Ioana Baltan

Anima Damnata, oil painting, figurative, expressionism, dark, green, asylum

2016

Included in the project “Dreams” - 2019, “Solar Room” revolves around the concepts of inner tension, reverie and lucid dreaming. The composition involves a teenager placed in an unde...

“I feel divided 14” originated in a “back and front” series of forty self-portraits where the artist shows multiple interpretations of herself with different mind states over a longe...

The piece is inspired by the mythological creature Medusa and is accomplished in a mixed technique which contains: oil, oil bars and glitter on linen. This figurative painting is part of ‘Goddess’, a new series where the artist focuses on femineity in ancient Greek myths. The character, Medusa, is depicted before being cursed as a young woman in a natural setting. Ioana Baltan...

“The Survivors” is a piece made in 2021 and it is inspired by the flood legends. Flood myths are stories found in many cultures around the world that describe a great deluge or flood...

Sibyl is a painting made in 2023 by Ioana Baltan, and is part from the ‘Feast of the Immortals’ series. Born from the exploration of femininity and symbolism in ancient Greek myths, ...

“Recollecting Paradise” has been under development since the beginning of 2021 and consists mainly of medium to large works that have at their core a search for the idea of paradise ...

Dramatic oil on canvas surrealist painting by John Abrahamson (American 20th Century) depicting a nude male with the motto Partitus Ero or I wager in Latin. Abrahamson is known for h...

Collections: Robert Isaacson; James Draper, New York, 2014. Exhibited: Cambridge, The Fitzwilliam Museum, Beggarstaffs: William Nicholson and James Pr...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

Provenance: Ibid Projects Private collection, Los Angeles

Mikhail Yakhilevich (Israeli, Russian) Boating 116x89 cm oil on canvas Michael Yakhilevitz was born in 1956 in Moscow. He graduated from The Stage Design Department of The Moscow Ar...

Mother Mary, 2017 John Hartley discovered his life's passion while growing up in Piqua, Ohio. Encouraged to develop his talents in an academic environme...