Linen Figurative Paintings

Heidi von Faber Pancakes, Butter & Syrup Acrylic on linen 100 x 100 cm ( framed/ included in price 105 x 105 cm) Dutch artist Heidi Von Faber lives and works in The Hague. The Sti...

Still Life Blue Converse shoes Technique: oils, acrylics and ink on old book pages, mounted on a wooden frame. 40x40cm / 15,7x15,7inch Support: Wooden panel chassis 》》R E A D Y --...

Heidi von Faber Raspberry Jam Acrylic on linen 90 x 90 cm ( framed/ included in price 100 x 100 cm) Dutch artist Heidi Von Faber lives and works in The Hague. The Stillllifes she ...

As William Shakespeare is reputed to have said, ‘The eyes are the windows to your soul.” In this classic portrait, Montreal born artist Mel Davis has captured dark eyes framed by dar...

Mid Century Modern "Reflections" Oil 1950s Early morning abstract landscape with birds and reflections of a European scene by Marjorie Suits Erbesa Fresno, California artist (America...

The acrylic colours and spray paint of orange, yellow, pink, grey, and black express the emotions of this painting. Through pop art, street art, graffiti, and expressive abstraction ...

America Martin "Man on the Island with White Linen Towel" Acrylic on Pink Linen 88.5 x 52.5 in. Framed Exploring the identity of both her namesake and cou...

oil on linen

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

"TOO MUCH TOM (FRAMED)" Painting 27" x 46" inch by Shawn Kolodny Creating art to reflect the times we live in, Kolodny creates art for our short attention spans, a distracted socie...

Monumental Hyper Realist Still Life Painting Of Peppers, Hand Signed Oil on canvas 48 x 48 in, 58 x 58 in (framed) Perfect for a ki...

America Martin "Three Listen To The Flowers And The Breeze" Acrylic on Linen 31 x 62 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draw...