Paint Figurative Paintings

Artist: M. Colombo Visena Title: At Sea Medium: Oil on Canvas, signed lower right Date: circa 1955 Canvas Size: 22 x 28 inches Frame Size: 29.25 x 35 inches

Stephanie Amato, “The Collection” — Contemporary Still Life Oil Painting, 24” x 24” The Collection by Stephanie Amato is a beautifully composed contem...

Outstanding late 19th century English Impressionist landscape, with a horse and cart in a village. Described in 1893 by George Moore as "our greatest living landscape painter," Will...

ABOUT THE ARTWORK "Now I Know What It's Like to Love Myself" from the "Perichoresis" series explores the experience of self-love as an act of healing, acceptance, and a return to who...

Impressive early Italian impressionist seaside portrait painting. Oil on board. Framed. Measuring 7.25H by 10.75L.

Signed and dated oil on canvas by French impressionist painter Charles Theophile Angrand. This wonderful and good-sized piece depicts an artist painting "en plain air" in a beautiful...

Charming painting of church in Mexico during Holy Week attributed to Orrin A. White (American, 1883-1969). Circa 1940. Canvas laid on Masonite then pa...

Mom, Daughter, Little Girl, Orange Shipment is included in the price everywhere ALEKSEJ and SERGEJ TKACHEV (Chuchunovka, Brjansk, 1925 and 1922) 特卡乔夫兄弟 Works by the Tkachev brot...

Portrait of Woman in Red Dress - Figurative Study Watercolor and gouache figurative study of a woman in a red dress by Bay area artist (possi...

Signed figures in landscape circa 1950 by French impressionist painter Eduoard Cortes. The work depicts a view of La Madaleine, a Catholic parish church situated on Place de la Madel...

Judd Mercer's (US based) "076 - Plein Air-Flat Irons Vista, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter an...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

Oil on canvas by François Charles Cachoud (born in 1866 in Chambéry, Savoy and died in 1943) is a painter known today for his night effects and his chiaroscuro. Its artistic criteria...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "I Was Lost But I'm Found" from the "PERICHORESIS...

Jaguar Motor Racing Sylvia Smith (British 20th century). signed and dated Jul. 65' oil on canvas, framed framed: 28.5 x 34.5 inches canvas: 24 x 30 inches provenance: private collec...

Gordon Coutts (1868-1937) Scottland & California Artist Image Size: 30 x 40 Frame Size: 45 x 50 Medium: Oil Circa 1920s "Scouting" Indian Biography Gordon Coutts (1868-1937) Born...

Brian Keith Stephens’ "Butterfly Kisses for You #2" (2018) is an original oil on linen painting that captures the gentle charm of a sheep rendered in expressive brushwork and a harmo...

20th Century Oil painting of an Impressionist scene of of an Impressionist landscape. Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish parentage, his f...

This is a wonderful example of Louis Bouché's charming Nude portraits. The artist was truly a master of capturing the energy of the times, and character o...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK In 'Little Woman', I reflect on the inner strengt...

A beautiful modern British impressionist oil on board depicting berthed boats in harbour, by Ken Moroney. The work is signed lower left and presented ...

Sunlit Village Path by Fanch Lel (French b. 1930) Size: 15 x 18.5 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Prov...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Painted circa 1920 by the noted British Impressionist portrait painter Walter Ernest Webster, this lovely oil painting depicts a beautiful young woman in an impressionist palette. Si...

This artwork Titled "Mount Shasta in Spring" c.1970 is an oil painting on canvas by California artist Robert Wagner. It is signed at the lower right corner by the artist. The canvas ...

A charming Parisian scene oil on canvas painting by the French artist, Johannes Schiefer. This painting is a wonderful example of his work from the prime of his career. Capturing a v...

"Exotic Landscape" by Maurice Mazeilie (French) oil painting on board, unframed inscribed verso, 2013 painting: 5 x 7 inches A delightful original oil painting by the 20th century ...

Clyde Steadman's "What Are You Having" is an original, handmade oil painting that depicts the interior of a bar with a bartender at the counter.

Claude Benard (1926-2016, French), signed Portrait of a Fashionable Young Lady oil painting on canvas, unframed, signed upper corner painting: 32 x 24 inches provenance: the artists ...

Title: French Impressionist Oil Painting of Still Life of Pink Roses in a Vase By Fanch Lel (French b. 1930) Size: 9 x 7 inches (height x width) Signed: Yes Oil painting on board, un...

Portrait of an Elegant Lady by Pio Santini (French 1908-1986) signed oil on canvas, framed framed: 34 x 28 inches canvas: 26 x 20 inches Provenance: Private collection, Lyon, France ...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "Let's Keep Them for Ourselves" delves into the i...

This artwork "Summer in Provence" presents a vivid and dynamic landscape, effortlessly capturing the viewer's attention with its robust brushwork and vibrant color palette. The art...

Title: French Impressionist Oil Painting of La Vieille Ferme, Vendée, with Row Boat By Fanch Lel (French b. 1930) Size: 8.5 x 10.5 inches (height x width) Signed: Yes Oil painting on...

'Lemons and a Knife' is a small Impressionist oil on canvas still life painting created by American artist Laura L. Shubert in 2020. Featuring a palette made of beige, blue, black, yellow and orange and pink tones, the painting draws us in with its beautiful rendition of lemons in a blue and while bowl, sitting one a napkin with a silver knife near by...

Title: French Impressionist Seascape with Clifftop Structures and Sailboats by Fanch Lel (French b. 1930) Size: 8.5 inches (height) x 10.5 inches (width) Oil painting on cardboard, u...

French School of the 19th century Portrait of a young man, 1891 Signed (illegible) and dated 91 on the lower right Oil on canvas 46 x 38 cm Framed 52 x 44 In good condition, recently...

This impressionist painting by Virginia artist Walter Biggs captures a moment of quiet strength and familial connection. A seated man rests outside with his hat in hand, while a youn...

John F. Carlson Forest Landscape, circa 1925 Signed lower right Watercolor on paper Sight 21 x 24 1/2 inches The native Swede John Fabian Carlson became a household name in New Yor...

A very whimsical depiction of a woman in a red dress leaning on a beautiful white piano in thought. This piece captures the essence of fashion and Haute Couture effortlessly. Done in...

Title: French Impressionist Oil Painting of Village in Breton Countryside By Fanch Lel (French b. 1930) Size: 8.75 x 6.75 inches (height x width) Signed: Yes Oil painting on board, u...

Bathers by Lake French School, second half 20th century oil on canvas, framed framed: 23.5 x 31 inches canvas: 20 x 28 inches provenance: private collection, France condition: good a...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This lovely Belgian Impressionist figurative oil painting is by noted artist Henri Moreau. Although Belgian by birth, Moreau spent many years in France, moving to Paris in 1920 and o...

Artist: Georges Regnault (French mid 20th century) Medium: Oil on Canvas Dimensions: Framed: 27 x 24 inches Canvas: 22 x 18 inches Provenance: Private Collection, France Condition: ...

"In The Silence, James 1:17" (2025) by Thomas Kegler is an original, handmade oil painting that depicts a serene sunrise above a quiet lake. About the artist: Thomas Kegler’s growi...

Artist: Robert Lemonnier (French, 1883-1958) Title: Seascape at night in Provence Year: Circa 1920 Medium: Oil on canvas Canvas size: 1.75 x 23.75 inches Signature: Signed ...

The port of Étaples, France Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16.5 inches inscribed verso Provenance: private collection Condition: great co...

Michael Carson's (US based) "Italian Chair" (2024) is an original, handmade oil painting and is framed in a black float frame. About the Artist: Mike Carson is a Minneapolis painte...

The Shipwreck by Anthony Hedges (British marine artist, 20th century) signed oil painting on canvas, framed framed: 25.5 x 35 inches canvas: 20 x 30 inches Provenance: private collec...

If something about this painting seems familiar, it is for good reason! Dating from circa 1905-10, it is a work by Lucien Boulier (1882-1963), who was effectively Renoir's last stude...

Artist: Isaac Maimon, Israeli / French (1951 - ) Title: Lady Contemplating Medium: Oil on Canvas, signed l.r. Size: 24 in. x 28 in. (60.96 cm x 71.12 cm) Frame Size: 33 x 37 inches

Oil on Canvas Canvas Size: 21.75 x 18 inches Framed Size: 28 x 25.5 inches Signed Lower Right

Sunlit Country Roads Signed by Fanch Lel Size: 13 x 16 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling marks a...

Jules Herve (French, 1887 - 1981) Entre Acte - Ballerinas at the Opera Oil on canvasboard 10 3/4 x 8 3/4 inches Signed lower left Provenance: Private Collection, Palm Beach, Florida...

Title: Barcelona and Its People Artist: Joan Roig Soler (Barcelona, 1852 – 1909) Medium: Oil on canvas Dimensions: 19.7 x 13.8 in (50 x 35 cm) Support: Relined canvas Framing: U...

Child,Baby,Maternity,child,Mother,Green,Window,spring,russian art GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collect...

Judd Mercer's (US based) "051 - Plein Air-Englewood, CO" is a gouache painting depicting a landscape during sunset. Artist bio/statement Judd Mercer is a contemporary landscape pai...

Impressionist River landscape, English Fisherman on river at Sunrise with a Cottage. Owen Morgan was a classic British Impressionist. While Impressionism is often associated with F...

Leigh Ann Van Fossan's "Le Jardin de Monet, II" is an original, handmade oil painting that depicts an impression of a lily pond. Van Fossan was born in Vail, Colorado, and began oi...