Antoine Blanchard

Place de la Madeleine- Post Impressionist Landscape Painting - Antoine Blanchard

c.1960

Signed oil on canvas landscape circa 1920 by French post impressionist painter Elisee Maclet. The work depicts a view of the coastal city of Arles in the South of France from the wat...

Signed oil on canvas by Spanish post impressionist painter Emilio Grau Sala. The work depicts beachgoers in Deauville, France taking the last of the sun as it disappears beyond the horizon. The pale yellow light reflects on the sea, illuminating the water. Two horse riders gallop across the sand. The piece is painted in beautiful shades. Signature: Signed lower right and further signed and titled verso Dimensions: Framed: 27"x36" Unframed: 20"x29" Provenance: Private Collection - France Emilio Grau Sala studied at the fine arts school in Barcelona, where he became friends with Antoni Clavé. While still very young he began exhibiting at the Humourists Exhibition. In Paris he exhibited at the major annual Salons. He also exhibited at many international group exhibitions and in 1937 received an important award at the Carnegie Foundation International Exhibition in Pittsburgh. He showed collections of his work in many solo exhibitions starting in Barcelona in 1929 and 1930. His first solo exhibition in Paris was in 1937 and he went on to exhibit in Madrid, London, Buenos Aires and New York. After three trips to Paris he finally settled there in 1936. In Paris he was influenced by the paintings of Marcel Gromaire and especially Julius Pascin. He created theatrical sets and costumes for several plays including The Woman of Easy Virtue ( La Demoiselle de Petite Vertu) by Marcel Achard. He also illustrated many literary works including Madame Bovary by Flaubert, Bel-Ami by Maupassant, Colette's series of four Claudine novels, Marcel Proust's In Search of Lost Time ( À la Recherche du Temps Perdu), and works by poets including Baudelaire's Les Fleurs du Mal...

This painting by Ture Ander, created in 1917, depicts a serene landscape from Värmland, Sweden. At the center of the composition is a large tree, likely a deciduous species, as suggested by the hints of autumn seen in both the tree and the meadow below it. The short brushstrokes used to depict the leaves and grass evoke a sense of movement and texture, typical of the early 20th-century artistic style. Another beautiful detail is the bluish-tinted forested mountains in the background, creating a sense of depth and tranquility. Ture Ander played a significant role in the Racken group (Rackstadkolonin), an important artistic collective in Sweden at the time. Ander was born on September 17 in Askers socken, Örebro. At the age of 13, he became an apprentice painter in Stockholm, attending evening classes at the Technical School (now known as Konstfack) while working during the day. He earned his journeyman’s certificate in 1902, and the following year, he graduated from the Technical School with the highest honors in painting. In 1905, he was accepted into the Konstnärsförbundets skola (School of the Artists' Association), where he studied alongside notable artists like Leander Engström, Isaac Grünewald, and Einar Nerman...

Duong Viet Nam is a Vietnamese contemporary artist known for his Post-Impressionistic style of painting. He often captures city scenes during busy parts of the day. In his paintings...