón de la Plástica Mexicana. She had a large exhibition at the Museum of the Palacio de Bellas Artes to commemorate a half-century of her work. Her last exhibition was in 2007 at the Universidad Autónoma Metropolitana. Her work can be found in collections in over fifteen countries including those of the New York Public Library, the Library of Congress in Washington, D.C., the Royal Academy of Denmark, the National Library in Paris, the Casa de las Américas in Havana, the Benemérita Universidad Autónoma de Puebla and the Museo de Arte Moderno in Mexico City. A retrospective of her work after her death called Retrospectiva in Memoriam, Fanny Rabel (1922-2008) was held at the Museum of the Universidad Popular Autónoma del Estado de Puebla . She is considered to be the first modern female muralist in Mexico although she also did significant work in painting, engraving, drawing, and ceramic sculpture. Her work has been classified as poetic Surrealism, Neo-expressionism and is also considered part of the Escuela Mexicana de Pintura (the dominant art movement of the early to mid 20th century in Mexico) as one of the youngest muralists to be associated with it along with Arnold Belkin and José Hernández Delga. Rabel was more drawn to depicting mankind’s pain rather than happiness, sharing other Mexican muralists' concerns about social injustice. However, she stated to Leopoldo Méndez that she could not create combative works, with clenched fists and fierce faces, and she wanted to leave the Taller de Gráfica Popular. Méndez convinced her to stay, saying that more tender images are important to political struggle as well. Children with Mexican faces...

This is an oil on wood painting. There is a rough stipple texture to this work achieved by mixing a pumice like compound into the primer. The work is consistent with the artists humo...

"Alpine Village III" Pastel on Paper Painting 10" x 12" in by Inji Efflatoun signed & dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhib...

Something is mesmerizing about the paintings of Pat Berger - a captivating force that immediately draws us in. Her work is characterized by a unique composi...

I walked up to the mirror and I was heartbroken. My heart wandered, earth broken. I saw my pains, anxiety, lies, and burdens staring at me. I hated the fact that I might be blind. My reality has been bound, I realized the mirror might be deceiving; false info I am receiving. I turned to society due to my uncertainty to be a mirror and it said, you are too kind to be real, too beautiful to serve God, too smart for the Gospel, and too holy for us. You are lagging behind leaving no mark behind. Then I turned to the Word and I am reflected for who I am, not perfected for the world. I might be flawed yet there was room for correction. And it was pointing in the right direction. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist John Ayobamidele...

The painting titled "Poised" depicts a black African woman gazing confidently at the viewer at a right angle. The painting is rendered with oil on Ankara fabric, which adds texture and depth to the artwork. The woman is dressed in a stunning lemon-green dress that complements her dark skin tone. Her posture exudes confidence and grace, as she stands tall with her head held high. Her gaze suggests that she is not afraid to be seen and that she is ready to take on whatever challenges come her way. Overall, the painting captures the beauty and strength of black African women and celebrates their resilience and determination in the face of adversity. Shipping Procedure: Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

Participant SOLO EXHIBITION in Thun, Switzerland "Strength, and Vulnerability" December 2022. Please get in touch with us if you have any questions about this artwork. MATERIALS: Th...

Cloaks 3: Expose" is a poignant and powerful artwork that speaks to the issue of oppression, marginalization, and societal judgment. The painting features a figure draped in a cloak, standing, and pointing. The cloak in the painting represents the societal pressure to conform, and the figure represents the consequences of not conforming. The painting is a powerful representation of the consequences of non-conformity, and the emotional weight that comes with it. The artwork is a reminder of the power of societal judgment and the role it plays in oppressing those who do not conform. The figure's stance and body language convey a sense of defeat and shame, reflecting the psychological and emotional toll that comes with societal judgment. The impact of societal norms and the fear of rejection that comes with not conforming. The painting is not just a representation of oppression and societal pressure, but it is also an example of artistic excellence. The intricate details of the cloak, the figure, and the crowd demonstrate the artist's mastery of the craft. The use of light and shadow is also exemplary, creating a sense of depth and emotion that draws the viewer into the painting. Moreover, the painting is a call to action, urging us to challenge societal norms and expectations that oppress and marginalize individuals. It is a call for empathy, compassion, and understanding, and a reminder that everyone deserves to be accepted and loved for who they are, regardless of whether they conform to societal norms or not. In conclusion, "Cloaks 3: Expose" is a powerful work of art that speaks to the issue of oppression, marginalization, and societal judgment. It is a poignant reminder of the power of societal norms and the consequences of not conforming. It is also an example of artistic excellence, showcasing the artist's skill and creativity. The painting is a call to action, urging us to challenge societal norms and expectations and embrace empathy, compassion, and understanding. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Victor Chigozie Anachuna...

"First Born" is a captivating artwork created by Kehinde Oyafajo that depicts a mother and her first child sitting sideways. The painting, which is a tribute to motherhood, captures the essence of the bond between a mother and her child. The colors used in the painting are bright and vivid, adding to the sense of warmth and love that emanates from the piece. The title of the artwork, "First Born," adds a layer of significance to the painting. It implies that the child in the painting is the mother's first child, which is a special and transformative experience for any mother. The mother's face seems to exude the joy and wonder of experiencing motherhood for the first time. Kehinde Oyafajo's artwork is a testament to the importance of motherhood in our society. It celebrates the unique bond between a mother and her child, which is both powerful and enduring. The painting is a reminder of the love and sacrifice...

"Phantom of the Brotherhood" describes the hoax of the reality of man and his flowers. At the center of his burdens, accomplishments, and rest; mostly his brothers dare to acknowledge his weight and the burden he bore. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist: Born in Lagos (Nigeria) in 1994 and based in Abeokuta, Nigeria. Eniafe Gbenga...

Title: The Guardians of Absolute Wealth Large Expressionist work with vibrant colors This is a large and soulful artwork by Karnish. Symbols and forms unfold in this mesmerizing large work depicting wealth and abundance. The viewer is invited to find their own stories intentionally created to move the viewers eyes to different aspects of riches to be discovered in the work. This work is part of a series. It is part of a story... It portrays truth, abundant energy, utmost care and wild freedom. There are hidden treasures – the infinity sign, the triangles, diamonds and squares, the abundance of color, to connect us with affluence and prosperity! Her well loved signature-style Guardians are also at play. Graffiti, spray-paint, acrylics, oils and mark making with vivid colors of blue, red, orange, yellow, purple, black, off-white, green and white - layer upon layer of shapes and forms, to create this unique artwork! This work is created on top quality, heavy duty canvas. It is mounted and stretched on wooden bars and ready to hang. It can also be framed in a style that suits the décor of the place that it will be displayed at. (Cost is for the collector. Keep in mind that the South African Rand exchange rate is favorable and makes it most cost effective to have it framed here. Shipment cost...

My library, My favorite spot in town, Where all my imagination meets. My place of timeless excitement and constant joy. I could travel the world from this point and could sail throug...

"Freedom" is a mesmerizing composition that commands attention with its compelling portrayal of a woman's portrait. Theophilus masterfully captures the essence of liberation through the subject's confident and defiant gaze, radiating a sense of empowerment. The woman's facial expression and body language exude a combination of strength, self-assurance, and a resolute determination to be true to oneself. The artist employs a nuanced and skillful technique, bringing depth and dimension to the portrait. Each brushstroke seems to convey the emotions and experiences that have shaped the subject's journey toward freedom. Theophilus pays meticulous attention to the smallest details, rendering the textures of the woman's features with precision, giving her a palpable presence within the artwork. "Freedom" encapsulates the triumph of breaking free from societal expectations and norms. The woman's portrait serves as a symbolic representation of individuals who have found the strength to embrace their true selves and live authentically. Her expression reflects the liberation that comes with shedding external pressures, embracing personal identity, and embracing the inherent right to be free. The artwork's moniker, "Freedom," amplifies its central theme. It serves as a powerful reminder that true freedom lies not only in external circumstances but also within one's mind and spirit. Theophilus encourages viewers to explore the boundless possibilities that arise when individuals break free from societal constraints and allow their true selves to shine. "Freedom" by Adewuyi Theophilus...

Jean-Louis Mendrisse is a self-taught painter born in 1955 in Clermont-Ferrand. Art, family affairs Jean-Louis Mendrisse studied the deal with his famous sculptor father, Jean Mos...

Dean was born in 1934 of Jewish parents in a Berlin, Germany, that was falling prey to the Nazis. The family immigrated to New York City in 1938, and Dean was raised in the refugee community in Inwood. Dean's first show (ironically, in retrospect) was given him by the USIA in Brazil. In 1959, he returned to New York to work six months on, six months off in soil engineering and made art in the interims. He tried, and failed, to get into a Tenth Street Gallery. Studying painting at night with Andre Girard at City College pushed him over the edge, and in 1969 he committed himself to painting full time. Artists who impressed him in the '60s were Robert Beauchamp, Lester Johnson, Jan Muller...

The eagle, a symbol of strength, freedom, and keen observation, has been revered across cultures and throughout history. With its piercing eyes, commanding presence, and unparalleled aerial prowess, it embodies the beauty and grace of nature. In "My Dear Lady," Bright Toh ingeniously combines the eagle's regal qualities with the elegance and vulnerability of the human form, seamlessly merging the earthly and the ethereal. One cannot help but be immediately drawn to the artwork's vibrant color palette. Bright Toh's deliberate choice of bold hues, such as royal blues, fiery reds, and golden yellows, electrifies the composition and infuses it with energy. The juxtaposition of these vivid colors creates a striking contrast against the serene background, amplifying the visual impact of the artwork and making it a feast for the eyes. The positioning of the eagle-headed human...

Pep Suari 14.75" x 40" Acrylic on Board

Afolayan Emmanuel's "Look Through My Eyes" is a captivating artwork featuring a woman in a seductive pose. The piece is a celebration of female beaut...

"Arike" is a powerful artwork created by Fatunmbi Anjolaoluwa Grace that captures the essence of human emotions and experience. The piece is a mixed-media artwork that uses acrylic, and fabrics to create a stunning visual display. The artwork depicts a young woman gazing off into the distance, lost in thought. Her eyes are expressive, and her expression is contemplative as if she is reflecting on something deeply personal. The title of the artwork, "Arike," is a Yoruba name that means "someone who we have encountered and chosen to care for." This name is significant because it suggests that the woman in the artwork is someone who has had a profound impact on the artist's life, and the artwork is a tribute to her. The use of traditional African clothing in the artwork is also significant. It speaks to the artist's cultural heritage and identity and adds a layer of meaning to the piece. Overall, "Arike" is a stunning piece of artwork that captures the complexity and depth of human experience. The use of mixed media, traditional African aesthetics, and the contemplative expression on the woman's face all contribute to making this artwork a powerful visual display. Fatunmbi Anjolaoluwa Grace has created a masterpiece that speaks to the human condition and the importance of connecting with others. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Anjolaoluwa Arike Fatunmbi is an artist based in the southwest city of Ibadan, Oyo state, Nigeria. Her medium of art is expressed in traditional Adire and Ankara fabric with a blend of acrylic on canvas. Her journey into art began at an early stage while watching her father work on various forms of art as a seasoned professional. For, Arike, Art was second nature as she lived and dreamed of art in an environment beaming with top professionals and ardent art enthusiasts. As she advanced in age with a broader exposure to the vicissitudes of life and a deeper understanding of how human nature transcends and reinvents in a constantly changing circle, her works are consciously impacted by her cultural roots and personal experiences. Arike’s textile art is composed of intricate compositions of layers of fabric, flowery patterns, and detailed attention to the markings of the female features. Her pieces are reflective of her personality as she loves to incorporate vibrant colors and whimsical designs. With her early start in the Art scene, Arike has been able to apprentice under renowned masters in the Art sector like the globally acclaimed proponent of Contemporary Black Art, Oluwole Omofemi. Her work was selected for the prestigious Art fellowship themed: Telling textile tales. The program sponsored by the British Council had in attendance notable heavyweights like Uzoma Samuel and Laura Jones among other participants. She successfully presented papers on the forms of Art she practice and the ethics guiding her creative enterprise. She has also been greatly inspired by leading female artists in the likes of Marcellina Akpojotor, Bisa Butler...

The body is a wordless poetry that painting brings to life. portrait of a seated woman, bare breasts and a white drape over her thighs. the woman is asleep and the painting inspires ...

"Cairo Street Corner" Oil Painting 39" x 28" inch (1974) by Zohra Efflatoun signed & dated Zohra Efflatoun came from an artistic family. Her half-sister Inji was a renowned painter from Cairo. Whereas Zohra, who lived in Alexandria, studied under the patronage of the Alexandrian pioneer painters Adham and Seif Wanly...

In "Speak Up," Bright Toh employs unconventional imagery by merging the head of a cow with a human body. This unexpected combination challenges our preconceived notions and encourages us to look beyond the surface, prompting a deeper exploration of the artwork's underlying message. The cow, often associated with docility and domesticity, takes on a new meaning as it becomes a vessel for the human form, suggesting that even the most unexpected individuals possess the potential for individual expression. The artwork's bright and lively color palette serves as a visual feast for the eyes. Bold hues, such as vibrant blues, fiery red, and vivid greens, infuse the composition with energy and captivate the viewer's attention. The oversized raincoat worn by the figure adds an element of whimsy and intrigue, symbolizing protection and shelter from external influences. It also serves as a metaphorical cloak, representing the need for individuals to find their unique voices and confidently express their ideas and opinions. "Speak Up" serves as a poignant reminder of the significance of individual expression in our society. In a world often characterized by conformity and the suppression of diverse viewpoints, the artwork encourages viewers to embrace their unique perspectives and have the courage to speak up. It celebrates the value of authenticity and reminds us that every individual has a story to tell, a voice to be heard, and ideas that can shape the world around us. Through the fusion of a cow head and a human body, "Speak Up" challenges the traditional notion of what is considered "normal" or acceptable. The artwork serves as a call to question societal norms and encourages viewers to challenge the status quo, promoting a culture of inclusivity and acceptance. It invites us to reconsider the limitations we impose on ourselves and others, reminding us that diversity and individuality should be celebrated rather than suppressed. Bright Toh's artwork, "Speak Up," stands as a vibrant and thought-provoking testament to the power of individual expression. Through the striking fusion of a cow head and a human body, the artwork challenges conventional wisdom and calls for a celebration of authenticity and diversity. By embracing our unique voices and perspectives, we contribute to a richer and more vibrant society. "Speak Up" serves as a reminder to break free from the constraints of conformity and find the courage to express our true selves, amplifying the power of our individuality in the world. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born on the 6th of August 1994 in Buea, Bright Toh holds a Bachelor’s degree in Engineering Electrical and Electronics Engineering from the University of Buea. Notwithstanding his Engineering academic background, Toh is a self-taught visual artist. Bright Toh is a visual artist with artistry portraying the exquisite synergy that exists between the evolving African man, wildlife, and their common environment, through the possession of totems as a liaison to his ancestries, which is a core aspect of his identity and cultural heritage. He is a 2022 ‘Last Picture Show’ Lagos Edition (Collective exhibition) Participant. He also won the UNHCR Global Youth With Refugee Art...

As individuals, we all have our styles and choices of what's suitable for our personalities. In terms of lifestyle and individuality, colors have an important role played in an individual's beauty, attractiveness, and fascination with looking gorgeous and awesome. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Joshua Salami...