François Martin-Kavel

Classical French TURKISH Orientalist Beauty Painting of a Woman w/ Mandolin

1890’s

Oliver Rhys (1876-1893) was an important English 19th century Pre-Raphealite Academic painter known for paintings of Grecian woman. His paintings have sold in sothebys and Christie’...

Beautiful Balanise Portrait of a girl with garlands of flowers in her hair by DULLAH (1919-1996). Dullah was an Indonesian artist who painted many portraits and is in all museums. ...

American artist Franklin Briscoe (1844-1903) known for his hirtorical and portrait paintings, paints a Civil War piece; it is a portrait of an officer with his white horse. The brus...

Up for sale is this detailed and tentative portrait of an elegant woman in a common room or 'parlor'. By a famous English Pre-Raphaelite artist. Barked Frederick Lowcock. The woman can be seen standing before beautifully decorated interior. Some of the focuses in this painting is the stained glass window, a tall marble statue of a woman, exotic palm leaves and plants, paintings, easels, and antique furniture, a . By placing the objects in their proper places, Lowcock gave the observer a better understanding of who was being depicted in his portraits. The Royal Academy (1878–1904), Suffolk Street (1880–1892), and Thomas McLean's gallery (1892) all hosted Lowcock exhibitions. A number of biographical dictionaries, notably Benezit and Wood's Dictionary of Victorian Painters, which features an image of his work, mention Lowcock as an artist. The abbreviation CF Lowcock RBA, which stands for Royal Society of British Artists, is sometimes used to refer to Charles Frederick Lowcock. Pre-Raphaelite Woman in Study Sight size 10x18.5 inches With frame 20x29 inches Oil on Panel With Gilded Frame Signed lower left Lechertier...

Here we have a large portrait of a woman elegantly dressed before heading to the Opera. She is seen wearing a vivid pink dress with impressive detailing, holding a fan on her hand. Fantastic RARE Painting and fresh from an estate! Has not Gone through Auction Alice Mumford Roberts (1875-1950) was born in Philadelphia, Pennsylvania,. where she studied the fine arts under Joseph DeCamp, Carl Newman, and Robert Henri. She went to Europe in 1898 to study with the painter Marie Haughton. Alice Mumford lived in Spain for two years, continuing her painting studies with José Mara López Mezquita...

For sale we have this large portrait depicting two young girls in white dresses, standing side by side and posing for the painting. Painted by John Peoli and the Girls happen to be J...

"The Painter's Studio", oil on canvas, 39x27.5in / 100x70cm The artist's studio and art objects part of his life and work. A sculpture, an antique head and a painting that reminds u...

Joseph Badger (c. 1707–1765) was a portrait artist in Boston, Massachusetts, in the 18th century. This amazing painting depicting a young boy with a bird. oil on canvas cm 93 x73...

Elizabeth Zanzinger's (US based) "Current" is an oil painting that depicts a lone figure in a golden field with clouds holding a floral fabric agai...

Elizabeth Zanzinger's (US based) "Fossils" is an oil painting that depicts nude forms suspended in air between highway and underpass. Elizabeth Z...

Elizabeth Zanzinger's (US based) "Plume" is an oil painting that depicts two red head women in the foreground with black fabric and forms cascading around them. Elizabeth Zanzinger is an award-winning painter with an enthusiastic international following. She developed her artistic voice through her studies at the Aristides Atelier and Gage Academy of Fine Art in Seattle. Elizabeth finished her education with a fellowship award (Grand Prize, 2nd Annual Utrecht Art...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...