Mark Beard

Two Gymnasts (Modern, Academic Style Oil Painting on canvas of 2 Male Athletes

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Academic style figurative oil painting of a handsome football player against a country landscape 'Ready to Play', Painted by Mark Beard as Bruce Sargeant (pseudonym in homage to the...

Academic style figurative painting on canvas of a family and red tractor against a classic American farm field "Prosperous Family", painted by Mark Beard under his fictitious persona, Bruce Sargeant 84 x 58 inches unframed, 91 x 65 x 3 inches with a gold painted wood frame Excellent condition, ready to hang as is This Academic style figurative oil painting on canvas was painted by Mark Beard as Bruce Sargeant, a pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargeant. Here, the artist captures a blue collar American farming family in their field with an old red tractor. The man and woman stand stoically with their young child, dressed in simple white garments, perhaps to symbolize their purity. Rolling mountains...

Luminist, Hudson River School inspired landscape of Catskill mountains with moonlit blue sky "Moonrise in the Mountains", painted by Hudson Valley artist, Jane Bloodgood-Abrams in 20...

Modern en plein air landscape oil painting on canvas of countryside mountains and grey sky 'Clearing Storm' by Joseph Rapp 18 x 24 inches, oil on canvas 19...

"The Painter's Studio", oil on canvas, 39x27.5in / 100x70cm The artist's studio and art objects part of artist' life and work. A sculpture, an antique head and a painting that remin...

34 x 28 overall Canvas laid down on artist board Signed lower right Overall in gold leaf frame 30x24 inches R.W. Rowe Circa 1970’s

This rare mythological scene depicting the Greek author Homer on the island of Scyros. You will notice the Trojan War being fought in the background. Our painting, dating from 1864, is unsigned, but has a solid attribution to academic artist Henri-Léopold Lévy...

Eugen von Blaas Italian I 1843-1932 No Love Without Envy Signed and dated "Eugen von Blaas 1901" (lower right) Oil on canvas Eugen von Blaas masterfully captured the spirit and charm of Venice, and No Love Without Envy stands as one of his most exceptional compositions. Larger and more finely detailed than many of his works, this grand painting reflects his unparalleled mastery of light, color and narrative. Rich in detail and emotion, this scene is believed to feature a stylized self-portrait of the artist alongside his wife, Paola Prina. Set in a sun-drenched Venetian courtyard, the composition brims with life and intrigue. At its center, an orange seller—modeled by Prina—engages in a flirtatious exchange with an admirer, the artist himself, while three onlookers observe with amusement and envy. The interplay of light and texture is remarkable: von Blaas' exquisite brushwork renders the delicate lace, sumptuous fabrics and intricately adorned garments with near-photographic precision, while the soft flesh tones contrast beautifully against the timeworn stonework of Venice. This attention to detail, combined with the work’s luminous palette, creates a sense of immediacy and warmth that defines the best of von Blaas' Venetian genre paintings. Born in 1843 to Austrian parents in Italy, von Blaas was raised in a household steeped in artistic tradition. His father, Karl Blaas, was a renowned portraitist and history painter, while his brother specialized in military scenes. When Karl was appointed professor at the Venice Academy of Fine Arts, the family relocated to the floating city—a move that profoundly shaped von Blaas’ artistic vision. Though he studied in Rome, Vienna and Paris, it was Venice that remained his greatest muse. Captivated by its light, architecture and everyday moments of romance and social interplay, he became the foremost painter of Venetian genre scenes. During Venice’s Austrian rule, von Blaas adopted the Italianized name “Eugene de Blaas...