Metal Figurative Paintings

Jed Jackson was born in Fayette, Arkansas. Throughout his education, he studied under artists such as Janet Fish, Fairfield Porter, and Leland Bell, and reaps influence from the “gri...

Expedition 36 Russian EVA 34. 7Hrs. 29 Mins. (2013) oil enamel on polypropylene canvas 60 x 48 inches (152 x 122 cm)

Expedition 36 Russian EVA 35. 5Hrs. 58 Mins. (2013) oil enamel on polypropylene canvas 48 x 48 inches (122 x 122 cm)

Santiago Fuente Bo pieces are exceptionally high in detail, but as well are playful and thought provoking. He is influenced with the ever-changing idea of what home means. His consta...

Fahamu Pecou Rising Down, 2014 Acrylic, gold leaf,spray paint, oil stick on canvas 60 x 40 inches (152.4 x 101.6 cm)

"Alter Ego," created by Diego Tirigall, is a captivating 1 x 1 meter canvas that intertwines the intricate aspects of personal and corporate identity through a dynamic mix of mixed m...

A stock character of Russian marionette theatre since the 18th Century, set in St. Petersburg this is a burlesque tale of unrequited love. Charlatan brings the puppets to life and th...

Oil on canvas with gold leaf Ships from Netherlands We are pleased to sell works on behalf of Guusje Bertholet. Guusje is an extremely talented, Dutch artist specialising in portra...

Framed Mixed media on aluminum. Cédric Bouteiller is a French multidisciplinary urban artist known for his complex and layered mixed-media works. Born in 1970, he studied Fine Arts a...

Rachel Bergeret, a French artist born in 1975, embarked on a vibrant journey intertwining fashion and art from the outset. With an early passion for both realms, she initially delved into fashion design, later transitioning into the world of visual arts. Her dual loves infuse her creations, each discipline nurturing the other in a symbiotic artistic evolution. Drawing inspiration from her designer...

Trust your intuition, embrace your journey and follow the path that resonates with your deepest desires are all spiritual beliefs associated with shooting stars. This painting from M...

Sax Berlin "Firebird: Ashes to Ashes" The Firebird - half formed, half realised, rises from the ashes of creation to take his place for eternity. Berlin is a highly symbolic artist, almost metaphysical in his work; this piece is no exception; his Firebird in this portrayal symbolises the re-birth of acting. Swirling in the maelstrom there's a three dimensional quality to this painting, rich shades of red writhe behind the figure who has been forged in the heat, delicate, earthly greens intimate the cooling dust and the Firebird quietly waits. His golden collar reflects the fires like a mirror and affixes itself, becoming a part of the organic whole. White Court Art...

Stabat Mater 207 x 250 x 120 cm oil on canvas Canvasses (3) are framed in a scaffolding in which the side panels can rotate and close. It is possible to have the paintings framed in...

Home at Last (#1025) 2023 Signed, titled, and dated, verso Oil, enamel, and acrylic on canvas 56 x 52 inches This work is offered by CLAMP in New York City.

Sleeve (#146) 2006 Signed, titled, and dated, verso Oil and enamel on canvas 48 x 56 inches This work is offered by CLAMP in New York City.

This is a painting of a group of men standing around on a beach waiting for instructions. Waiting for Instructions, Plinth (#400) 2008 Signed, l.r. Oil, enamel, and ink on canvas ...

"Born to Bloom XXIV" is a framed mixed media work on canvas by Christopher Peter, depicting an abstracted silhouette of a female figure. The artist's technique of layering paints, ha...

Very fine old master miniature of Queen Catherine of Braganza Catherine of Braganza's life is a compelling mix of heroism and valuable contributions. ...

"Hendry's Beach, Santa Barbara, CA" is a framed photograph on aluminum by Xan Padron, depicting a compilation of walking figures set against a serene Pacific shoreline. Padron's sign...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret (these are generally hand signed Awret Safed on the verso. I just have not opened the frame to check) the actual glazed ceramic is 10.25 X 14.75 inches. It depicts a girl or woman with potted plants, birds, pomegranates and other fruits and flowers in a naif, folk art style. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret - who would later become her husband. Among the other artists in the workshop were Herbert von Ledermann-Vütemberg, a sculptor from an aristocratic family with Jewish roots, Léon Landau, and Smilowitz, who perished in the camps in the East. Irène and Azriel tried to bribe a German officer to prevent Smilowitz's deportation. Not only were they unsuccessful, but they were almost put onto the same train. Jacques Ochs was another artist with whom they became friends in the camp. Ochs, a French-born Protestant who lived in Belgium, was interned as a political prisoner. He remained in Belgium after liberation. After the war the Awrets immigrated to Israel and made their home in Safed. They continued to work, and were instrumental in founding Safed's artists' quarter. The Beit Lohamei Haghetaot (Ghetto Fighters' House Museum) art collection holds works donated by Awret. These date from her time in Malines camp and from her stay in Brussels after the war, when she was in the company of orphans who had hidden while their parents were sent to Auschwitz. Her highly expressive works have made their way to exhibitions at theTel Aviv Museum, the Haifa Museum of Modern Art and the Modern Art Gallery in Washington, D.C., as well as into the private collections of such individuals as Dr. Jonas Salk...

My work has traditionally been characterized by immediacy and gesture, executed combining elements of both painting and drawing, and I typically have tapped into the instinctual and ...

Ford William is a self-taught folk/outsider artist, who began making art after coming to terms with chronic mental health issues that had plagued him all his life. The piece was made...

Ford William is a self-taught folk/outsider artist, who began making art after coming to terms with chronic mental health issues that had plagued him all his life. The piece was made...

This piece can be hung on the wall or can be placed directly on a shelf or other flat surface as a sculpture. Ford William is a self-taught folk/outsider artist, who began making ar...

"Populus: Three Dog Night Chrome" is a framed mixed media work on metal, depicting numerous figures in unique poses surrounding painted balloon dogs. Each of the individual silhouett...

🔸 _Title: Astro Boy 🔸 _Artist: Diego Tirigall 🔸 _Year of Creation: 2023 🔸 _Dimensions: 38.2 x 51.2 / 97 x 130 cm 🔸 _Medium: Acrylic, enamel, spray paint, oil pastel 🔸 _Support:...

LOT:20230518S01 ZEVS [Liquidated Chanel - Pink] Liquitex on metal Unique Provenance: De Buck Gallery, New York

original painting; acrylic, gold leaf and oil on high quality canvas stretcher. Finished off with a glossy varnish. 60 x 80 cm 23.6 x 31.5". The sides are painted and it’s ready to ...

I am an artist from Ukraine. I ask you to buy any of my art works. Now there is a war in my country, Russia invaded our territory. Russian rockets and bombs are hitting civilian home...

Keith Young I'm an Achiever! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1136 ----------...

Bryanna Marie's "Quiet Wanderer" is an original, handmade oil painting on a copper coin that depicts a two lane road cutting through lush green pastoral ...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret is signed Awret Safed on the verso. the actual glazed ceramic is 10X15 inches. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret...

Born in 1971 in San Bernardino, California and raised in the Atlanta area, Craig first recognized his creative drive via crayons on his parents' walls, ...

Born in 1971 in San Bernardino, California and raised in the Atlanta area, Craig first recognized his creative drive via crayons on his parents' walls, ...

Born in 1971 in San Bernardino, California and raised in the Atlanta area, Craig first recognized his creative drive via crayons on his parents' walls, ...

Born in 1971 in San Bernardino, California and raised in the Atlanta area, Craig first recognized his creative drive via crayons on his parents' walls, ...

Born in 1971 in San Bernardino, California and raised in the Atlanta area, Craig first recognized his creative drive via crayons on his parents' walls, like many inspired young artis...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in London’s West End...

Loving Kindness : 24ct gold leaf and original pigments. The exceptionally talented Sax Berlin produces another masterpiece for Buddha collection. Sensational piece. "Buddha said…....

Painted bronze with stone base. Limited and signed edition number 9 of 398. Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She is one of the three major artists credited with starting the movement in the late 1970s. She is the only woman to sculpt in this style. Her career is highlighted by iconic figurative works of swimmers and dancers. She has been included in exhibitions at the Smithsonian Institution’s National Portrait Gallery; the State Hermitage Museum in St. Petersburg, Russia; the Venice Biennale; and Palazzo Strozzi Palace in Florence, Italy, among others. Growing up in New York, Feuerman was deterred from being an artist. She attended Hofstra University, Temple University, and graduated from the school of Visual Arts in New York City to begin her career as an illustrator. During the early 1970s she went by the artist’s name Carole Jean, illustrating for The New York Times and creating album covers for Alice Cooper and the Rolling Stones. In 1981, Feuerman was chosen by a jury at the Heckscher Museum in Long Island where she exhibited. After this she was invited to participate in the ‘Learning through the Arts Program’ at the Guggenheim Museum. Feuerman received the Charles D. Murphy Sculpture Award in 1981. In 1982 she received the Amelia Peabody Award for sculpture. In 2016, she received Best in Show Award for her sculpture ‘Mona Lisa’ by the Huan Tai Museum. The sculpture was acquired for their permanent collection. Feuerman has also been awarded the Medici Prize by the City of Florence, First Prize at the Beijing Biennale, and the Austrian Biennale, and in 2008 she received First Prize in the Olympic Fine Art exhibition in Beijing. The piece was acquired by the Olympic Museum. She has taught, lectured, and given workshops at the Metropolitan Museum of Art and the Solomon Guggenheim Museum. In 2011, she founded the Carole A. Feuerman Sculpture Foundation. Her artworks are owned by eighteen museums, as well as in the collections of the City of Peekskill, New York, the City of Sunnyvale California, President and Senator Hillary Rodham Clinton, the Frederick R. Weisman Art Foundation, Dr. Henry Kissinger, the Mikhail Gorbachev Art Foundation, Mr. Steven A. Cohen, Alexandre Grendene Bartelle, and the Malcolm Forbes Magazine Collection...

This is a poignant piece from Sax Berlin, an almost iconic working of pre-Renaissance religious painting. His woman is classically posed and portrays her emotions perfectly in the ca...

Robert Loughlin Brute Gay LGBT Contemporary NYC Oil Male Portrait "The Smiths" The 19 x25 oil on metal is signed and titled "The Smiths" on the ...

Media: Mixed media, collage on glossy paper, bears (aluminum alloy and steel, flashed with gold) painted and varnished by hand. Wooden frame painted white and plexiglass protection. A designer and graphic artist, both by training and trade, Stéphane Gautier...

This one-of-a-kind sculpture is made of resin, Murano crystal with ivory inlay, nacre, ink, and the base is in iron. About the artis. Italian artist Annaluigia Boretto's dreamy scul...

The tagged sculptures by Richard Orlinski are unique, one of a kind hand-painted artwork. About the Jeans: A pair of legendary jeans turned into a sculptural aesthetic. Animated wit...

‘Lady in Banana Garden’ is a large 2019 lacquer on wood painting created by Vietnamese artist Dinh Quan, who is recognized as one of the best lacquer on wood artists in Vietnam. This...

Oil, acrylic polymers, grout, gold leaf, on shaped canvas.

Oil, acrylic polymers, grout, gold leaf, on shaped canvas

A turn towards figurative work by artist Jack Reilly from his Eros, Love and Myth series, depicting love in a time of hate. The work is stretched canvas ov...

Seemingly trapped in an artificial world makes Harlequin appear insightful and enlightened to his audience. However all around him surges the energy that makes this depth illusory, H...

An original Oil, oil enamel, aloud and polyurethane on canvas by American contemporary artist A.J. Fries. This series of Sex Toy Paintings was exhibited at H...

A glorious painting from Sax Berlin's studio. Richly clothed & adorned, the Muse sits in peaceful meditation, her guitar held to her breast. Muse of music, bringing joy & peace to t...

Loving Kindness : 24ct gold leaf and original pigments. The exceptionally talented Sax Berlin produces another masterpiece for Buddha collection. Sensational piece. "Buddha sa...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fa...