Jered Sprecher

STRANGE LIGHT - Framed Oil on Paper and Panel Painting of Skull w/ Interference

2021

VERT DE GRIS is an oil on canvas painting by Jered Sprecher and a piece in his series of works depicting grayscale flowers. The initial impulse behind the piece came from the idea of...

SOLID SOUND is an oil on paper piece by Jered Sprecher. The first layer of the painting was simply the result of the artist cleaning his brush, working without a conscious goal. At s...

DWELL is a multi-layered oil on linen painting by Jered Sprecher. The piece presents a floral composition, modeled on a bouquet arrangement created by the artist’s wife. Starting fro...

DIRTY OR CLEAN? depicts a grouping of laundry consisting of solid colors as well as striped patterned shirts in a photo representational rendering. Sauer meticulously creates a composition of organized chaos that is shown to exemplify the beauty in the mundane. This piece appears as part of a two-person exhibition with Jason Stout in April 2021 at Channel To Channel...

Fresh Cut (Abstracted Pink/Purple Flowers in Vase against Window) by David Konigsberg 2023, oil on panel, 19 x 23 inches Konigsberg is a conceptual realist who works across media an...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

Carol creates a range of subjects—landscapes, figures, portraits and still life. Whatever the subject, all are imbued with her strong sense of design; luscious brushwork; love for 19...

Carol creates a range of subjects—landscapes, figures, portraits and still life. Whatever the subject, all are imbued with her strong sense of design; luscious brushwork; love for 19...