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Karl Albert Buehr
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Fillette a l'orange (Little Girl with Orange)
By Pierre-Auguste Renoir
Located in Palm Desert, CA
"Fillette a l'orange (Little Girl with Orange)" is a figurative portrait Impressionist oil on canvas painting by Pierre-Auguste Renoir in 1911. The artwork is 25 3/4 x 21 3/8 inches ...
Category

Early 20th Century Impressionist Portrait Paintings

Materials

Canvas, Oil

La Comida
Located in Palm Desert, CA
"La Comida" is an abstract figurative Impressionist oil on canvas painting by María Blanchard. The artwork is 21 1/2 x 28 3/4 inches and is 24 3/4 x 32 1/4 x 2 inches with the frame,...
Category

19th Century Impressionist Figurative Paintings

Materials

Canvas, Oil

Fillette à la pomme
Located in Palm Desert, CA
"Fillette à la pomme" is an Impressionist portrait oil on canvas painting by María Blanchard. The artwork is 28 1/4 x 23 5/8 inches and is 32 1/2 x 28 x 2 inches with the frame, weig...
Category

19th Century Impressionist Portrait Paintings

Materials

Oil, Canvas

Untitled
By Nathan Oliveira
Located in Palm Desert, CA
A painting by Nathan Oliveira. "Untitled" is a Bay Area Figurative Painting, oil on canvas in a brown and tan palette by American artist Nathan Oliveira. The artwork is signed in the lower right, "Oliveira 64". A Californian whose work is of preeminent importance during the post war period, Oliveira is most often associated with Park, Diebenkorn and the other artists with whom he sketched early in his career. Yet it was not an oversight when Oakland Museum director Paul Mills chose not to include Oliveira in the 1957 exhibition “Contemporary Bay Area Figurative Painting.” All came to figuration by initiating a sophisticated dialogue with abstraction, yet it is Oliveira, the often characterized ambivalent loner among Bay Area artists whose work is most often compared to Alberto Giacometti, Francis Bacon, or Willem de Kooning with whom he shared walls and space at The Images of Man exhibition held in New York at the Museum of Modern Art in 1959. During the early years, Oliveira’s lone figures often suggested an existential angst similar to that of Giacometti, but there was also a weightlessness and a transcendent aura that envelopes these figures; they appear as elemental, universal and eternal projections of selfless consciousness better understood within the bodiless realm of metaphysics. These qualities would remain in his work throughout his long career, yet he would find other themes to explore — the natural world where the essential nature of birds and animals exist in equal profundity with their human counterparts, the transient world of evanescent perception when memory must reconstruct momentary experience, and later, the ‘site’ paintings and monoprints that suggest the abandoned remnants of a long-lost civilization or tribe uncovered at an archeological dig. Through and through, flesh to bones, and bones to dust Nathan Oliveira has left us with a legacy of art that will surely remain untarnished by time or changing trends. His work exists within a realm rarely achieved by artists striving in a similar mode of expression. Unclouded by ego or wayward sentiment, it is also in the warmth and humble nature...
Category

Late 20th Century Post-War Figurative Paintings

Materials

Canvas, Oil

Reclining Nude
By Joseph Stella
Located in Palm Desert, CA
A painting by Joseph Stella. "Reclining Nude" is a figurative painting, oil on canvas in a bright palette of yellows, greens, and tans by American Modernist artist Joseph Stella. The...
Category

Early 20th Century American Modern Figurative Paintings

Materials

Canvas, Oil

Bacchanal
By Irving Norman
Located in Palm Desert, CA
A painting by Irving Norman. "Bacchanal" is a macabre social surrealism painting, oil on canvas in a dark palette of reds, blues, and blacks by artist Irving Norman. The artwork is u...
Category

Mid-20th Century Post-War Figurative Paintings

Materials

Canvas, Oil

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Oil on Canvas "Pascal", ca. 1931 by Albert Rigaux
Located in Berlin, DE
Oil on canvas by Albert Rigaux, ( Schaerbeek 1897-1981 Brussels ) Signed lower left: Alb. Rigaux. Titled by hand verso. Provenance: estate of the artist Measurements: 19.69 x 15.75...
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1930s Impressionist Figurative Paintings

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Sun Bath, figurative, Original Oil Painting, Handmade Artwork, One of a Kind
Located in Granada Hills, CA
Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Sun Bath, Size: 20" x 26" x 0.8'' i...
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2010s Impressionist Figurative Paintings

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"Pierrot and the Butterfly, " Early 20th Century Impressionist Oil Portrait
Located in Wiscasset, ME
"Pierrot and the Butterfly" is an early 20th century Impressionist oil portrait. The painting is indistinctly signed lower right and m...
Category

Early 20th Century Impressionist Figurative Paintings

Materials

Oil, Canvas

Loch Katrine Scottish Highlands Summer Landscape, antique signed oil painting
By Francis E. Jamieson
Located in Cirencester, Gloucestershire
Artist/ School: F. E. Jamieson (British 1895-1950), signed Title: titled verso, "Loch Katrine" Medium: signed oil painting on canvas framed Size: fr...
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Early 20th Century Impressionist Landscape Paintings

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'La Feria' 19th Century large figurative scene of a middle eastern market
Located in Shrewsbury, Shropshire
'La Feria' a very busy figurative middle eastern market scene with various characters. Jewellery seller, women, children and animals. John Haynes-William...
Category

19th Century Impressionist Figurative Paintings

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"The Artist's Wife at the Loom, " Harry Hoffman, Bright American Impressionism
By Harry Leslie Hoffman
Located in New York, NY
Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...
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1910s American Impressionist Figurative Paintings

Materials

Canvas, Oil

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