Figurative Paintings

Without frame. Expertise by Prof. Antonio Vannugli A brightly lit gash opens up in the middle of the sky; within it appears the figure of the Virgin with the Child and beside her a...

Saint Jerome in the desert Cercle of Lambert Van Noort (1520-1571, Antwerp) Antwerp School, mid-16th century Oil on oak panel. Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...

With a "cassetta" frame in gilded and carved wood. Publications: - Expertise by Prof. Egidio Martini; - G. M. Guidetti, in From Sacro to Profano. The Giorgio Baratti...

Lim Jin Sil Lim Jin Sil expresses the coexistence of self and others and the sense of heterogeneity resulting from the differences between different worlds through old media such a...

Wilson Bigaud is an idea artist in who showcases visual ideas in many of his paintings. In this work, a married Haitian couple tunes their radios in sync as they lie in bed. Bigaud was greatly interested in radios, which appeared in many of his works. This work rises to the level of Surrealism in that Bigaud is doing more than just depicting a normal bedroom moment. There is something very strange and bizarre in the couple's synchronized actions. Also of note, it looks like the woman is swallowing the edge of the radio. Signed lower right in a handmade and hand-painted frame. Wear to the edges of board, including delamination in the corners, some dents and losses. Frame rubbing with associated wear. Areas of white discoloration to the bed and headboard...

We believe in life after death, where the spirits of our ancestors reside. In Javanese tradition, they believe that ancestral spirits are always with us and take care of us even thou...

Smart people learn from their own mistakes while wise people learn from the mistakes of others. Options have always existed throughout the history of human life. Sometimes the choice...

This painting illustrates the story of the worldly desires of humans who never feel that they have enough, always wanting more in terms of fashion, position, wealth and so on. It is human nature to always desire to pursue something they consider beautiful and exotic. About the Artist Saepul Bahri is an established painter from Indonesia with a distinctive surrealist style with flexible and twisted human body figures. He has an interest in body anatomy and started painting human bodies with their bones when he was in middle school. Saepul also likes the imagination of the sea and waves, this is what then gives the shapes of flexibility and twists to the figures in his works. There are number of artists who inspired him such as Rene Magritte, HR Giger...

Tamansariswara is a fun learning concept as taught by the father of Indonesian education, KH Dewantara. He called the school a 'taman' which means a park, a place to play and learn i...

Gigino Falconi was born in Giulianova (Teramo) in 1933. He began painting at the age of sixteen, and in 1954 he obtained a Liceo Artistico of Pescara. During the early years of his c...

Juan Alfonso Abril (active in the 17th century in Valladolid) Head of Saint Paul Oil on canvas, cm. 48,5 x 62 - with frame cm. 63 x 76,5 Shaped wooden f...

Alison Underwood's work evokes various emotions of desires as her artwork proves to display the ideas of temptation and anticipation. These profound feelings are demonstrated in the ...

Gerard ter Borch The Cards Game Oil on canvas 14 x 15.5 inches unframed 19 3/4 x 21 1/2 inches framed Gerard ter Borch (Dutch; December 1617 – 8 December 1681), also known as Gerard Terburg, was an influential and pioneering Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

Oil on Canvas, Signed Dated 2013 14 x 18 Inches

Ludwig Schwarzer formulates a highly independent work, bizarre in content and marked by perfection in craftsmanship. After realistic and later expressionist attempts, he found his ow...

Karen Shahverdyan „Autumn balance“ 90 X 110cm, oil on canvas

Gigino Falconi was born in Giulianova (Teramo) in 1933. He began painting at the age of sixteen, and in 1954 he obtained a Liceo Artistico of Pescara. During the early years of his c...

17th century Portrait of a lady, possibly from the Caulfeild family, seated in a luxurious landscape holding a basket of flowers The sitter is looking sweetly at the spectator, whil...

Landscape Finder. Goyo painted this intriguing painting in 1994, when his inspiration from the old masters was most noticeable. The artist declares: “I feel a powerful attraction to ...

Amy Johnson CBE: Ordre de l'Empire britannique (1903-1941) was one of the most influential and inspirational woman of the twentieth century. She was the first woman to fly solo from England to Australia in 1930 and set a string of other records throughout her career. Even The Queen of Crime, Agatha Christie, had been sufficiently impressed by Amy's achievement in flying solo to Australia. Althought Christie didn't name her directly, it was clearly Amy that her character was referring to in the novel « Peril at End House ». The book features Christie's famous character Hercule Poirot. In this painting Tom Adams use the technique of collage. Dimension with frame 89 cm H x 102 cm W x 7 cm D Dimension without frame 64 cm H x 87 cm W About the artist: Thomas Barclay Adams was born in Providence, Rhode Island, U.S.A. to a family of distinguished architects and planners. He was trained at the Chelsea School of Art and Goldsmith's College between 1946-1950. In 1949 he received a National Diploma of Painting. Between 1953-60 Adams illustrated natural and Regimental history pages for Eagle and natural history features for Eagle, Girl and Swift. In 1958 he founded Adams Design Associates with Anna and Andy Garnett, where he produced large murals in the then-new medium of laminated plastic for various firms such as The Royal Bank of Scotland, Chartered Bank, Aspro Nicholas and Airscrew Jiewood. In 1960 Adams Design Associates became DANAD Designs with a group of architects and designers. In 1965 Adams joined his father, the late James W.R. Adams OBE, eminent town planner and landscape architect, who was planning and design consultant to the Poster Advertising Planning Committee, for whom he helped produce a book: "Posters Look to the Future". He mounted an exhibition at the Tea Center in Regent Street opened by Sir Hugh Casson in 1966. During this period, Adams met Virgil Pomfret and joined his artists' agency. Apart from a few gaps when pursuing other activities (like running art galleries), Adams has been with Pomfret ever since. With Virgil's representation, Adams began a career as a book cover illustrator, most notably for the early John Fowles' novels The Collector, The Magus and The French Lieutenant's Woman (Cape) and the now famous paperpack covers for Agatha Christie (Collins UK and Simon & Schuster USA). This period covered 1963-1975. A book on these cover paintings, with commentary by Julian Symons and an introduction by John Fowles was published in 1981 by Dragons World. Adams has won various awards for illustration, notably the American Society of Illustrators, The American Art Directors Association, and The Design and Art Directors Association, UK. In 1967 Adams opened the Fulham Gallery, which not only gave first exhibitions of some now famous artists, but was for several years the center of the late '60's phenomenon - the poetry print. With C.Day-Lewis (the Poet Laureate) and artist Joseph Herman and John Piper, Adams produced the investiture print for the Prince of Wales. Adams also designed posters for Mark Boyle's light shows (The Sensual Laboratory), going on tour with The Jimmy Hendrix Experience and The Soft Machine. His connection with the modern world of rock music continued when he met Lou Reed, an admirer of his Christie and Raymond Chandler covers. Reed asked Adams to design the cover for his first UK solo album. As a result of this friendship with Lou Reed, Andy Warhol offered to sponsor an exhibition of Tom's work in New York. Adams did eventually work in the States in the early 70's where he was asked by Marshall Arisman to teach at the New York Central School of Art. Around this time, having completed a private commission to paint a portrait of Benjamin Britten...

Oliver Hazard Benson Danubia acrylic on panel 10h x 8w in 25.40h x 20.32w cm OB0107 Oliver Hazard’s paintings are produced directly from his imagination and deals with a mixture of ...

A beautiful mid 17th century Flemish Old Master oil on panel depicting figures in a tavern interior by Anthonie Victoryns. Excellent quality early F...

17th century old master, Hagar and the Angel In Genesis 16, Hagar, Sarah's maidservant, fled into the wilderness after facing mistreatment. There, she encountered an angel who instr...

Early 20th Century Study of Rembrandt’s Portrait of Old Woman Russian for Niello Engraving A wonderful study of Rembrandt’s portrait of an Old Woman used for Niello engraving by Ru...

A Venetian Gentleman 18th Century Venetian School oil painting on board, framed framed: 7.25 x 6 inches board: 5.25 x 4 inches provenance: private collection, UK condition: sound bu...

This vigorous drawing has long been attributed to Polidoro da Caravaggio: The Abduction of the Sabine Women is one of the scenes that Polidoro depicted between 1525 and 1527 on the façade of the Milesi Palazzo in Rome. However, the proximity to another drawing inspired by this same façade, kept at the Ecole des Beaux-Arts, and to other drawings inspired by Polidoro kept at the Musée du Louvre, leads us to propose an attribution to Biagio Pupini, a Bolognese artist whose life remains barely known, despite the abundant number of drawings attributed to him. 1. Biagio Pupini, a Bolognese artist in the light of the Roman Renaissance The early life of Biagio Pupini, an important figure of the first half of the Cinquecento in Bologna - Vasari mentions him several times - is still poorly known. Neither his date of birth (probably around 1490-1495) nor his training are known. He is said to have been a pupil of Francesco Francia (1450 - 1517) and his name appears for the first time in 1511 in a contract with the painter Bagnacavallo (c. 1484 - 1542) for the frescoes of a church in Faenza. He then collaborated with Girolamo da Carpi, at San Michele in Bosco and at the villa of Belriguardo. He must have gone to Rome for the first time with Bagnacavallo between 1511 and 1519. There he discovered the art of Raphael, with whom he might have worked, and that of Polidoro da Caravaggio. This first visit, and those that followed, were the occasion for an intense study of ancient and modern art, as illustrated by his abundant graphic production. Polidoro da Caravaggio had a particular influence on the technique adopted by Pupini. Executed on coloured paper, his drawings generally combine pen, brown ink and wash with abundant highlights of white gouache, as in the drawing presented here. 2. The Abduction of the Sabine Women Our drawing is an adaptation of a fresco painted between 1525 and 1527 by Polidoro da Caravaggio on the façade of the Milesi Palace in Rome. These painted façades were very famous from the moment they were painted and inspired many artists during their stay in Rome. These frescoes are now very deteriorated and difficult to see, as the palace is in a rather narrow street. The episode of the abduction of the Sabine women (which appears in the centre of the photo above) is a historical theme that goes back to the origins of Rome and is recounted both by Titus Livius (Ab Urbe condita I,13), by Ovid (Fasti III, 199-228) and by Plutarch (II, Romulus 14-19). After killing his twin brother Romus, Romulus populates the city of Rome by opening it up to refugees and brigands and finds himself with an excess of men. Because of their reputation, none of the inhabitants of the neighbouring cities want to give them their daughters in marriage. The Romans then decide to invite their Sabine neighbours to a great feast during which they slaughter the Sabines and kidnap their daughters. The engraving made by Giovanni Battista Gallestruzzi (1618 - 1677) around 1656-1658 gives us a good understanding of the Polidoro fresco, allowing us to see how Biagio Pupini reworked the scene to extract this dynamic group. With a remarkable economy of means, Biagio Pupini takes over the left-hand side of the fresco and depicts in a very dense space two main groups, each consisting of a Roman and a Sabine, completed by a group of three soldiers in the background (which seems to differ quite significantly from Polidoro's composition). The balance of the drawing is based on a very strongly structured composition. The drawing is organised around a median vertical axis, which runs along both the elbow of the kidnapped Sabine on the left and the foot of her captor, and the two main diagonals, reinforced by four secondary diagonals. This diamond-shaped structure creates an extremely dynamic space, in which centripetal movements (the legs of the Sabine on the right, the arm of the soldier on the back at the top right) and centrifugal movements (the arm of the kidnapper on the left and the legs of the Sabine he is carrying away, the arm of the Sabine on the right) oppose each other, giving the drawing the appearance of a whirlpool around a central point of support situated slightly to the left of the navel of the kidnapper on the right. 3. Polidoro da Caravaggio, and the decorations of Roman palaces Polidoro da Caravaggio was a paradoxical artist who entered Raphael's (1483 - 1520) workshop at a very young age, when he oversaw the Lodges in the Vatican. Most of his Roman work, which was the peak of his career, has disappeared, as he specialised in facade painting, and yet these paintings, which are eminently visible in urban spaces, have influenced generations of artists who copied them abundantly during their visits to Rome. Polidoro Caldara was born in Caravaggio around 1495-1500 (the birthplace of Michelangelo Merisi, known as Caravaggio, who was born there in 1571), some forty kilometres east of Milan. According to Vasari, he arrived as a mason on the Vatican's construction site and joined Raphael's workshop around 1517 (at the age of eighteen according to Vasari). This integration would have allowed Polidoro to work not only on the frescoes of the Lodges, but also on some of the frescoes of the Chambers, as well as on the flat of Cardinal Bibiena in the Vatican. After Raphael's death in 1520, Polidoro worked first with Perin del Vaga before joining forces with Maturino of Florence (1490 - 1528), whom he had also known in Raphael's workshop. Together they specialised in the painting of palace façades. They were to produce some forty façades decorated with grisaille paintings imitating antique bas-reliefs. The Sack of Rome in 1527, during which his friend Maturino was killed, led Polidoro to flee first to Naples (where he had already stayed in 1523), then to Messina. It was while he was preparing his return to the peninsula that he was murdered by one of his assistants, Tonno Calabrese, in 1543. In his Vite, Vasari celebrated Polidoro as the greatest façade decorator of his time, noting that "there is no flat, palace, garden or villa in Rome that does not contain a work by Polidoro". Polidoro's facade decorations, most of which have disappeared as they were displayed in the open air, constitute the most important lost chapter of Roman art of the Cinquecento. The few surviving drawings of the painter can, however, give an idea of the original appearance of his murals and show that he was an artist of remarkable and highly original genius. 4. The façade of the Milesi Palace Giovanni Antonio Milesi, who commissioned this palace, located not far from the Tiber, north of Piazza Navona, was a native of the Bergamo area, like Polidoro, with whom he maintained close friendly ties. Executed in the last years before the Sack of Rome, around 1526-1527, the decoration of Palazzo Milesi is considered Polidoro's greatest decorative success. An engraving by Ernesto Maccari made at the end of the nineteenth century allows us to understand the general balance of this façade, which was still well preserved at the time. The frescoes were not entirely monochrome, but alternated elements in chiaroscuro simulating marble bas-reliefs and those in ochre simulating bronze and gold vases...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

Italian painter (19th century) - Memento Mori. 43 x 67 cm without frame, 48.5 x 72.5 cm with frame. Antique oil painting on wood, in a wooden frame. Condition report: Original can...

A 16.5” x 20.5” x 1.5" Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Evgeniya Gol...

Circle of Thomas Hudson (1701-1779) British. 18th Century Bust Portrait of a Lady, Oil on Canvas, Inscribed on a label verso, canvas: 30" x 25" (76.2 x 63.5cm). frame: 30 x 25 in...

Figure with Cherubim in Wilderness Italian School, 17th century oil painting on wood panel framed 13 x 11 inches condition: overall for its age very good, though the work is most likely a preparatory...

Mariusz Zdybal (born in 1955) He was awarded with "Golden Palm" at the international painting competition in Cannes and his works has been shown in Cannes, Warsaw, Gdansk and Berli...

"Changes, Decisions and Perspectives" Oil on Canvas Figurative Painting 2023 Artwork is on supported wooden frame. Ready to hang. Tam Ess makes oil paintings that explore the subcon...

Mother and Children - Oil on Canvas Figurative Painting, 2023 Artwork on supported wooden frame. Ready to hang. "A tribute to the spiritual and ancestral ties that bind us, with a v...

Italian painter (early 18th century) - Four Evangelists. 25.5 x 19 cm without frame, 29 x 22.5 cm with frame. Ancient oil painting on panel. in wooden frames. Condition report: In...

A 11” x 14” x 1" Magic Realism Figurative Artwork by artist Evgeniya Golik. This piece is a Mixed Media Inkjet Print on Canvas. A certificate of authenticity will accompany the piece...

A 12” x 12” x 1" Surrealism Figurative Artwork by artist Evgeniya Golik. This piece is a Mixed Media Inkjet Print on Canvas. A certificate of authenticity will accompany the piece up...

A 20” x 16” x 1.25" Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Evgeniya Golik ...

A 26” x 20” Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Evgeniya Golik (also kn...

A 18” x 18” Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Evgeniya Golik (also kn...

17th century Flemish old master painting depicting a peaceful countryside scenery by Lucas Van Uden Lucas Van Uden's life unfolded against the backdrop of the rich artistic tapestry...

Portrait of a Noble Lady circa 1700 circle of John Closterman (German 1660-1711) oil on canvas, unframed canvas : 50 x 40 inches provenance: private collection, Somerset, England con...

Traveller On A horse - Oil on Canvas Figurative Painting, 2023 Artwork is on supported wooden frame. Ready to hang. Tam Ess makes oil paintings that explore the subconscious, blendi...

The Knight is an original oil painting on canvas realized during the XVII century by an anonymous artist. Provenance: Pecci-Blunt collection. Good condition...

Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...

Dimensions: 165 x 123 cm without frame - 194 x 152 cm with frame Black painted, carved, sculpted and guilloché wooden frame, gilded parts in the inner groove. Publications: unpubl...

In the "Fantasy/Metaphysical" series by American artist Eugene Hawkins, the convergence of surrealism and metaphysics unfolds as an exploration of existential themes common to all. C...

Late 20th century surrealist gouache and watercolour on paper by British artist Derek Carruthers. The painting is signed to the bottom right and titled 'Birth of Sculpture' to the re...

Dimensions: 41 x 32 cm without frame - 47 x 55.5 cm with frame Antique box frame made of solid wood and walnut burl. Publications: unpublished The painting by Bernardino Detti (14...

This is a possible self portrait by the famed female surrealist artist. It is also strikingly similar in style with it's exaggerated eyes to her portrait of Jean Genet, ( Leonor F...

The Battle of the Novogorodians with the Suzdalians 16th century Size 50.5 x 47.5 x 3 cm. The icon is located in the Russian Federation. There is an expert opinion from leading R...

Contemporary surrealist watercolour and gouache on paper by British artist Derek Carruthers. Signed bottom right. An intriguing and beautifully painted surrealist work of a figure ...

Oil on panel Signed lower right At the forefront, a child barely reaching the height of the table, sits upon a modest chair, engaged in her simple meal. Her youthful visage captivat...

Gustavo Úbeda (1930-1994) - Surrealism - Acrylic panel Acrylic measurements 80x100 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes from ...

Surreal figurative painting. An insect man in slow metamorphosis who lives in a world inaccessible to us, in a parallel reality that is forbidden to us. A magical place where there i...

An original 10” x 12” x 1.5” Surrealist Acrylic Figurative Painting by artist Christopher Polentz. A certificate of authenticity will accompany the piece upon its purchase or deliver...

Large 17th century Italian old master - Noli me tangere - Christ in the garden with Mary Magdalene The Italian art historian Federico Zeri has conserved a painting in his archives w...

Amazing surrealist painting by Italian artist Nuccio Fontanella (1936-2005). Ink and watercolor on cold pressed illustration board. Image measures 13 x 18 inches; 20 x 25 inches fram...